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The others have variants, identified as either the Triumph of Galatea or Amphitrite, who is sometimes accompanied by Neptune. In the upper part of the scenes there are usually putti, holding bows as they do in the print, or wreaths. The demand for such scenes might also have been fostered by Vasari's fresco of 'Water' in the Palazzo Vecchio in Florence, but the fashion for marine fantasies in the second half of the century was an aspect of the Mannerist style which can be paralleled in metalwork in Italy and elsewhere in Europe. 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Painted mainly in dark blue, with a little green, yellow, and brownish-orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"note":[{"value":"except base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79248","_score":17.352608,"_source":{"admin":{"added":1592996658000,"created":1312637261000,"flag":"Standard Record","id":"object-79248","indexed":1747246359718,"modified":1711354797000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79248","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248","uuid":"da34d2fb-bd55-3e70-ab50-690db94fd5fd","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-151595","uid":"adlib-agent-151595","uuid":"5f94f47f-66a9-365e-b475-95be7a460b85"},"summary_title":"Mercury"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160299","uid":"adlib-agent-160299","uuid":"78c1a490-f697-378a-bb79-5b7e8a1ea265"},"summary_title":"Herse"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160298","uid":"adlib-agent-160298","uuid":"8d0de623-f772-339f-b19e-2c3343a1f95f"},"summary_title":"Aglauros"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, yellow, green and orange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"note":[{"value":"copper appearing red"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113115","uid":"adlib-term-113115","uuid":"3fcebc71-6e21-3984-9065-72a5e40903e0"},"summary_title":"reduced pigment lustre"}},{"note":[{"value":"silver-yellow, appearing yellow-gold"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113115","uid":"adlib-term-113115","uuid":"3fcebc71-6e21-3984-9065-72a5e40903e0"},"summary_title":"reduced pigment lustre"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Tin-glazed earthenware plate, painted on the front in polychrome, with Mercury, Herse and Aglauros."},{"value":"Buff earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, yellow, and orange; red and shades of yellow-gold lustre. Shape 50. Circular with slightly sloping rim and shallow depression in the middle, standing on a footring.\nMercury, Herse and Aglauros. Mercury stands holding his rod in his left hand, his right extended towards Aglauros who stands in the doorway of the palace. On the left, Herse sits indoors beside a window, resting her head on her right hand. The arch of the window springs from a column decorated with scrolling foliage. On the wall above is a shield charged with the arms party per pale undy azure and or (shown orange) a mullet and a crescent counterchanged. In the foreground there are four pebbles on the path, and in the background to right, rocks and a large expanse of sky.\nThe back is marked in the middle in thick orange-yellow lustre, `1522\/.M o .o G' (both o  raised). The base is encircled by a wide blue band and a narrow lustre band repeated in reverse order next to the rim. Between these are four crossed lozenges alternating with two spirals between curved strokes and two groups of spots between curved strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.79-1961","primary":true,"type":"accession number","value":"C.79-1961"},{"priref":"79248","type":"priref","value":"79248"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248"}],"inscription":[{"description":[{"value":"rectangular, a ducal crown over a gothic N and to the right 'CLUMBER\/2603'"}],"location":"on back","method":"printed in black","transcription":[{"value":"CLUMBER\/2603"}],"type":"label"},{"description":[{"value":"both o  raised"}],"location":"on the back","method":"in thick orange-yellow lustre","transcription":[{"value":"1522\/.M o .o G"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1522,"era":["CE"],"latest":1522,"precision":"dated","value":"1522"}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160294","uid":"adlib-agent-160294","uuid":"e7481a09-8063-3b03-b6b2-04e7e9154df5"},"summary_title":"Maestro Giorgio Andreoli"}],"note":[{"value":"The arms occur on two more plates painted by the same hand, and also dated 1522. A plate painted with the Fall of Phaeton in the Hermitage, St Petersburg, and another painted with a woman holding a dagger and taunting a young man, in the Metropolitan Museum of Art, New York. They were probably decorated by the painter of a dish decorated with the Judgement of Paris, in Maestro Giorgio's workshop in Gubbio on 2 October 1520, which is in the Petit Palais, Paris."