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Decorated on the body with four transfer-prints over-painted with enamels. The rim is coated with mottled pink lustre and there are squiggles of pink lustre on the body, between the transfers. There are two pink lustre bands round the foot and a  pink line runs down the back of the handle. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)To left of handle:  'THE SAILOR'S FAREWELL', above an image of same with a ship in the background, above verse: 'Far from Home across the Sea\/To Foreign climes I go.\/While far away O think on me\/And I'll remember you'. \n(ii)To right of handle: 'THE SAILOR'S RETURN', above an image of same with ship, above verse: 'Now safe returned from dangers past\/With joy I hail the shore.\/And fear no more the tempests blast\/Nor Oceans angry roar.' \n(iii) Under the spout, to the left: a trophy with a lion, an eagle, the Union Jack, the French flag, a shield inscribed 'CRIMEA', and the words, 'MAY THEY EVER BE UNITED. VIVe L'EMPREUR GOD SAVE THE QUEEN'. \n(iv) Under the spout to the right, in a wreath, the lines: 'England, England, the glorious name\/Home of freedom star of fame\/Light o'er Ocean widely sent\/Empress of the element\/Gorgeous sea encircled gem\/Of the world's bright diadem\/ Nations nations to command\/Who but points admiring hand\/To thee our own our native land'."}],"identifier":[{"accession_number":"C.1090-1928","primary":true,"type":"accession number","value":"C.1090-1928"},{"priref":"71296","type":"priref","value":"71296"},{"source":"Glaisher MS Catalogue, vol. 7","type":"old object number","value":"2986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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A contemporary account records that \u2018The Sailor\u2019s Farewell\u2019, hung on the wall when the sailor left shore, would be swapped for \u2018Return\u2019 when he came safely home."},{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre,  together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Scott Brothers (also known as Scott\u2019s Pottery), founded in 1788, was one of the most important Sunderland producers of lustre transfer-print designs and had a substantial export market as well as domestic customers."},{"value":"The \u2018Crimea\u2019 transfer dates the jug to the time of the Crimean War, 1853-56. It was used by Scott Brothers on jugs, mugs and bowls, although the design is thought to have been bought from another pottery, known as \u2018Garrison\u2019, and was also used by Moore. Designs were frequently copied between potteries and the original copper printing plates changed hands when firms closed.  All three verses have been found on bowls made by Scott Brothers and by other Sunderland potteries such as Moore, Ball and another known as \u2018Garrison\u2019. The poem \u2018England, England\u2026\u2019 is the first of two verses by Richard Howitt, published in \u2018The Metropolitan Magazine\u2019 in 1852 and later in the author\u2019s collected poems. The first verse of the poem was also printed, alongside \u2018Crimea\u2019 and an image of a frigate, on a large jug exhibited at the Royal Naval Exhibition 1891 (cat. p.319-20, 2922).  Three of the four transfers used here (\u2018Crimea\u2019 , \u2018Farewell\u2019 and \u2018Return\u2019) are found on a pink-lustred punchbowl, marked \u2018SCOTT\u2019S \/ PARIS\u2019,  in the Fitzwilliam Collection (C.96-1997). The National Maritime Museum holds a Sunderland pink lustre jug, c.1854, of similar shape with the same \u2018Sailor\u2019s Farewell\u2019 and \u2018Crimea\u2019 transfers, though other aspects of the decoration are different (No. AAA5175)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"},{"@link":{"type":"reference"},"admin":{"id":"term-108082","uid":"adlib-term-108082","uuid":"1c5310ee-4d1a-3a9a-98b3-45edd40b2c0e"},"summary_title":"Crimean 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Sold at Sotheby\u2019s 21 December 1908 with two other Sunderland jugs, lot 120, for 10 shillings. Bought by Mr S. 