[{"admin":{"added":1592995573000,"created":1412083956000,"id":"publication-7713","indexed":1616540510743,"modified":1554206647000,"processed":1615826767797,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9","version":2},"lifecycle":{"publication":[{"date":[{"value":"2014"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"}]}]},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014","title":[{"primary":true,"value":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-82542","_score":17.70419,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82542","indexed":1755194523428,"modified":1609860987000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82542","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542","uuid":"c8da53d3-f05a-3a6c-8814-fa7b99a85d76","version":4},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-174511","uid":"adlib-agent-174511","uuid":"08f45d1a-fd5c-3b6b-8c5f-a05374801845"},"summary_title":"Duke of Kent"},{"@link":{"type":"reference"},"admin":{"id":"agent-178544","uid":"adlib-agent-178544","uuid":"4038e927-d2b6-3fab-be3f-3b3906f0c125"},"summary_title":"Pompadour, Madame de"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.2"}]},"name":"Foot"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"24"}]},"name":"Over Cover"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain with pierced shoulders and cover, painted in blue enamel with sprays of flowers, and gilded"},{"value":"Soft-paste porcelain painted in blue enamel and gilding. The vase stands on a circular pedestal foot. The ovoid body contracts above the widest point to the circular mouth thus forming a shoulder. The domed cover is surmounted by a finial in the shape of a large and a small carnation on a stem. The shoulder of the vase, and the cover, are each pierced with six oval apertures surrounded by stylised foliage in low relief. The shoulder of the vase is at a slightly lower level that the rest of the body and is divided from it by a gold band with curves below the apertures. The white ground is decorated with sprays of flowers in blue enamel, and the carnation finial is touched with blue. There are two bands of gilding round the foot and serrated bands round the junction of the foot and body and round the lip and on  the edge of the cover. The moulding round the apertures and the stem of the finial are gilded.\nA pair with C.13.1 & A-1947."}],"identifier":[{"accession_number":"C.13.2 & A-1947","primary":true,"type":"accession number","value":"C.13.2 & A-1947"},{"priref":"82542","type":"priref","value":"82542"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542"}],"inscription":[{"description":[{"value":"interlaced L's enclosing A with a crown above"}],"location":"on base of vase in centre","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of vase","method":"incised","transcription":[{"value":"3"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1947,"latest":1910,"value":"1947-10"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1947-10. The price was for the pair of vases"}]}],"creation":[{"date":[{"earliest":1753,"from":{"earliest":1753,"era":["CE"],"latest":1753,"precision":"circa","value":"1753"},"latest":1754,"note":[{"value":"The date letter A was assigned in 1845 to 1753, more recently to late 1753 and part of 1754, and in 2014 proposed by Peters to have been introduced in 1754."}],"range":true,"to":{"earliest":1754,"era":["CE"],"latest":1754,"value":"1754"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"This is a pot-pourri Pompadour of the third size. The form was designed by the goldsmith and bronze-founder, Jean-Claude Duplessis (d. 1774), who worked for Vincennes and S\u00e8vres between c. 1748 and 1774. This vase and its pair may have been the two mentioned in a garde robe of the H\u00f4tel de Pompadour in the probate inventory of Madame de Pompadour in 1764, see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53537","uid":"adlib-media-53537","uuid":"38f24616-63dd-3d5b-9ce4-017ab1e3bed6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":413},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584207052,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":206},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584207052,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}},{"type":"factory name","value":"pot-pourri Pompadour"}],"note":[{"type":"history note","value":"The late Duke of Kent; Christie's, 13 March 1947, Old English Furniture and Fine Porcelain, the property of Her Royal Highness the Duchess of Kent, p. 13, lot 163. Purchased from the Antique Porcelain Company, October, 1947 for \u00a3140."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-82541","uid":"adlib-object-82541","uuid":"44300eb1-d90f-33ec-a965-2e745b14e5db"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},"summary_title":"pot-pourri vase"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 13, lot 163","page":"p. 13","type":"reference"},"admin":{"id":"publication-3649","uid":"adlib-publication-3649","uuid":"b128d330-e62e-36f9-a7a3-560e5e353508"},"summary_title":"Old English Furniture and Fine Porcelain, the property of Her Royal Highness the Duchess of Kent"},{"@link":{"notes":"Publ. pp. 36-49, on p. 42, both bases","page":"pp. 36-49","type":"reference"},"admin":{"id":"publication-200001236","uid":"adlib-publication-200001236","uuid":"9b874fca-2cd8-30bb-bbf8-947f03505897"},"summary_title":"Madame de Pompadour et Vincennes\/S\u00e8vres, Chronologie d'une Passion"},{"@link":{"notes":"Ref. For the shape Pot-pourri Pompadour, see pp. 93-4, nos. 226-233, examples with different decoration.","page":"pp. 93-4","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the shape's history and other examples, see I, pp. 127-134, the Fitzwilliam Museum example mentioned on p. 129 as possibly from the garde-robe of the Hotel de Pompadour, and on p. 132, under Shape A, third size, (g). The Wallace examples C.239-40 are 1756 with later decoration.","page":"pp. 127-34","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. An example painted with blue floral sprays, marked with interlaced Ls and dot, and with later ormolu mounts, formerly in the Wilfred J. Sainsbury Collection, see p. 5, fig. VI without mounts, and fig. VII with mounts.","page":"3-8","type":"reference"},"admin":{"id":"publication-200001233","uid":"adlib-publication-200001233","uuid":"b1537651-1d4d-344c-a2b9-f900cb24d80d"},"summary_title":"Vincennes Porcelain"},{"@link":{"notes":"Cf. p. 38, lot 144, the property of W.J. Sainsbury, the mounted vase with monochrome blue flowers (see also Vincennes Porcelain, 1954). From the Burdett Coutts Collection, The Fitzwilliam's vases were mentioned.","page":"38","type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"notes":"Cf. p. 137, no. 42, with different decoration.","page":"p. 137","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Cf. pp. 99-101, no. 57 a pot-pourri