},{"value":"The subject was taken from the Roman poet Ovid's Metamorphoses, II, 708-832.  The scene could illustrate Mercury's first or second visit to Cecrops' palace to see Herse with whom he had fallen in love. On the first occasion he was met by her sister Aglaurus who declined to lead him to Herse, and demanded gold for her compliance before sending him away. On his return, Aglaurus, who had become extremely envious of Herse's good fortune in attracting a lover, barred the way to her room. Thereupon Mercury exercised his supernatural power to open the door and transformed Aglaurus into stone.The figures of Mercury and Aglauros were derived from a woodcut in 'Ovidio metamorphoseos vulgare', Venice, 1497, p. XVIIIv, or in one of the Latin or Italian editions published in 1505, 1508, 1509, 1513, and 1517."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-124749","uid":"adlib-term-124749","uuid":"3cb14eef-9414-324c-8abb-f4e5e0d52ff1"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113220","uid":"adlib-term-113220","uuid":"e8b02414-1477-3046-8f2a-947e5c159b21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Gubbio"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.0"},{"dimension":"Height","units":"cm","value":"2.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52749","uid":"adlib-media-52749","uuid":"0c2fbb50-d667-3a36-9a33-9ed30afddf85"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":519},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584121408,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":260},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584121408,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Henry T. Hope, Deepdene, Surrey; his daughter, Henrietta Adela Hope, who married in 1861 the Earl of Lincoln, later 6th Duke of Newcastle-under-Lyme (1834-1979); by descent to the 7th Duke of Newcastle-under-Lyme (1864-1928); sold by Christie's, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, lot 120; George A. Lockett; Christie's, 11 June 1942, The choice collection of objects of art and furniture formed by the late George A. Lockett Esq., lot 217; Alfred Spero (\u00a3556); from 1943, L.C.G. Clarke, Leckhampton, MA, LL.D., Cambridge (1881-1960) by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. lot 120","page":"25","type":"reference"},"admin":{"id":"publication-3407","uid":"adlib-publication-3407","uuid":"19cc80c0-e6e7-3fd0-9660-ce60875a0f41"},"summary_title":"Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of His Grace the Duke of Newcastle, and removed from Clumber, Worksop"},{"@link":{"notes":"Publ. lot 217","page":"24","type":"reference"},"admin":{"id":"publication-3221","uid":"adlib-publication-3221","uuid":"d6ca23eb-f1e5-32c4-b618-396e4ae4ca33"},"summary_title":"The choice collection of objects of art and furniture formed by the late George A. Lockett Esq."},{"@link":{"notes":"Publ. pp. 127-8 & pls. A & D","page":"pp. 127-8","type":"reference"},"admin":{"id":"publication-200001089","uid":"adlib-publication-200001089","uuid":"59d00b06-8fed-351e-850b-ea6d0c9abbdc"},"summary_title":"A Maestro Giorgio maiolica dish"},{"@link":{"notes":"Publ. II, p. 96, fig. 767","page":"p. 96","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5 & pl. XII","page":"p. 5","type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1961"},{"@link":{"notes":"Publ. p. 381, fig. 12","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 133, p. 134, fig. 4","page":"pp. 133-4","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. p. 134","page":"p. 134","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. pp. 221-3, no. 296","page":"pp. 221-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 56-7, no. 23","page":"56-7","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3408","uid":"adlib-publication-3408","uuid":"d8baf014-8f99-3d30-b94f-c8d4d23b8f89"},"summary_title":"Leningrad State Hermitage Collection, Italian Maiolica XV-XVIII Centuries"},{"@link":{"notes":"Cf. p. 148, pl. I and p. 149, a plate in the Metropolitan Museum of Art New York, decorated with a woman holding a dagger, as if to wound a young man tied to a tree, the same arms, and a panel inscribed 'Me dol l'infamia\/tua: piu ch lmorire' (Your infamy hurts me more than death)","page":"148-9","type":"reference"},"admin":{"id":"publication-200001164","uid":"adlib-publication-200001164","uuid":"982b7129-b787-3150-8e68-7c3a6d6dea14"},"summary_title":"The Ford collection of Italian maiolica"},{"@link":{"notes":"Cf. pp. 222-3, no. 74, a plate decorated with the Lover Taunted, dated 1522, and attributed to the painter of the Judgement of Paris dish, made in Maestro Giorgio's workshop in Gubbio in 1520.","page":"pp. 222-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-61134","uid":"adlib-term-61134","uuid":"fe8a38ad-bea1-327f-b7d9-04d67a1e5f07"},"summary_title":"house"},{"@link":{"type":"literal"},"name":[{"value":"house"}],"summary_title":"house"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse appearing pale beige. Painted in blue, green, yellow, and orange; red and shades of yellow-gold lustre."