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Fig.53, a pink lustred jug of this shape, with a different \u2018Sailor\u2019s farewell\u2019 image and text,  by Scott Brothers, c.1840-50; and this \u2018Sailor\u2019s return\u2019 image and text on a mug, c.1830-40. Fig. 56, a jug of different shape with this \u2018Crimea\u2019 transfer. Also information about Scott Bothers, lists of transfer-printed designs used by Scott\u2019s and rhymes known to have been used on Sunderland pottery and, p. 16, another \u2018Sailor\u2019s farewell\u2019 mug by Dixon, Austin & Co,  Sunderland.","page":"22, 49-52, 93-96, 106","type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"},{"@link":{"notes":"Cf. Plate 118, this \u2018Crimea\u2019 transfer and a different \u2018Sailor\u2019s farewell\u2019 transfer on Sunderland \u2018frog\u2019 mugs. 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Decorated with four transfer-prints over-painted with enamels on the inside, and three more on the outside. The rim is coated with pink lustre and there are squiggles of pink lustre on the body, between the transfers. A pink lustre band runs around the foot. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\tinside, centre: a trophy with a lion, an eagle, the Union Jack, the French flag, a shield inscribed 'CRIMEA', and the words, 'MAY THEY EVER BE UNITED. VIVe L'EMPREUR GOD SAVE THE QUEEN'\n(ii)\tinside: Three sailors with a Union Jack entitled below 'THE FLAG THATS BRAVED A THOUSAND YEARS\/THE BATTLE AND THE BREEZE'. \n(iii)\tinside:  'THE SAILOR\u2019S RETURN', above an image of same, with ship, above verse: 'Now safe returned from dangers past\/With joy I hail the shore.\/And fear no more the tempests blast\/Nor Oceans angry roar.'\n(iv)\tinside: A wreath of eyes and eyelashes with a ship at top centre, enclosing the verse: 'When tempests mingle sea and sky\/And winds like lions rage and rend\/Ships o'er the mountain waters fly,\/Or down unfathom'd depths descend\/Though skill avail not, strength decay\/Deliver us good Lord we pray.' \n(v)\toutside: An oval view of Sunderland Bridge entitled 'A WEST VIEW of the CAST IRON BRIDGE over the RIVER WEAR built by R BURDON Esq.\/Span 236 Feet Height 100 Feet Begun 24 Sept. Opend. 9 Augt 1796'\n(vi)\toutside: 'THE SAILOR'S FAREWELL', above an image of same, with a ship in the background, above verse: 'Far from Home across the Sea\/To Foreign climes I go.\/While far away O think on me\/And I'll remember you'. \n(vii)\toutside: A wreath of lozenges with a sun face at top centre, enclosing a verse: 'The sun is up we'll brush the dew\/To hear the huntsman's gay halloo\/And hark the dog's enlivening cry\/Now see the horseman gallop by,\/And now we hear the distant horn,\/Upon the dying echoes borne.\/From copse to copse the hunters hie\/On hearing Drivers well known cry.'"}],"identifier":[{"accession_number":"C.96-1997","primary":true,"type":"accession number","value":"C.96-1997"},{"priref":"76460","type":"priref","value":"76460"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76460","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76460"}],"inscription":[{"method":"impressed, small","transcription":[{"value":"SCOTT's\/PARIS"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. 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A contemporary account records that \u2018The Sailor\u2019s Farewell\u2019, hung on the wall when the sailor left shore, would be swapped for \u2018Return\u2019 when he came safely home."},{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre, together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Scott Brothers (also known as Scott\u2019s Pottery), founded in 1788, was one of the most important Sunderland producers of lustre transfer-print designs and had a substantial export market as well as domestic customers."},{"value":"The \u2018Crimea\u2019 transfer dates the jug to the time of the Crimean War, 1853-56. It was used by Scott Brothers on jugs, mugs and bowls, although the design is thought to have been bought from another pottery, known as \u2018Garrison\u2019, and was also used by Moore. Designs were frequently copied between potteries and the original copper printing plates changed hands when firms closed.  