Pompadour painted in blue enamel with garlands of flowers and birds, marked with crossed Ls, c. 1752-4. The Fitzwilliam's examples are mentioned on p. 99 as possibly the pair from the garde robe of Madame de Pompadour.","page":"99-101","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 262, lot 428, a pot-pourri Pompadour of the third size, painted in blue of c. 1752 with slightly later mounts. Estimate $4-6,000. This vase is the one from the W.J. Sainsbury collection. The Fitzwilliam's pair are mentioned.","page":"262","type":"reference"},"admin":{"id":"publication-5821","uid":"adlib-publication-5821","uuid":"94ff8ef3-49fd-3381-b39f-ee376ddc0509"},"summary_title":"The Collections of Hanns and Elisabeth Weinberg and the Antique Company of New York, Important European Ceramics and Objects of Vertu"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108450","uid":"adlib-term-108450","uuid":"2abaabcd-7ef8-3781-b95a-52e78269140a"},"summary_title":"carnation"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"carnation"}],"summary_title":"carnation"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},"summary_title":"pot-pourri vase","techniques":[{"description":[{"value":"soft-paste porcelain, thrown, pierced, painted overglaze in blue enamel and gilded; the flower finial hand-modelled."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Pot-pourri Pompadour"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71107","_score":17.70419,"_source":{"admin":{"added":1592999553000,"created":1312637261000,"flag":"Standard Record","id":"object-71107","indexed":1755194540349,"modified":1714466012000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71107","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71107","uuid":"11abffe8-ca98-3a47-9eb3-fa8a29f5a24f","version":9},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"crimson (cama\u00efeu pourpre)"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in crimson (cama\u00efeu pourpre) enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13"},{"dimension":"Height","units":"cm","value":"2.9"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"6.6"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"6.7"}]},"name":"Cup","techniques":[{"description":[{"value":"Soft-paste porcelain, painted in monochrome puce (cama\u00efeu pourpre) enamel, and gilding."}],"note":[{"value":"probably"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"9"}]},"name":"Cup With Handle"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, painted in monochrome puce enamel with birds in flight and a landscapes, and gilded."},{"value":"Soft-paste porcelain, painted in monochrome puce (camai\u00ebu pourpre) enamel, and gilding. The cup has straight sides which curve inwards slightly at the base, and an ear-shaped  handle. The circular saucer has sloping sides and a flat centre. There is a suspension hole in the footrim of the saucer. The cup is decorated with a bird in a tree, with one bird in flight on each side, and has a dentilated gold rim, a gold line round the base, and lines on the sides of the handle. The centre of the saucer is decorated with two buildings in a landscape, and on the sides with three birds in flight. The edge is encircled by a dentilated gold band.  The colour of the crimson on the saucer is darker than that on the cup."}],"identifier":[{"accession_number":"C.1 & A-1949","primary":true,"type":"accession number","value":"C.1 & A-1949"},{"priref":"71107","type":"priref","value":"71107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71107"}],"inscription":[{"location":"on base of cup","method":"incised","transcription":[{"value":"'I' or I  and dt"}],"type":"incised mark"},{"description":[{"value":"is this in fact there?"}],"location":"on base of saucer","method":"S","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Louis C.G. Clarke"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1949,"latest":1949,"value":"1949"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1949"}]}],"creation":[{"date":[{"earliest":1753,"from":{"earliest":1753,"era":["CE"],"latest":1753,"precision":"circa","value":"1753"},"latest":1760,"range":true,"to":{"earliest":1760,"era":["CE"],"latest":1760,"value":"1760"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"Decoration of cherubs, flowers, birds, and landscapes in crimson monochrome (camaieu pourpre) and blue monochrome (camaieu bleu) were popular throughout the 1750s.  This cup and saucer have been dated to the Vincennes period, but might have been made at S\u00e8vres. A Vincennes cup and saucer of Bouillard shape of c. 1753 painted in crimson with a bird in a landscape is in the Mus\u00e9e des Arts D\u00e9coratifs.(Inv. no. 33263A-B)."},{"value":"The shape of this cup resembles several in the Wallace Collection which Savill (see Documentation, 1988, vol. II) suggests may be the form described as gobelet 'couvert' et soucoupe, but lacking its cover. If so, this would be the first size which without its cover measured between 6.4 to 7 cm, with, a saucer of the form normally accompanying a gobelet litron, between 12.8 and 14.5 cm in diameter. This one has a gobelet litron style handle of Savill\u2019s shape C, and a litron saucer.The gobelet couvert might also have a Bouillard shape saucer. 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For further reproductions of 'La Chasse' and 'La Pesche' and their use on Vincennes and S\u00e8vres porcelains, see pp. 6-35, esp. p. 20 and figs. 6, 7 and p. 24.","page":"pp. 6-35","type":"reference"},"admin":{"id":"publication-200001232","uid":"adlib-publication-200001232","uuid":"4e606662-3b57-31e4-8767-41d5699370cb"},"summary_title":"L'oeuvre de Vielliard d'Apr\u00e8s Boucher"},{"@link":{"notes":"Ref. This shape is thought to be that described in the factory archives as plat long uni or ovale. See p. 64, no. 124, an example in the Mus\u00e9e Nationale de C\u00e9ramique at S\u00e8vres. Similar models at the Wallace Collection and in the late Prof. Sir John Plumb's collection. 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For the painter, Charles-Nicolas Dodin (1734-1803, see III, pp. 1029-32.","page":"pp. 590-3","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 478, a jardini\u00e8re decorated with les Jeunes Oiseleurs","page":"p. 478","type":"reference"},"admin":{"id":"publication-200001237","uid":"adlib-publication-200001237","uuid":"a71d37aa-d058-3813-a1b3-67dbf7302da3"},"summary_title":"S\u00e8vres Porcelain in the Collection of the Earl of Harewood. Part I: the early period: 1750-60"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. 