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The neck, outside handle and top two thirds of the body covered with silver resist lustre decoration of stylised leaves and flowers, with thin white bands around the rim, top and bottom of the neck and shoulder and a wide lustre band above the foot. The underside is flat and glazed, with a raised foot-rim and an impressed circle at the centre."}],"identifier":[{"accession_number":"C.12-1974","primary":true,"type":"accession number","value":"C.12-1974"},{"priref":"71598","type":"priref","value":"71598"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71598","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71598"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs H.C. 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The jug was then coated in lustre, which only adhered to the unpainted parts. Silver lustre, made using minute deposits of platinum on a white, yellow or blue ground, was popular from around 1810-1830; and pots were sometimes coated all over to mimic Georgian silver. Pink and purple lustre was also produced, using gold.  Leeds and Staffordshire were the main centres of production for resist lustreware, however Leeds jugs more typically have an angular handle."},{"value":"This type of jug was made for everyday use. 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On the body, three white reliefs of putti on a copper lustre ground with moulded bands in white above and below. A band of copper lustre around the neck continues, with resist decoration, under the lip and another runs around the rim. Two pink lust lines down the handle cover a stylised leaf moulding. The underside is flat and glazed, with a slight foot-rim."},{"value":"The reliefs are:\n(a)\ton one side, Venus in a chariot drawn by a lion, attended by two putti, one holding a mirror up to her.\n(b)\tOn the other side, a putto in a chariot drawn by a lioness which has another putto on her back. \n(c)\tUnder the lip, a putto riding a lion with a putto and shrubs on each side."}],"identifier":[{"accession_number":"C.79-1997","primary":true,"type":"accession number","value":"C.79-1997"},{"priref":"76065","type":"priref","value":"76065"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76065","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76065"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother, Betha Wolferstan Rylands"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997-10-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-10-13"}]}],"creation":[{"date":[{"earliest":1815,"from":{"earliest":1815,"era":["CE"],"latest":1815,"precision":"circa","value":"1815"},"latest":1820,"range":true,"to":{"earliest":1820,"era":["CE"],"latest":1820,"precision":"circa","value":"1820"}}],"maker":[{"@link":{"qualifier":"probably","type":"reference"},"admin":{"id":"agent-193253","uid":"adlib-agent-193253","uuid":"6d77d351-b075-38c0-9ccb-b9d8d2aae995"},"summary_title":"Shorthose & Co."},{"@link":{"qualifier":"possibly","type":"reference"},"admin":{"id":"agent-193255","uid":"adlib-agent-193255","uuid":"4e968f47-87fc-3cd0-bfad-e5dae5628141"},"summary_title":"Shorthose & Heath"},{"@link":{"qualifier":"possibly","type":"reference"},"admin":{"id":"agent-193065","uid":"adlib-agent-193065","uuid":"853ceb0e-53dc-3391-8519-551fcc173933"},"summary_title":"Enoch Wood and Sons"}],"note":[{"value":",English lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Copper lustre was a popular choice for highlighting moulded wares and for broad borders covering the neck rim and handle. By c.1830 it was used to mimic the metal itself, by dipping the whole vessel into the lustre, perhaps with a relief or reserved band of decoration."},{"value":"Most lustreware was made for everyday use, and this example is probably a milk jug. Factory  markings are rare, but features of this jug, such as its shape, the rich copper lustre, the ridged white bands, the sprigs depicting putti and the pink lines on the handle have all been linked to wares made by John Shorthose, who traded as Shorthose & Heath until 1815 and after that as Shorthose & Co, at Shelton and Hanley, until 1823 when he was declared bankrupt (see Gibson, p.89). Similar sprigs have also been found on jugs by Enoch Wood."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113577","uid":"adlib-term-113577","uuid":"cd0ed1a6-635d-38f9-a89b-486feecbafb1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"note":[{"value":"or Hanley"}],"summary_title":"Shelton"},{"@link":{"type":"reference"},"admin":{"id":"term-108171","uid":"adlib-term-108171","uuid":"c943fe08-bd72-32ab-823c-e1eeb56717b3"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Burslem"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"8.2"},{"dimension":"Width","units":"cm","value":"11.