Both this and the \u2018Sailor\u2019s Farewell\u2019 and \u2018Return\u2019 verses were used by other Sunderland potteries such as Moore, Ball and another known as \u2018Garrison\u2019. These three transfers are also found on a Sunderland jug in the Fitzwilliam Collection (C.1090-1928). Images of the Wear Bridge appeared on Sunderland pottery as early as 1793-6. 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The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\tunder the lip: a ship in full sail flanked by a sailor and a woman holding an anchor, personifying \u2018Hope\u2019.\n(ii)\ta garland enclosing a verse: \u2018This world is a good one to live in\/To lend, to spend, to buy, or give in\/But to beg, borrow, or get a mans own\/It is such a world as never was known\u2019\n(iii)\ta garland enclosing the verse: \u2018We Sailors are born for all Weathers\/Great Guns let them blow high blow low\/Our duty keeps us to our Tethers\/And where the Gale drives we must go.\u2019"}],"identifier":[{"accession_number":"C.1089-1928","primary":true,"type":"accession number","value":"C.1089-1928"},{"priref":"71294","type":"priref","value":"71294"},{"date":[{"earliest":1908,"latest":1908,"value":"1908"}],"source":"Glaisher MS Catalogue, vol. 7","type":"old object number","value":"2987"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71294","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71294"}],"inscription":[{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No 2987 Sunderland jug, with a ship on the front, and a ship [...] on the other side. b. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1820,"from":{"earliest":1820,"era":["CE"],"latest":1820,"precision":"circa","value":"1820"},"latest":1840,"range":true,"to":{"earliest":1840,"era":["CE"],"latest":1840,"precision":"circa","value":"1840"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-192519","uid":"adlib-agent-192519","uuid":"0aaef0ba-bf63-3502-bfc0-44cba4586728"},"summary_title":"Dawson's Pottery"},{"@link":{"qualifier":"possibly","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-171576","uid":"adlib-agent-171576","uuid":"a0006426-f97d-3f21-8599-e323c9d356d3"},"summary_title":"Scott Brothers & Co"}],"note":[{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre, before the glaze firing, together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Mottled-pink lustre is also associated with Sunderland. Sometimes called \u2018splashed lustre\u2019, the effect is produced by spraying fine drops of oil onto still-wet lustre, which leaves the surface mottled when the oil burns away during firing."},{"value":"The texts on this jug are both traditional English verses and their reproduction in contemporary anthologies and magazines attests to their popularity around 1820-40. The verse \u2018We sailors are born for all weathers\u2019 comes from a sailors\u2019 song \u2018The Tar for all Weathers\u2019 about sailors battling a gale near Gibraltar, printed in \u2018Hodgson's national songster\u2019, 1832.   The writer Washington Irving records seeing a slightly varied version of the  rhyme \u2018This world\u2026\u2019, on an inn window, in \u2018Tales of a Traveller\u2019, 1824; it also appeared in the monthly journal \u2018The Nic-Nac\u2019 the same year."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, 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Sold at Sotheby\u2019s 21 December 1908, lot 120, with two other Sunderland jugs, for 10 shillings. Bought by Mr S. Fenton for Dr Glaisher, Trinity College, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Plate 534, a similar mottled-pink lustre jug with sailing ship and Hope image under the lip, and notes re Sunderland pottery.","page":"187-88, 191","type":"reference"},"admin":{"id":"publication-7733","uid":"adlib-publication-7733","uuid":"081a9ae5-2994-3649-bb78-c748f5c8a2c9"},"summary_title":"Illustrated Guide to British Jugs : from mediaeval times to the twentieth century"},{"@link":{"notes":"Ref: song from which \u2018We sailors\u2026\u2019 rhyme is taken\u2019. Available online on Googlebooks.","page":"251","type":"reference"},"admin":{"id":"publication-400001961","uid":"adlib-publication-400001961","uuid":"48de10ae-9c38-33da-9207-14e29ebc36c7"},"summary_title":"Hodgson's national songster: intended to form the largest collection of