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The ewer stands on a domed quatrefoil foot. The body swells out above the foot and then contracts in a concave curve before flaring upwards and outwards at the front to form the lip, and up and over in a wave-like curve in the same direction on the opposite side. The handle is approximately ear-shaped with a moulded scroll at the junction with the body at the top just below the wave, and at the lower end just above the widest point. On each side there is a pear-shaped reserve painted in polychrome with two flying birds, the lower of the two holding a branch in its claws, and framed by gilded palms, flowers and foliage . Beneath the lip is an elaborate scroll and swag design in gold, and round the foot, a garland of flowers and foliage with tooled details. There are two bands of gilding round the outer edge of the foot, and just below the rim, following its contours, a single band. with a decorative motif and a garland of flowers below the lip. On the edge of the rim there is a dentilated band. The handle is white with lines of gilding down the sides and a form leaf spray at the top.\nPart of a set with C.7A-1961"}],"identifier":[{"accession_number":"C.7-1961","primary":true,"type":"accession number","value":"C.7-1961"},{"priref":"82524","type":"priref","value":"82524"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82524","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82524"}],"inscription":[{"description":[{"value":"very thick and smudgy"}],"location":"on base of ewer","method":"underglaze in dark blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1753,"from":{"earliest":1753,"era":["CE"],"latest":1753,"value":"1753"},"latest":1754,"note":[{"value":"Both pieces bear the date letter assigned in 1845 to 1753, but which either ran over from the latter part of 1753 to 1754, or may not have been used until 1754. See Documentation, Peters, 2014."}],"range":true,"to":{"earliest":1754,"era":["CE"],"latest":1754,"value":"1754"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-161376","uid":"adlib-agent-161376","uuid":"8a52f5ad-6cc1-379e-a293-b3015f8543de"},"summary_title":"Duplessis, Jean-Claude Chambellan, p\u00e8re"}],"note":[{"value":"In 18th century France, ewers and basins were used in their owner's private apartments for washing their face and hands during the toilette, or for washing their hands while eating. They were not supplied as part of services for dining. This ewer known as a 'pot \u00e0 la Romaine' in the factory but often referred to elsewhere as a' pot \u00e0 l\u2019eau \u00e0 la Romaine, was designed by Jean-Claude Chambellan Duplessis (b. c. 1690-5; working 1748-1774) before October 1751.The ewer was made in two versions, 'uni' or plain, represented by this example, and with relief decoration described as \u2018\u00e0 ornements\u2019, but the factory\u2019s records do not always distinguish between them. The basins also differ, one having a smooth interior and the other relief moulded foliage. A plaster model for the pot \u00e0 la Romaine \u00e0 ornements survives at the factory but not a model for the basin. The factory's stock  inventory of 1 October 1752 mentions moulds for both versions, biscuit, and glazed examples, but no decorated ewer and basin sets.  The first known sale  of a set, decorated with flowers, was on 15  December 1752 to M. H\u00e9bert.\n\nDark blue underglaze grounds were being used at Vincennes by 1751, and are now usually termed bleu lapis. The very brilliant dark blue ground on this ewer and its basin may be the 'bleu antique' or 'bleu de M. Gagny' which was introduced about October 1752.  However, the term lapis continued to be used in sales records. The dark blue ground was often combined with bird painting in gold or colours in reserves surrounded by lavish and delicately chased gilding which concealed the edges of the reserves, and produced a most luxurious and sophisticated effect.\n\nThis ewer and its basin bear the date letter A introduced in 1753 and spanning the years 1753-1754.  It might therefore have been one of three recorded sales  of sets with bleu lapis grounds and polychrome bird decoration during those years. 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There is a dentilated gilt band round the rim.\nA pair with C.19B-1961."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1766","uid":"adlib-exhibition-1766","uuid":"50dc1734-4ec9-32ea-b76e-4e9ef08bfc00"},"summary_title":"Image and Text"}],"identifier":[{"accession_number":"C.19A-1961","primary":true,"type":"accession number","value":"C.19A-1961"},{"priref":"72954","type":"priref","value":"72954"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954"}],"inscription":[{"description":[{"value":"interlaced L's enclosing G"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"an arrow, pointing downwards, with split tail, and a circle in the middle of the shaft, with a horizontal line through it"}],"location":"on base, above factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base in front of suspension hole","method":"incised","transcription":[{"value":"gp"}],"type":"incised mark"},{"description":[{"value":"elongated rectangular gold paper label with cut corners inscribed in black ink with 'Strawberry Hill'"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"Strawberry Hill"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"This stand and its pair do not appear in the Strawberry Hill sale catalogue, Mr George Robins, 25 April, 1842,The Valuable Contents of Strawberry Hill, nor are they described in Horace Walpole, A Description of the Villa of Mr. Horace Walpole . . . Strawberry Hill . . ., 1784."}]}],"creation":[{"date":[{"earliest":1760,"era":["CE"],"latest":1760,"note":[{"value":"Accessioned as 1759 but as a result of the revision of the dates for the date letters, A now standing for 1754, it has been changed to 1760."}],"precision":"circa","value":"1760"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162406","uid":"adlib-agent-162406","uuid":"ae08b23b-043d-3334-a062-764b683be1e1"},"summary_title":"Gr\u00e9mont, Claude-Jean-Baptiste"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-175222","uid":"adlib-agent-175222","uuid":"26cc5a91-e0d9-3fdf-bfda-38d39acea11e"},"summary_title":"Poulain, Gratien"}],"note":[{"value":"Both Gr\u00e9mont and Poulain were working at the factory when this stand was made, and have been suggested as the user of the incised mark gp, but given the initials the latter seems more likely."},{"value":"The painter's mark on this piece appears on objects decorated with birds made c. 1759, and is somewhat like another arrow mark which since the 19th century has been attributed to Pierre-Fran\u00e7ois Yvernel, who worked at the factory from 1750-59. But no evidence has been found for this attribution. On accession this dish was attributed to Yvernel, but if Peters' proposed revision of the years allocated to date letters is accepted, this dish would have been decorated in 1760 after he had left the factory (see Documentation, Peters, 2014)."