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-46804","uid":"adlib-media-46804","uuid":"3e369c42-9991-3d5b-bcb5-8ef68cfb75c6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_79_1997_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583516598,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_79_1997_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583516598,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_79_1997_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583516598,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_79_1997_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583516598,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-46805","uid":"adlib-media-46805","uuid":"a25e66ff-bed0-3476-97c1-0c35b22c349a"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_79_1997_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583544016,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_79_1997_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583544016,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_79_1997_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583544016,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_79_1997_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583544016,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-134264","uid":"adlib-term-134264","uuid":"8114af56-ddd1-39a6-ad35-e6d472162090"},"summary_title":"relief-moulded jug"}}],"note":[{"type":"history note","value":"unknown before G.H.W. Rylands, Litt.D., CBE, CH, King's College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Plate 69  for a similarly shaped, sprigged, copper lustre jug, with the same ridged moulding around lower and upper body, possibly Shorthose factory; also Colour Plate 94 and other examples of different types of lustreware. 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Body decorated with a continuous under-glaze blue image of a hunting scene, starting from the handle, of three hounds, a man dismounted from his horse and an upturned dead stag on a grassy ground, framed by tree trunks to either side and scrolling branches above. The neck is decorated with an underglaze-blue image of leaves and flowers and the handle with a vertical band of lines and stylised leaves. Pink lustre has been applied to suggest a pink ground which frames the major parts of the imagery, with a solid band of pink lustre around the base and inside the neck. The interior is clear-glazed. The underside is slightly recessed and flat, with an incised circle towards the centre, and glazed."}],"identifier":[{"accession_number":"C.8-2018","primary":true,"type":"accession number","value":"C.8-2018"},{"priref":"223220","type":"priref","value":"223220"},{"date":[{"earliest":2017,"latest":2017,"value":"2017"}],"source":"Fitzwilliam Museum","type":"Entry form number","value":"1345"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/223220","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/223220"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Sir Peter Shaffer"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-198457","uid":"adlib-agent-198457","uuid":"6c044808-cb40-3d86-86ff-39b6ae45bfb6"},"summary_title":"Shaffer, Peter"}],"date":[{"earliest":2018,"latest":2018,"value":"2018-07-09"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1810,"from":{"earliest":1810,"latest":1810,"precision":"circa","value":"1810"},"latest":1830,"note":[{"value":"lustre may be later?"}],"range":true,"to":{"earliest":1830,"latest":1830,"precision":"circa","value":"1830"}}],"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"English lustreware was commercially produced from c.1805 and popular in the first half of the 19th Century. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Most lustreware was made for everyday use, and factory markings are rare."},{"value":"The huntsman design perhaps comes from a print by George Morland (1763-1804)."},{"value":"This jug was finished by painting a resist mask (perhaps a sugar and glycerine mix) over the design, before coating with lustre -  which only adhered to the unpainted parts. Swansea, Staffordshire and Leeds were the main production centres for resist lustreware. Combining  under-glaze blue decoration with lustre is unusual, although a silver lustre jug with the same huntsman scene is known."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-114523","uid":"adlib-term-114523","uuid":"435b2a3c-ff47-31ed-bed3-17b95d739d0a"},"summary_title":"19th Century, first half"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"16"},{"dimension":"Width","units":"cm","value":"19"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"Bought from Constance Storo, 31 Holland St, London W8, for \u00a31,050, by Peter Shaffer, on 6 November 1987."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. 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The upper half and handle is shiny black."}],"identifier":[{"accession_number":"C.1107-1928","primary":true,"type":"accession number","value":"C.1107-1928"},{"priref":"71325","type":"priref","value":"71325"},{"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"source":"Glaisher M\/S Vol. 33 No.4869","type":"old object number","value":"4869"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71325","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71325"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Jackfield is also sometimes also known as jet ware, blackware or japanned ware (after Japanese black lacquer ware). 