standard, new, and fashionable songs ever printed"},{"@link":{"type":"reference"},"admin":{"id":"publication-400001962","uid":"adlib-publication-400001962","uuid":"d2617c86-72b6-364b-8570-76bc42498ddd"},"summary_title":"Nic-nac: or, Literary Cabinet"},{"@link":{"type":"reference"},"admin":{"id":"publication-7720","uid":"adlib-publication-7720","uuid":"758d9cc5-bfbc-32d1-9fb1-a67d6f9ea912"},"summary_title":"Rhymes and Mottoes on Sunderland Pottery"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-18033","uid":"adlib-term-18033","uuid":"24438202-8dfc-3786-90f8-b3536c293073"},"summary_title":"seamen"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Sunderland ship jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71443","_score":18.292887,"_source":{"admin":{"added":1592996605000,"created":1312637261000,"flag":"Standard Record","id":"object-71443","indexed":1752602706356,"modified":1714466048000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71443","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443","uuid":"4b0d97ef-185b-36c1-b6a0-e41f3f855ee5","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-193106","uid":"adlib-agent-193106","uuid":"49e6b051-0dc9-328a-a876-ff8fbb2c2dad"},"summary_title":"Pay, W"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"green, yellow, red, brown, black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"note":[{"value":"pink\/purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}}],"name":"Decoration","techniques":[{"note":[{"value":"dark pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120092","uid":"adlib-term-120092","uuid":"2df02199-fd39-3f80-a2d3-049cdf9a1736"},"summary_title":"lustring"}},{"note":[{"value":"green, red, brown, black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"name":"Body","techniques":[{"description":[{"value":"white lead-glazed earthenware painted in green, red, brown, and black enamels, and dark pink lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Thrown earthenware, glazed, painted in enamels with text and images and decorated with pink-lustre."},{"value":"White lead-glazed earthenware jug with ovoid body tapering slightly to a projecting foot, cylindrical neck, curved lip and loop handle. Decorated on the body with three large and roughly round areas of text and image, each on a clear glaze ground. Otherwise the exterior of the jug and handle, and the interior of the neck is covered with purple lustre which has been smeared in a random pattern or, in two places, mottled. The underside is flat and glazed, with a raised foot-rim."},{"value":"The text and images are as follows:\n(i)\tunder the lip:  `W. Pay.\/1838' in large black letters, below an image of a goat, enclosed by a wreath of stylised green and black leaves, tied at top and bottom with a red-brown bow. \n(ii)\tto left of handle: a three-masted paddle-steamer flying the red ensign and two other red flags, with rigging and smoke, on a grey\/brown sea, with a rock face to the right and a blue and yellow sky.\n(iii)\tto right of handle: `The Brewer has sent his Clerk,\\And I must pay my score;\\And if I trust my Beer,\\What shall I do for more\u2019 above a tankard inscribed `W.P.' set over two long-handled clay pipes, with a plate of food below. All these in black and enclosed by a wreath of stylised green and black leaves, tied at top and bottom with a red-brown bow."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1682","uid":"adlib-exhibition-1682","uuid":"4e7148c5-e3d5-3b39-8195-7ad42d347c5f"},"summary_title":"Variations on Ceramic Themes, Big is Beautiful?"}],"identifier":[{"accession_number":"C.1165-1928","primary":true,"type":"accession number","value":"C.1165-1928"},{"priref":"71443","type":"priref","value":"71443"},{"source":"Glaisher MS Catalogue, vol.","type":"old object number","value":"3324"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443"}],"inscription":[{"location":"to right of handle","method":"painted in black","transcription":[{"value":"The Brewer has sent his Clerk,\\And I must pay my score;\\And if I trust my Beer,\\What shall I do for more"}],"type":"inscription"},{"description":[{"value":"within a wreath below a goat"}],"location":"on front","method":"painted in black","transcription":[{"value":"W. Pay.