},{"value":"This is one of two different stand forms which accompanied barrel-shaped mustard pots (moutardiers ordinaires), the other has a cusped rather than indented outline, and a central depression to take the pot. This stand and its pair may have been intended to accompany a pair of similarly decorated mustard pots decorated by the same two decorators and said to have come from Strawberry Hill formerly in the Charles-Otto Zieseniss Collection (see Documentation)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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For the mark attributed to Yvernel, a landscape painter, working at Vincennes and S\u00e8vres between 1750 and 1759, but this is not identical to the mark on this piece.","page":"35","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref. Vol. I, Part II, Unattributed marks (Devices), p. 97, the arrow mark attributed in the 19th century to Pierre-Fran\u00e7ois Yvernel, and below it the mark on this piece, with a note that it is found on bird-decorated items of 1758-59. Peters suggests two possibel painters, Auclos or Kn\u00fcpfer who worked in those years.","page":"97","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. 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The author considered this might be the mark of Gr\u00e9mont p\u00e8re, see p. vi.","page":"219","type":"reference"},"admin":{"id":"publication-3644","uid":"adlib-publication-3644","uuid":"98152442-d20d-3780-aea4-f7a43bb51263"},"summary_title":"The Wrightsman Collection IV: Porcelain"},{"@link":{"notes":"Cf. p. 147, lot 198 a pair of mustard pots with covers, bleu lapis grounds, and birds in landscapes in the reserves, dated for 1759-60, one bearing the mark on this example, and the other that of J.-L. Morin, and said to come from Strawberry Hill, which suggests that they might have been the mustards which went with this dish and its pair. 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A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106419","uid":"adlib-term-106419","uuid":"6a020a7a-d710-3cb6-af17-8cd664abcf90"},"summary_title":"bird"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"bird"}],"summary_title":"bird"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123169","uid":"adlib-term-123169","uuid":"6e47fb5c-dbf9-39e1-8fab-101e974ed882"},"summary_title":"stand for a mustard pot"}},"summary_title":"stand for a mustard pot","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, decorated in underglaze blue, painted overglaze in blue, pale turquoise-green, yellowish and brownish green, puce pink, grey, brown, and black enamels, and gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-140366","_score":16.660662,"_source":{"admin":{"added":1592963638000,"created":1312637261000,"flag":"Standard Record","id":"object-140366","indexed":1747246366627,"modified":1711380349000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-140366","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140366","uuid":"e96834e1-110d-3a03-a0d8-d55f05a62fb6","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"bleu lapis; possibly bleu de M. Gagny"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"note":[{"value":"blue, green, yellow, dark pink, red, purple, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"name":"Decoration","techniques":[{"note":[{"value":"bleu lapis; possibly bleu de M. Gagny"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123464","uid":"adlib-term-123464","uuid":"eab8eef4-1668-371e-bed7-5038cae50bf8"},"summary_title":"ground laying underglaze"}},{"note":[{"value":"blue, green, yellow, dark pink, red, purple, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porelain decorated with an underglaze blue ground, reserves painted in enamels with flying birds, and gilding"},{"value":"Soft-paste porcelain, moulded, decorated with an underglaze bleu lapis ground, painting in blue, green, yellow, dark pink, red, purple, grey enamels, and gilding. The basin is oval in plan with undulating curved sides and rim, slightly higher at one end than the other. On each side there is a depression to facilitate handling. The middle of the base has been ground down to flatten it, and there is a small suspension hole. nInside there are two circular and two oval reserves, each painted in enamels with two flying birds, two framed by gilt garlands of flowers, and foliage, and two by palms, flowers, and foliage, . In two of the reserves one bird holds a branch in its claws, and in one reserve, one bird holds a branch in its beak. In the centre there is an arrangement of gold flowers and foliage. There is a dentilated gold band round the edge and on the exterior, two sprays of gold flowers on each side. Part of a set with ewer C.7-1961"}],"identifier":[{"accession_number":"C.7A-1961","primary":true,"type":"accession number","value":"C.7A-1961"},{"priref":"140366","type":"priref","value":"140366"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140366","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140366"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"V."}],"type":"incised mark"},{"location":"on base","method":"painted underglaze in dark blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The set would have been used in the owner's private apartments for washing.  The model for the basin has not survived at the factory.\n\nDark blue underglaze grounds were being executed at Vincennes by 1751, and are now usually termed 'bleu lapis'. The very brilliant dark blue ground on this ewer and its basin may be the bleu antique or bleu de M. Gagny which was introduced about October 1752. (See Documentation, Pr\u00e9au and d\u2019Albis). However, the term lapis continued to be used in sales records. The dark blue ground was often combined with bird painting in gold or colours in reserves surrounded by lavish and delicately chased gilding which concealed their edges, and produced a most luxurious and sophisticated effect.\n\nThe Fitzwilliam\u2019s ewer and basin might have been one of three sets with bleu lapis grounds and polychrome bird decoration sold in 1753 and 1754. Monsieur de Betz bought one set for 300 livres  on 26 December 1753. Another was sold to the Parisian marchand-mercier, Lazare Duvaux on 31 December 1753 for 220 livres, and a third was sold to Madame la Marquise de Pompadour by Lazare Duvaux on 23 June 1754. This does not appear to have been the set he bought earlier. His Livre Journal entry does not state whether the birds were gold or coloured, but the price was the same as M. de Betz\u2019s set which had coloured birds. (See Documentation, Roth and Corbeiller)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"Vincennes"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"8"},{"dimension":"Length","units":"cm","value":"36.2"},{"dimension":"Width","units":"cm","value":"23.