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Mercury, Herse and Aglauros"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73313","_score":17.352608,"_source":{"admin":{"added":1592999614000,"created":1312637261000,"flag":"Standard Record","id":"object-73313","indexed":1756836093908,"modified":1714466822000,"processed":1756836091178,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73313","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73313","uuid":"bfc8d357-afce-3a8a-bc68-0f6b93fff1a7","version":13},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156585","uid":"adlib-agent-156585","uuid":"77dd0e3a-c57a-3d15-8348-13878a4c1c69"},"summary_title":"River God"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156648","uid":"adlib-agent-156648","uuid":"100c3770-df28-3ca1-a4c3-1b6c0443686e"},"summary_title":"grotesque"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113302","uid":"adlib-term-113302","uuid":"2747e058-f9ff-3d49-9bc9-c69e97b18c26"},"summary_title":"H.S. Reitlinger"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, manganese-purple, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica inkstand, painted in polychrome, with a moulded river god on the top and grotesques decorated on the sides."},{"value":"Earthenware, tin-glazed overall except for the edge of the base. 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Alessandro Castellani; Paris, H\u00f4tel Drouot, 28 May 1878, Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani, lot 292; C.B. 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Fig. 12 reproduces the accouchement set cup in Cipriano Piccolpasso, 'Li tre libri dell'arte del vasaio'.","page":"32-33","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 213, fig. 7.18, and p. 253, cat. 245","page":"p. 213, 253","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. For the social background for accouchement sets.  The Fitzwilliam's accouchement bowl cover is mentioned on p. 90. 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Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"precision":"dated","value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-182276","uid":"adlib-agent-182276","uuid":"cb8a3144-a25c-3442-a37f-b502434af8e9"},"summary_title":"Monogrammist I. 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The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second 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The latter arms were identified by Pericale Perali as those of Charles of Anjou who visited Orvieto in 1267 and 1273, and Giuseppe Liverani modified this by pointing out that it would have been before  1273 when the arms of Anjou were combined with those of Jerusalem. However, the fleur-de-lys were also a charge on the Farnese family's shield of arms, and in 1993 Alberto Satolli hypothesized that the two shields on the dish might have been intended for Bartolomeo Farnese and Violante Monaldeschi della Cervara who were married about 1316-20.  The similarities of form and style of decoration indicate that the Fitzwilliam's bowl was probably made at about the same time, probably in the early 14th century rather than the 1260s or 1270s."},{"value":"The partly striped gown of the crowned woman and the flanking plants resemble those on three large bowls of different shapes which were formerly in the Imbert collection and are now in the Museum of Art, San Paolo, Brazil. 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Painted in blue, yellow, orange, and white; red and gold lustre. Shape 79. Circular with shallow curved sides, standing on a low foot.\nA bust of a young woman, full face, her head inclined slightly to her right, and eyes half closed. Her auburn hair is dressed with a centre parting and a plait over the top of her head. She wears a white turban with a radiating design in blue, orange, and red lustre. Round her neck there is an orange necklace with a small pendant. Her gown's decollet\u00e9 neckline is filled in by a V-necked chemise of diaphanous orange material. A scroll inscribed `MADAL\/ENA B' projects on either side of her head. The dark blue ground is scattered with red lustre stars and the rim is encircled by a band of gold lustre. The back is decorated in gold and yellowish-red lustre with a central curved stroke and, on the sides, with three curved strokes separated by straight strokes. There are also several orange splodges and speckles."