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Decorated over-glaze on the outside with silver resist-lustre decoration and a large oval reserve on either side, each containing a red-brown transfer print. The lustre decoration includes stylized wavy sprays of foliage on the body and handle, and a repeating zig-zag with groups of three dots at the points on the neck. The rim is covered in silver lustre The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text in the reserves, each contained within curved sprays of flowers and foliage, are as follows:\n(i)\ta stippled bust portrait of Sir Francis Burdett with, below on a label: 'The determined enemy of corruption & the\/constitutional friend of his SOVEREIGN'.  \n(ii)\t'Sir FRANCIS BURDETT\/Bart. M.P.\/Committed to the Tower\/April, 6th. 1810\/by the House of Commons for firmly\/and disinterestedly asserting\/the legal rights of the\/British People'."}],"identifier":[{"accession_number":"C.1166-1928","primary":true,"type":"accession number","value":"C.1166-1928"},{"priref":"71444","type":"priref","value":"71444"},{"source":"Glaisher MS Catalogue, volume 13","type":"old object number","value":"3383"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71444","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71444"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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The jug was then coated in lustre, which only adhered to the unpainted parts. Silver lustre, made using minute deposits of platinum on a white, yellow or blue ground, was popular from around 1810-1830; and pots were sometimes coated all over to mimic Georgian silver. Pink and purple lustre was also produced, using gold.  Leeds and Staffordshire were the main production centres for resist lustreware."},{"value":"Sir Francis Burdett (1770-1884) entered Parliament in 1796 and campaigned against political corruption and the restriction of press freedom. In 1810 he published pamphlets supporting Gale Jones, who had been imprisoned in Newgate for publicly questioning the exclusion of the press from Parliament. This lead to Parliament committing Burdett to the Tower of London. His public arrest was carried out by a military cavalcade before an enormous mob of his supporters. Variations of the bust used on this jug also appear on other printed wares of the time, often paired with the inscriptions found here."},{"value":"This type of jug was made for everyday use. The shape and size of this example suggest it may be a milk jug. The inscription indicates a date of 1810, or soon after."},{"value":"Transfer printing was introduced in the second half of the 18th century, generally using the glue bat method. The design was engraved on a copper plate, which was covered with linseed oil; a thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. The ware was then dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. Round-bodied vessels were particularly well suited to this method as the  flexible bat could be stretched around curves. The prints here have a few bubble-like flaws,  known as \u2018eyes\u2019, caused by flecks of dust trapped between bat and body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107567","uid":"adlib-term-107567","uuid":"3b5b26a6-e8df-3d66-b1ba-c2a77781d6e0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Leeds (Yorks.)"}]}]},"materials":[{"note":[{"value":"slightly blue-tinted"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"10.6"},{"dimension":"Width","units":"cm","value":"13.4"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-34760","uid":"adlib-media-34760","uuid":"aab5360a-e304-3f38-a567-be9f06b1a9bf"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_1166_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582405824,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_1166_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582405824,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_1166_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582405824,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_1166_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582405824,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-34761","uid":"adlib-media-34761","uuid":"5ca8547b-bc20-3b1c-98d1-ffdf1c2fa9fe"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_1166_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582402349,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_1166_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582402349,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_1166_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582402349,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_1166_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582402349,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"provenance unidentified before Sotheby's, 14 March 1911, lot 259; purchased by S. 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In the centre is a stylized landscape within a border of interlacing stems and leaves. Two trees, one on either side, are linked by a twining creeper and between the trees a bird flies down to a four-bar gate. The rim is encircled by a vine stem with bunches of grapes and foliage. The background is filled with fine sgraffito tendrils. The underside is glazed only. The cream surface is intensified by use of an opaque glaze."