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-115354","uid":"adlib-media-115354","uuid":"b947de46-f09e-38c0-a921-a6e371900733"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1742589604885,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":334},{"dimension":"width","units":"pixels","value":500}]},"modified":1742589604885,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1742589604885,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1742589604885,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-4137408251","source":"portfolio","uid":"portfolio-media-4137408251","uuid":"2f281c6a-6d87-3e1c-ada9-5ef5dabdb1b7"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/large_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":683},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203117000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/mid_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":333},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203117000,"resizable":true,"type":"image"},"original":{"location":"C.7A-1961_1_200902_mfj22_mas.tif","modified":1529203117000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/preview_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203117000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/C_7A_1961_1_200902_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":3413},{"dimension":"width","units":"pixels","value":5120}]},"modified":1529203117000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Basin from a set with a ewer, Vincennes Porcelain Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"jatte ovale"}],"note":[{"type":"history note","value":"Acquired before October 1948 by L.C.G. Clarke, MA, Cambridge; bequeathed by him in 1960"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-82524","uid":"adlib-object-82524","uuid":"83207574-6fbb-347a-a040-1f6c5516d173"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. p. 205, no. 1818: A ewer and basin of this type were sold to Madame la Marquise de Pompadour by Lazare Duvaux on 23 June 1754 `Un grand pot \u00e0 l'eau \u00e0 la romaine et sa jatte ovale en bleu lapis et or, les cartouches peints avec des oiseaux 300 L'.","page":"205","type":"reference"},"admin":{"id":"publication-3647","uid":"adlib-publication-3647","uuid":"6f961f53-7f4e-3f01-830c-e010fa284fce"},"summary_title":"Livre-Journal de Lazare Duvaux  marchand-bijoutier ordinaire du Roy 1748-1758, pr\u00e9c\u00e9d\u00e9 d\u2019une \u00e9tude sur le gout e sur le commerce des objets d\u2019art au milieu du XVIIIe si\u00e8cle"},{"@link":{"notes":"Cf. pp. 70, no. 137, a ewer and basin, p. 71, no. 138 a ewer and basin, both with entirely different decoration","page":"70-1","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Cf. pp. 293-5, no. 148, a ewer and basin with similar decoration, dated to c. 1753-5; marked with crossed Ls but not date letter. The Fitzwilliam's set is mentioned on p. 294.  The authors give detailed documentary references for this form, and examples made and sold c. 1752-4.","page":"293-5","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106419","uid":"adlib-term-106419","uuid":"6a020a7a-d710-3cb6-af17-8cd664abcf90"},"summary_title":"bird"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"bird"}],"summary_title":"bird"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin","techniques":[{"description":[{"value":"soft-paste porcelain. moulded, and  decorated with underglaze bleu lapis ground, painting in blue, green, yellow, dark pink, red, purple, grey enamels, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Basin from a ewer and basin set"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82538","_score":16.660662,"_source":{"admin":{"added":1592996729000,"created":1312637261000,"flag":"Standard Record","id":"object-82538","indexed":1755194527576,"modified":1609857485000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82538","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82538","uuid":"e106c1c8-e01f-37cc-b046-e33a10334d33","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"bleu lapis"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115511","uid":"adlib-term-115511","uuid":"95354bea-ee01-3917-8f14-2e642f756309"},"summary_title":"underglaze blue ground"}},{"note":[{"value":"blue, green, yellow dark pink, pale purple, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in bleu lapis"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120109","uid":"adlib-term-120109","uuid":"0ac0da43-b119-38cf-9afd-87a3520c8d17"},"summary_title":"painting underglaze"}},{"note":[{"value":"in blue, green, yellow dark pink, pale purple, and grey enamels enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"of gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26923","uid":"adlib-term-26923","uuid":"8637c49a-c93f-3442-86fb-0fa05cb5345b"},"summary_title":"tooling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"16.2"},{"dimension":"Height","units":"cm","value":"3.8"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"8"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"7.7"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10.9"}]},"name":"Cup Including Handle"},{"name":"Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, decorated with a bleu lapis ground, and painted in enamels with two flying birds in each of the reserves, and gilded"},{"value":"Soft-paste porcelain decorated with an underglaze bleu lapis ground, painting in blue, green, yellow dark pink, pale purple, and grey enamels, and gilding. The cup is of a truncated conical form with a harp-shaped handle. The circular saucer has a flat base and deep sloping sides.There is a small hole for suspension in the base of the saucer. Both pieces have a bleu lapis ground. On the cup there are two heart-shaped reserves framed by trellis work, flowers and foliage in gold, and painted in polychrome with two flying birds. In the reserve on the side away from a right-handed drinker, one bird carries a branch in its beak. The saucer has a circular reserve, similarly framed and painted in polychrome with two flying birds. There are dentilated gilt bands round the rim of the saucer, round the foot and rim of the cup, and lines of gilding down the sides of the handle, and paired stylized leaves, a flowerhead, and groups of dots down its back"}],"identifier":[{"accession_number":"C.10.2 & A-1961","primary":true,"type":"accession number","value":"C.10.2 & A-1961"},{"priref":"82538","type":"priref","value":"82538"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82538","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82538"}],"inscription":[{"location":"on base of cup in the middle","method":"thickly painted in blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"},{"location":"on base of cup near the edge","method":"thinly painted in blue enamel","transcription":[{"value":"y"}],"type":"mark"},{"description":[{"value":"the blue has smudged"}],"location":"on base of saucer in the middle","method":"thickly painted in blue","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"location":"on base of cup and saucer near their edges","method":"incised","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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Oval with curved, slightly lobed sides, and undulating rim with four notches at the cardinal points and four less prominent notches between them. There is a suspension hole in the footring. The stand has a bleu lapis ground with a shaped reserve each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserves are each painted with two birds in a landscape, one bird standing and the other flying or perched in a tree. There is a dentilated gilt band round the rim. 