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.107-1927","primary":true,"type":"accession number","value":"C.107-1927"},{"priref":"79246","type":"priref","value":"79246"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79246","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79246"}],"inscription":[{"description":[{"value":"circular"}],"method":"inscribed in black ink","transcription":[{"value":"M 69"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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standing on a low foot"}],"note":[{"type":"history note","value":"Ernest Ambrose Vivian, 2nd Lord Swansea (1848-1922);  Swansea, Knight, Frank & Rutley, 13-19 October 1919, A catalogue of the contents of Singleton Abbey, Swansea, lot 662; F. Leverton Harris (1864-1926) by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. lot 662, ill. opposite p. 68","page":"p. 68","type":"reference"},"admin":{"id":"publication-3219","uid":"adlib-publication-3219","uuid":"52e21d03-430a-34a4-b784-403ba25b15ee"},"summary_title":"A catalogue of the contents of Singleton Abbey"},{"@link":{"notes":"Publ. pp. 266-273, on p. 270. Attributed to Gubbio c.1500. Discussed on p. 271","page":"pp. 266-73","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. pl. 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Painted in blue, green, yellow, orange, and manganese.  Circular with shallow curved sides, standing on a narrow ring foot.(Poole 1995, Shape 77) A bust of a female warrior faces in profile to left, wearing a fantastic parade helmet in the shape of a crouching lion-like beast. Her name, `MA\/RTA B'(Bella) is inscribed on a scroll arched over her head. The background and rim are blue."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.63-1927","primary":true,"type":"accession number","value":"C.63-1927"},{"priref":"79249","type":"priref","value":"79249"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249"}],"inscription":[{"description":[{"value":"MA separated by the helmet from RTA B on scroll over woman's head"}],"location":"on scroll on front","method":"painted in blue","transcription":[{"value":"MARTA B"}],"type":"inscription"},{"description":[{"value":"or 602"}],"location":"on the base","method":"in blue, after firing","transcription":[{"value":"662"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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This is one of a small group decorated with young women wearing elaborate parade helmets. The only dated example, of 1522, is in the Museo Civico, Pesaro. Inscribed `FAVSTINA', it differs from the rest of the group in having a border of bound leaves and fruits. The others are `DEIDAMIA' in the Kunstgewerbe\u00acmuseum, Berlin.`BRADAMANTE BEL' at the Ceramic Museum at S\u00e8vres, and later, and painted in a different style, `MARFISA' in the Museo Internationale delle Ceramiche at Faenza.                                                                       \nClosely related to Deidamia is a small group of dishes with girls wearing visor-like headdresses and a cloth snood enclosing their hair at the back of their head: `CARENDINA' in the Lehman collection at the Metropolitan Museum of Art, New York, `TARSIA B [Bella]' in the Gambier\u00ac-Parry collec\u00action at the Courtauld Institute Galleries, London, and `PHILOMENA' in the Metropolitan Museum. The Fitzwilliam Museum's MARTA B' differs from all these in having an extremely long and slender neck, a zoomorphic helmet as opposed to one decorated with grotesque masks, wings or shell-like coils, and an arched name scroll instead of a coiling ribbon passing behind her shoulders. In this respect it resembles two dishes decorated with heads of men wearing Saracen-style helmets and having an arched scroll over their head bearing their name, 'CATELINA' and 'SANSONE'. There are several further dishes decorated with men wearing parade helmets with their names on scrolls below, including SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs Lyon, and CORNELIO in the Louvre."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147682","uid":"adlib-term-147682","uuid":"27e95109-62eb-305b-b01d-b71655ff7d15"},"summary_title":"16th Century, third decade"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113124","uid":"adlib-term-113124","uuid":"9cb3d1b6-4d7f-31d1-9896-a75256a6780a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Castel Durante"},{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24"},{"dimension":"Height","units":"cm","value":"4.