}],"identifier":[{"accession_number":"C.1064-1928","primary":true,"type":"accession number","value":"C.1064-1928"},{"priref":"71258","type":"priref","value":"71258"},{"date":[{"earliest":1907,"latest":1907,"value":"1907"}],"source":"Glaisher MS Catalogue, vol. 4","type":"old object number","value":"2740"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71258","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71258"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"LEEDS * POTTERY"}],"type":"factory mark"},{"location":"on base","method":"impressed","transcription":[{"value":"C"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Dr Glaisher opted to buy just one plate, rather than pay \u00a325 for a pair he was offered, though he notes \u2018it seemed so remarkable to have a piece of resist lustre marked \u2018Leeds Pottery\u2019 that I thought the dish worth securing on any terms\u2019."},{"value":"English lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Resist lustreware was typically produced by drawing, transfer printing or stencilling the design over-glaze then applying a size (perhaps a sugar and glycerine mix) to the design, with a fine brush. The pot was then coated in lustre, which only adhered to the unpainted parts. Silver lustre, made using minute deposits of platinum on a white, yellow or blue ground, was popular from around 1810-1830; and pots were sometimes coated all over to mimic Georgian silverware. Most lustreware was made for everyday use, and factory markings are rare. Staffordshire potters were the first and largest producers of lustreware, but the mark on this plate indicates it was made in Leeds, which was a significant centre for resist lustreware. It is thought that lustre was introduced at Leeds Pottery a little before its first mention in the factory\u2019s drawing book for 'Enamell'd Tea Ware', published in 1819."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107567","uid":"adlib-term-107567","uuid":"3b5b26a6-e8df-3d66-b1ba-c2a77781d6e0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Leeds (Yorks.)"}]}]},"materials":[{"note":[{"value":"cream"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"note":[{"value":"opaque glaze, may contain arsenic (see Griffin)"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"36.5"},{"dimension":"Height","units":"cm","value":"3.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-34236","uid":"adlib-media-34236","uuid":"2e0ba28a-2c96-3b72-95bb-f25227bb9af1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_1064_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582345513,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_1064_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582345513,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_1064_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582345513,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_1064_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582345513,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Bought from Mr V. 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Around the middle is a band of lustred reeding, above and below which are pink-white zones painted in lustre with  stylised leaves and flowers. The interior, below the copper-lustre neck, is coated with glazed cream slip. The underside is flat and lustred with a narrow foot-ring."}],"identifier":[{"accession_number":"C.1180-1928","primary":true,"type":"accession number","value":"C.1180-1928"},{"priref":"71464","type":"priref","value":"71464"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71464","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71464"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.2364. 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The bottom tier stands on four corner legs on a stepped base and has sockets moulded as crowned human masks. On the other two tiers the sockets are fluted. , those on the next two tiers are fluted. The cover is in the form of an inverted cone with a finial. 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Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Silver lustre was produced by dissolving platinum in aqua regia  (nitric and hydrochloric acids) suspended in a resinous medium such as spirits of tar. Pots were dipped in the lustre solution to produce an even all-over coating and then fired at a low temperature, which burned the medium away to leave a \u2018silver\u2019 surface. Most lustreware was made for everyday use, and factory markings are rare."},{"value":"This vase shape is also found in early 19th century designs for other ceramic materials, including creamware and blue and white sprigged stoneware. 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Plate 117, a silver resist-lustred jug of similar shape, possibly Yorkshire; Colour Plate 12, a pink resist-lustre jug with a similar freehand design in the background, probably Staffordshire, 1820s. See also resist-lustre process.","page":"27, 29, 146-7","type":"reference"},"admin":{"id":"publication-3570","uid":"adlib-publication-3570","uuid":"80862fb5-f40b-3068-9bf9-8104e1a21a32"},"summary_title":"19th Century Lustreware"},{"@link":{"notes":"Cf. 