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This stand and its pair may have been intended to accompany a pair of similarly decorated mustard pots decorated by the same two decorators, and said to have come from Strawberry Hill, formerly in the Charles-Otto Zieseniss Collection (see Documentation)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed lead 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The incised mark gp on catalogue nos. 87 (a plateau) , 102 (pair of compotiers ovales), no. 109 (tray for ice cups).","page":"vi","type":"reference"},"admin":{"id":"publication-5544","uid":"adlib-publication-5544","uuid":"28882f1d-7a13-30af-86be-c19a99274fc9"},"summary_title":"S\u00e8vres Porcelain, Makers and Marks of the Eighteenth Century"},{"@link":{"notes":"Ref. p.199 for the gp incised mark which the author suggests might be that of Gratien Poulain, see p. 123, who was working at the factory as a r\u00e9pareur between 1758 and 1777. For Gr\u00e9mont p\u00e8re's dates of working, see p. 87. He was working as a r\u00e9pareur c. 1752 and 1756-73 and 1773-75 r\u00e9pareur of soft-paste.","page":"87, 123, 199","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref. Vol. III, for Jean-Louis Morin, see pp. 1051-2. Savill notes that a group of pieces possibly by Morin are decorated with birds in landscapes, with examples dating from 1753-65. Also that from 1758 he began to work on pieces with coloured reserves. For occurences of the incised mark gp, see p. 1106, which following Dauterman, she suggests may be the soft-paste r\u00e9pareur Gratien Poulain, op. 1758-77.","page":"1106","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. 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The base of both pieces is unglazed. The cup is of a truncated cone shape with a flat base, and harp-shaped handle. The circular saucer has deep sloping sides, a flat centre, amd a small hole for suspension in the base. Both pieces have a bleu lapis ground. On the cup there are two heart-shaped reserves framed by gold trellis work, flowers and foliage with finely tooled details, and painted in polychrome with two flying birds, one of which in one reserve, carries a branch in its beak. The saucer has a circular reserve, similarly framed and painted in polychrome with two flying birds, one carrying a branch in its beak. There are dentilated gold bands round the rim of the saucer, round the foot and rim of the cup, and lines of gilding down the sides of the handle, which also has paired leaves, a flower head, a husk, and several dots down its back. A pair with C.10.2 & A-1961"}],"identifier":[{"accession_number":"C.10.1 & A-1961","primary":true,"type":"accession number","value":"C.10.1 & A-1961"},{"priref":"71114","type":"priref","value":"71114"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71114","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71114"}],"inscription":[{"description":[{"value":"the A has lost its lower half on the saucer"}],"location":"on base of cup and saucer","method":"painted in blue on unglazed surface","transcription":[{"value":"interlaced L's enclosing A"}],"type":"factory mark"},{"location":"near edge on base of cup and saucer","method":"in blue enamel","transcription":[{"value":"y"}],"type":"painter's mark"},{"location":"near edge on base of cup and saucer","method":"incised","transcription":[{"value":"4"}],"type":"incised mark"},{"description":[{"value":"underlined"}],"location":"on base","method":"hand-written in black ink now faded","transcription":[{"value":"\/-\/ni  or \/-\/mi"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The cup was probably used as a breakfast cup and the factory's records indicate that they were made in large numbers. Many examples decorated with a bleu lapis ground and reserves decorated with coloured birds  are mentioned at various prices in the sales records of  1753 to 1754 when this set was decorated. The prices mentioned were 36, 42, and 48 livres, with one purchased for the duc de Duras at 60 livres. When size was mentioned,  the first size cost 48 livres and the second  42 livres. \n\nIt has been suggested that the y which usually occurs well away from the factory mark on pieces dating from about 1752-8, might be the mark of Pierre-Fran\u00e7ois Yvernel who worked for the factory from 1750-9. (See Eriksen and de Bellaigue, 1987, p. 154, chart, no. 135, and p. 167, no. 135. But there is no evidence to confirm this. After 1758 a Y or y was used by Edme-Fran\u00e7ois Bouillat, usually to the right of the factory mark.\n\nThe incised mark '4' occurs on Vincennes and S\u00e8vres porcelain in either an open or a closed form, (here it is almost closed) frequently from 1753. 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The cup is of truncated conical form with two loop handles, foliated at the upper and lower ends. The domed cover is surmounted by a finial in the shape of a multi-petalled flower and three leaves. The saucer is circular with a flat base and deep, sloping sides. There is a suspension hole in the interior edge of the cover, and in the footring.                       On one side of the cup there are two exotic birds perched in a tree with mosses, grasses, and a flowering plant at its foot. On the other side is a tree in the branches of which is a nest containing three nestlings, and a parent bird. Another bird stands on the ground amid similar flora. On the cover there are two landscapes each with a bird standing on the ground, and two flying birds in the spaces between them, one carrying a branch in its beak. On the saucer there are three landscapes, two with a bird on the ground, and a bird perched in a tree,  and one with a bird standing on the ground. In the middle, there are  three flying birds, one carrying a branch in its beak. There is a plain gold band round the base of the cup and dentilated gold bands round the rim of all three pieces. The handles are outlined in gold."