\/ 1838"}],"type":"inscription"},{"description":[{"value":"inscribed on image of tankard"}],"transcription":[{"value":"'W.P'"}],"type":"inscription"},{"location":"underside of base","method":"rectangular paper label handpainted in black ink","transcription":[{"value":"\u2018No.3324. Very large jug of Sunderland Potterty inscribed W. Pay 1838 and with verses and the picture of a steam boat. Bought at Christie\u2019s Dec 13 1910'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1838,"era":["CE"],"latest":1838,"note":[{"value":"dated"}],"value":"1838"}],"maker":[{"@link":{"qualifier":"probably","type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Dr Glaisher bought this jug at Christie\u2019s, in 1910, \u2018as being the largest and finest representative of its class that I have seen, and also for the careful representation of the early steam boat\u2019. He speculated that \u2018 Mr W. Pay for whom the jug was made was no doubt an innkeeper and perhaps the sign of the inn was the Goat\u2019. The verse, which is found on other mugs and jugs from the region and is sometimes titled \u2018The Landlord\u2019s Caution\u2019, tends to support this view and also indicates the jug\u2019s intended use. The ocean-going paddle-steamer is indicative of Newcastle\u2019s importance as a centre for shipbuilding, coal exports and trade."},{"value":"Sunderland and Tyneside  potteries were particularly known for their use of thinly hand-painted lustre together with images, verses and mottos, on domestic and commemorative  wares produced from around 1820 to 1840. The two regions and their various potteries often used the same designs and verses, which were transfer-printed then hand-painted with enamels or sometimes, as here, painted freehand. This jug displays features typical of jugs and mugs made in Newcastle-upon-Tyne potteries during the 1830s, which include: dark pink\/purple lustre; strong enamel colours, notably yellow, green and red\/brown; and borders of stylised green leaves. Smeared lustre also indicates Tyneside origin; the Sunderland potteries preferring the mottled finish, which was produced using oil or turpentine spirit."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120816","uid":"adlib-term-120816","uuid":"b8c35cb6-f02f-34c9-9dda-b3120e12c749"},"summary_title":"19th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-109918","uid":"adlib-term-109918","uuid":"b99df2d6-5877-350a-aba8-e750da5d9ef0"},"summary_title":"William 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Christie\u2019s sale of Berens Collection on December 13, 1910, lot 93. Bought by Mr S. Fenton for \u00a37.17s 6d  for Dr J.W.G. Glaisher, FRS, Trinity College, Cambridge."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71297","uid":"adlib-object-71297","uuid":"fc30c163-b6c7-3a92-9c81-a33c1c298b5e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Ref. for further information about the \u2018Landlord\u2019s Caution\u2019 verse.","page":"109","type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"},{"@link":{"notes":"Ref. for further information about the \u2018Landlord\u2019s Caution\u2019 verse.","page":"184","type":"reference"},"admin":{"id":"publication-3569","uid":"adlib-publication-3569","uuid":"acb8fe53-eaa3-350b-8a4f-30281485bc73"},"summary_title":"Printed English Pottery, History and Humour in the reign of George III 1760-1820"},{"@link":{"notes":"Cf. Plate 540, a similarly shaped jug with frames and dashes of coloured enamels around the text  and dark purple lustre which is smeared, these features possibly indicating Tyneside production. 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Breadth, 50 feet, 7 Inh. Depth 29 Feet 6 Inh.\u2019."}],"identifier":[{"accession_number":"C.1091-1928","primary":true,"type":"accession number","value":"C.1091-1928"},{"priref":"71297","type":"priref","value":"71297"},{"source":"Glaisher MS Catalogue, vol. 11","type":"old object number","value":"3193"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71297","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71297"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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