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Wide, straight-sided cylinder with a 'rope' edging round the rim and base, and an applied angular handle. Decorated with three transfer images, each with text, on the outside; two floral sprays on the inside; and a stylized floral pattern on the outside of the handle. Around the transfer decoration is a thin wash of pale pink lustre, covering the outside and on the upper part of the inside. Round the rim and base is a thicker band of pink lustre. There are three spur marks on the interior of the base. The underside is flat and glazed, and slightly recessed to form a foot-rim."},{"value":"The images and text are as follows:\n(i)\tto the left of the handle:  a bust of William IV (signed 'Kennedy'), flanked by a spray of shamrock and a spray of thistles, each with a rose, and inscribed below 'KING WILLIAM the IV.th\/Crowned 8.th Sep.r 1831'. \n(ii)\tto the right of the handle: a three-quarters, frontal image of Queen Adelaide (signed 'Kennedy'), flanked by similar floral sprays, and inscribed below 'QUEEN ADELAIDE.\/Crowned 8.th Sep.r 1831.'.\n(iii)\ton the front: a Royal crown imposed on a sunburst and inscribed, below, 'LONG LIVE THE\/KING', and above, 'REFORM'."}],"identifier":[{"accession_number":"C.55-1997","primary":true,"type":"accession number","value":"C.55-1997"},{"priref":"75504","type":"priref","value":"75504"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75504","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75504"}],"inscription":[{"description":[{"value":"C & R, in flamboyant script, in octofoil"}],"location":"underside of base","method":"printed","transcription":[{"value":"C & R"}],"type":"mark"},{"location":"under the images of King and Queen, bottom right,","method":"printed as part of the engraving","transcription":[{"value":"Kennedy"}],"type":"mark"},{"description":[{"value":"both 'th', and 'r' of 'Sep.r' are raised above the '.'"}],"location":"on one side","method":"printed","transcription":[{"value":"KING WILLIAM the IV.th\/Crowned 8.th Sep.r 1831"}],"type":"inscription"},{"description":[{"value":"both 'th', and 'r' of 'Sep.r' are raised above the '.'"}],"location":"on one side","method":"printed","transcription":[{"value":"QUEEN ADELAIDE.\/Crowned 8.th Sep.r 1831"}],"type":"inscription"},{"location":"on the front","method":"printed","transcription":[{"value":"REFORM\nLONG LIVE THE\/KING"}],"type":"inscription"},{"location":"underside of base","method":"Square paper label handwritten in black ink","transcription":[{"value":"\u20184950\u2019 above \u2018M\/A\/-'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother, Betha Wolferstan Rylands."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997-07-14"}],"method":{"value":"given"},"note":[{"value":"Donor wished labels to read as credit line"}]}],"creation":[{"date":[{"earliest":1831,"from":{"earliest":1831,"era":["CE"],"latest":1831,"precision":"circa","value":"1831"},"latest":1832,"range":true,"to":{"earliest":1832,"era":["CE"],"latest":1832,"value":"1832"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161125","uid":"adlib-agent-161125","uuid":"499448b3-93d7-34ce-8e22-0e37c51e902e"},"summary_title":"Chetham & Robinson"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161126","uid":"adlib-agent-161126","uuid":"65b6ba89-d62a-3b12-863a-5ad227bff215"},"summary_title":"Chesworth & Robinson"},{"@link":{"qualifier":"probably","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-161150","uid":"adlib-agent-161150","uuid":"214ce8ee-3a7a-3074-b09e-c86b98ce4433"},"summary_title":"Kennedy, James"}],"note":[{"value":"Small salt-glazed stoneware  flasks made in the shape of leading Reform Act figures, known as 'Reform bottles', were also produced at this time. 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Staffordshire potters were the first, and remained the largest , producers of lustreware, though it was also made in other regions, and is often associated with Sunderland. The engraved images on all three mugs are by \u2018Kennedy\u2019, probably James Kennedy of Burslem who made engravings and copper plates for factories as far afield as the Herculaneum Pottery in Liverpool. An  engraved print held by the Stoke-on-Trent Museum indicates that the image may be based on a bust of King William IV sculpted by J. 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Around the neck is a band of white with an impression of landscape painted in pink lustre. The interior, below the copper-lustre neck, is coated with glazed cream slip. The underside is flat and lustred with a narrow foot-ring."}],"identifier":[{"accession_number":"C.6-1983","primary":true,"type":"accession number","value":"C.6-1983"},{"priref":"75676","type":"priref","value":"75676"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75676","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75676"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Miss A.L. 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