}],"exhibitions":[{"@link":{"catalogue":"no. 35","type":"reference"},"admin":{"id":"exhibition-1741","uid":"adlib-exhibition-1741","uuid":"0e292605-69a4-3b99-9e65-03daad1c87ef"},"summary_title":"An Exhibition of 18th Century French Porcelain"}],"identifier":[{"accession_number":"C.20 & A & B-1980","primary":true,"type":"accession number","value":"C.20 & A & B-1980"},{"priref":"82588","type":"priref","value":"82588"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82588","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82588"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing D"}],"type":"factory mark"},{"location":"on base of cup and saucer above the factory mark","method":"painted in blue","transcription":[{"value":"a diamond shape"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"4 cc"}],"type":"mark"},{"location":"on the base of the saucer","method":"incised","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given jointly by the National Art Collections Fund and Professor J.H. Plumb, FBA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-173354","uid":"adlib-agent-173354","uuid":"2c43df20-e3c8-3158-9d84-bf4d01c7008a"},"summary_title":"Plumb, John, Sir, F.B.A."},{"@link":{"type":"reference"},"admin":{"id":"agent-149857","uid":"adlib-agent-149857","uuid":"470046d4-9799-31c0-81c7-49c04a9f9bb1"},"summary_title":"National Art Collections Fund"}],"date":[{"earliest":1980,"latest":1980,"value":"1980-12-01"}],"method":{"value":"given"},"note":[{"value":"Joint donation. Acquisition went to Syndicate on 2 February 1980 but was not entered until the end of the year"},{"value":"Entry date: 1980-12-01"}]}],"creation":[{"date":[{"earliest":1757,"era":["CE"],"latest":1757,"note":[{"value":"On accession the date letter was interpreted as 1756 or 1756-57, but in 2014 David Peters recommended  a revision of the dating system to A for 1754 rather than 1753, so that D would stand for 1757 instead of 1756. 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A vignette almost similar to the one with the nest on one side of the cup occurs on a small mug of 1758-9 said to bear the mark of Pierre-Fran\u00e7ois Yvernel, formerly in the Elizabeth Parke Firestone Collection (see sale catalogue in Documentation), The vignette on the other side occurs on a gobelet \u00e0 la reine of 1756 bearing a lozenge-shaped mark, formerly at Seaton Delaval (see sale catalogue in Documentation)"},{"value":"On accession the cup and saucer were attributed to Claude-Fran\u00e7ois Tabary. Savill, 1988, III, noted that he was working for the factory in May 1751, April to October 1754, and retired in January, 1755 on grounds of ill health. His supposed mark is found on pieces dated 1755 and 1756, and there is therefore uncertainty in the association of the lozenge-shaped mark with this painter. The move of the factory from Vincennes to S\u00e8vres took place at the end of September 1756."},{"value":"This is a gobelet \u00e0 lait or gobelet \u00e0 lait chopine of the first size of two, although it is not quite so tall as the measurement given by Savill (1988) for this size, 14.5 to 15.5 cm. It holds one pint. The form had been introduced by 1752 when moulds and countermoulds were mentioned in the inventory of 1 October (1 7, fol. 10 ) . The second, smaller, size was in production in 1753. Plaster models and two drawings survive at S\u00e8vres. One drawing shows two sizes of the cup and cover without a handle, and the other the cup with an elaborate handle, cover, and saucer."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The form was designed by the goldsmith and bronze-founder, Jean-Claude Duplessis, who worked for Vincennes and S\u00e8vres between c. 1748 and 1774.This vase and its pair may have been the two mentioned in a garde robe of the H\u00f4tel de Pompadour in the probate inventory of Madame de Pompadour in 1764, see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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5","type":"reference"},"admin":{"id":"publication-135","uid":"adlib-publication-135","uuid":"20a25284-199c-3f18-91f0-7734d47d8962"},"summary_title":"Friends of the Fitzwilliam, Thirty-ninth Annual Report, for the Year 1947"},{"@link":{"notes":"Publ. pp. 36-49, on p. 42, both vases.","page":"pp. 36-49","type":"reference"},"admin":{"id":"publication-200001236","uid":"adlib-publication-200001236","uuid":"9b874fca-2cd8-30bb-bbf8-947f03505897"},"summary_title":"Madame de Pompadour et Vincennes\/S\u00e8vres, Chronologie d'une Passion"},{"@link":{"notes":"Ref. For the pair of vases which were in the garde robe of the Hotel de Pompadour, see p. 39, no. 381.","page":"39","type":"reference"},"admin":{"id":"publication-3676","uid":"adlib-publication-3676","uuid":"0658d0bc-de4e-387a-8012-3833a87db6d5"},"summary_title":"Inventaire des biens de Madame de Pompadour r\u00e9dig\u00e9 apr\u00e8s son d\u00e9c\u00e8s"},{"@link":{"notes":"Ref. pp. 93-4, for the shape pot-pourri Pompadour, and see nos. 226-233, examples with different decoration.","page":"pp. 93-4","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the shape's history and other examples, see I, pp. 127-134, the Fitzwilliam Museum example mentioned on pp. 128 and 129 as possibly from a garde-robe of the Hotel de Pompadour, and on p. 132, under Shape A, third size, (g). The Wallace examples C.239-40 are 1756 with later decoration.","page":"pp. 127-34","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. One with blue floral sprays and ormolu mounts, formerly in the Burdett Coutts collection, and later Wilfred J. Sainsbury Collection, see p. 5,  fig. VI without mounts, and fig. VII with mounts. Mark interlaced Ls and dot","page":"3-8","type":"reference"},"admin":{"id":"publication-200001233","uid":"adlib-publication-200001233","uuid":"b1537651-1d4d-344c-a2b9-f900cb24d80d"},"summary_title":"Vincennes Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"notes":"Cf. pp. 99-101, a pot-pourri Pompadour of the third size decorated in blue cama\u00efeu floral garlands and birds. The authors provide information about the form, and the sales of vases decorated in blue camaieu in 1754 and 1755. The Fitzwilliam's pair are mentioned on p. 99 as possibly those listed in the garderobe of Madame de Pompadour","page":"99-101","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 262, lot 428, a pot-pourri Pompadour of the third size painted in blue, c. 1752, and mounted in ormolu slightly later. Estimate $4-6,000. This is the example from the Sainsbury Collection mentioned above. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, shades of green, yellow, pink, red, mauve, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, shades of green, yellow, pink, red, mauve, brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"16.9"},{"dimension":"Width","units":"cm","value":"12.2"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"17.3"},{"dimension":"Width","units":"cm","value":"12.2"}]},"name":"Rim"},{"name":"Both Parts","techniques":[{"description":[{"value":"soft-paste porcelain, moulded in two parts, the upper pierced by eight circular holes, and decorated with a bleu celeste ground, painting overglaze  in blue, shades of green, yellow, pink, red, mauve, brown, grey, and black enamels, and gilding with tooled designs"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]},{"name":"Gilding","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26923","uid":"adlib-term-26923","uuid":"8637c49a-c93f-3442-86fb-0fa05cb5345b"},"summary_title":"tooling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Flower vase, of soft-paste porcelain decorated with a turquoise (bleu c\u00e9leste) ground, reserves painted in enamels with flowers and a genre scene after Teniers, and gilding."},{"value":"Soft-paste porcelain, moulded, and decorated with a turquoise (bleu c\u00e9leste) ground, painting overglaze  in  blue, shades of green, yellow, pink, red, mauve, brown, grey, and black enamels, and gilding. The flower vasee is in two parts, a stand for water and a plant holder. Both are of an elongated, shaped oval plan. The lower part of the holder is pierced with eight holes and fits into an aperture in the top of the stand. The sides slope upwards and outwards in the shape of a fan. The stand has a moulding round its base, almost vertical sides and shoulders pierced by four lobed panels. There is a suspension hole in the base of the stand.                                                            The bleu c\u00e9leste ground of the flower holder has four narrow closed fan-shaped gilded panels between the reserves, each enclosing a central patera, and at the top and bottom a scrolled motif . There are four oval reserves on the holder and four rectangular reserves on the sides of the stand all painted in polychrome enamels. On the holder, one has a bouquet of mixed flowers, and the other two, flowers and fruit.The reserve on the front has a genre scene, including an old man, a young man and a woman, and a child around a table standing outside a cottage. The stand has four bleu c\u00e9leste areas between the reserves each gilded with a diaper panel above a patera. Three reserves are decorated with floral sprays, and one with a barrel and a table standing in front of a stone wall with a landscape to the left. The openings are outlined by double gold lines."}],"exhibitions":[{"@link":{"catalogue":"no. 850","type":"reference"},"admin":{"id":"exhibition-1767","uid":"adlib-exhibition-1767","uuid":"bc15b744-f3b4-33c4-bfb9-a3217852c56c"},"summary_title":"Art Treasures Exhibition, 1932"}],"identifier":[{"accession_number":"C.21 & A-1961","primary":true,"type":"accession number","value":"C.21 & A-1961"},{"priref":"93560","type":"priref","value":"93560"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93560","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93560"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing H"}],"type":"factory mark"},{"location":"on base of flower holder below factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"rectangular paper label with black line border"}],"location":"on base of stand","method":"hand-written in black ink","transcription":[{"value":"o1Wx13\/\u00a3x6\/2\/2 or \u00a3xbhh"}],"type":"label"},{"description":[{"value":"narrow rectangular paper label"}],"location":"on base of stand","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"printed, SEVRES, handwritten Date\/1760\/Painter Catrice"}],"type":"label"},{"description":[{"value":"circular white paper label. The o of No is raised"}],"location":"on base of stand","method":"printed in black and hand-written in brown","transcription":[{"value":"BRITISH ANTIQUE DEALERS ASSOCIATION encircling ART\/TREASURES\/EXHIBITION\/CHRISTIES 1932\/No........ with handwritten 850 in space"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1760,"from":{"earliest":1760,"era":["CE"],"latest":1760,"precision":"circa","value":"1760"},"latest":1761,"note":[{"value":"The vase bears the date letter for 1760, which may indicate 1760-1 or 1761 (see Peters, 2014)"}],"range":true,"to":{"earliest":1761,"era":["CE"],"latest":1761,"value":"1761"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-91565","uid":"adlib-agent-91565","uuid":"34f4a89f-1c61-3327-bf7f-7bb3acc40865"},"summary_title":"Micaud, Jacques-Fran\u00e7ois"},{"@link":{"qualifier":"perhaps","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-147975","uid":"adlib-agent-147975","uuid":"f3f9cfb3-0f42-3ba1-8d90-d878fb27d5f8"},"summary_title":"Xhrowet, Philippe"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-133559","uid":"adlib-agent-133559","uuid":"d68a9692-2d6c-3cbf-9b93-6b149bcedb88"},"summary_title":"Teniers, David II"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-76986","uid":"adlib-agent-76986","uuid":"dfd0f3cd-9286-38a2-8299-30d2426acb3d"},"summary_title":"Le Bas, Jacques Philippe"}],"note":[{"value":"The decoration reflects the popularity of Dutch genre paintings and prints after them in mid 18th century France. The reserve on the front of the holder is painted with an adaption of part of  the engraving 'Feste de Village' by Jacques Philippe Le Bas after David Teniers the Younger (1610-90) which was advertised in the Mercure gallant in 1737  (see The Fitzwilliam Museum Print Room, Vol. II of Le Bas prints, no. 254 and 266). In the print there are six other figures round the table and the child is on the right. The same group occurs on one side of a vase hollandois , one of a pair of 1759-60, in the Jones Collection at the Victoria and Albert Museum ( 756\/1,2-1882). Figures and groups from this and the print '4eme F\u00eate Flamande' (1751) dedicated to Madame de Pompadour, were those most frequently used by S\u00e8vres painters. The originals were then in the collection of the duc de Choiseul."},{"value":"The mark is probably that of  Jacques-Fran\u00e7ois Micaud (1732\/5-1811) but might be Philippe Xhrowet (1725-75), both of whom used a cross. See documentation (Savill, 1988, III). As Micaud was primarily a flower painter, it seems likely that the Teniers scene was executed by another painter, possibly by Vieillard, whose mark appears on the vase in the Jones Collection and on a garniture of three vases hollandois of c. 1761 likewise decorated with \u2018Teniers\u2019 scenes in the Art Institute Chicago (1994,373.1-3)."},{"value":"This very popular vase was known first as a 'vase \u00e0 la hollandoise', and later as 'vase hollandoise' or 'hollandois'. It was probably designed by Jean-Claude Duplessis (working 1748-74), and was introduced in three sizes in 1754. a plaster model for the upper part, and a drawing of the profile dated 1754 survive in the factory's archives. This one is of the third size. They were supplied singly, in sets of three, or in mixed sets with other vase forms. The flowering plants or bulbs were grown in the top part, and could be watered through the holes in the top of the stand. A probably pair to this vase was on the market in London in 2008-2009 (see Documentation, Grosvenor House Art & Antiques Fair, 2009)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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