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52750","uid":"adlib-media-52750","uuid":"a979799f-3d43-3d1b-a400-8b8c36e947f6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":518},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584162642,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":259},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584162642,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish standing on low foot"}],"note":[{"type":"history note","value":"M. & R. Stora, ( Maurice (1879-1950) and Rapha\u00ebl (1887-1963), 32 bis, Boulevard Hausmann, Paris, from whom purchased in 1920 by F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 296-7, no. 366, where other dishes decorated with male or female heads wearing helmets are listed. Colour Plate 38","page":"pp. 296-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 60-1, no. 25","page":"60-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 239-43, no. 175, a shallow bowl or dish, with a profile head of a female warrior wearing a parade helmet, with the name DEIDAMIA on a scroll below. The author lists further examples on p. 239.","page":"239-43","type":"reference"},"admin":{"id":"publication-1626","uid":"adlib-publication-1626","uuid":"5b3b0632-26d4-3992-8fdd-82f5ec43e259"},"summary_title":"Majolika. Spanische und Italienische Keramik vom 14. bis zum 18. Jahrhundert, Kataloge des Kunstgewerbemuseums Berlin, Band VI"},{"@link":{"notes":"Cf. p. 244-5, no. 800, a bust of female warrior wearing a parade helmet in profile to left named BRADAMANTE BEL on a scroll below, in the Mus\u00e9e de la C\u00e9ramique, S\u00e8vres; p. 244-5, no. 799, a male warrior in profile to right wearing a parade helmet, named CORNELIO on a scroll below in the Louvre. Both attributed to Casteldurante.","page":"244-5","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. pp. 104-106, no. 63 a dish with a bust of a woman wearing a visa-like headdress in profile to right with the name CARENDINA on a scroll below. See Appendix I, pp. 244-5, figs. 63.1-12, illustrations of dishes with male and female heads wearing parade helmets, or visor-like headdresses.  On p. 245, fig. 63.10 is CATELINA, who wears a saracen style helmet and has his name on a scroll over his head like the Fitzwilliam's MARTA B.","page":"104-106","type":"reference"},"admin":{"id":"publication-3377","uid":"adlib-publication-3377","uuid":"e960b292-06f9-36c2-82f2-4a2c334f1804"},"summary_title":"The Robert Lehman Collection X Italian Majolica"},{"@link":{"notes":"Cf. p. 80, no. 34, CORNELIO in the Louvre (inv. OA 1745); p. 81 no. 35, TARSIA B in the Courtauld Gallery, London (inv. O 1966 GP 88); no. 36 SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs, Lyon (inv. no. 1718)","page":"81","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 161-4, no. 31, shallow bowl decorated with the head and shoulders of a girl in profile wearing a visor-like headdress with TARSIA B on a scroll below, probably referring to the King's daughter in the classical Story of Apollonius, King of Tyre. In note 15 the author cites two examples of 16th century women named Tarsia, one in Castel Durante and the other in Ferrara.","page":"161-4","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Cf. pp. 164-5, no. 50 a shallow bowl decorated with the head of a man in profile wearing a helmet, title RVGGIERO. Inv. no. 1965.65.67","page":"pp. 164-5","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. p. 203, no. 260 a footed dish with a male helmetted head with the name ASTOLFO on a scroll behind him, attributed to Casteldurante or Urbino. c. 1520-30.","page":"203","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-75231","uid":"adlib-term-75231","uuid":"29e4fe09-c40b-3c6e-b4b6-72cde48a1ff8"},"summary_title":"helmet"},{"@link":{"type":"literal"},"name":[{"value":"helmet"}],"summary_title":"helmet"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse severely crazed. 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Round the neck, between horizontal blue and yellow bands, there are dots and oblique lines."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.39-1931","primary":true,"type":"accession number","value":"C.39-1931"},{"priref":"81578","type":"priref","value":"81578"},{"date":[{"earliest":1931,"latest":1931,"value":"1931"}],"source":"The Fitzwilliam Museum","type":"Glaisher additions number","value":"Gl. 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Painted in blue, green, yellow, dark yellow, red, manganese, and black.\nShape 73. Circular with deep sides and almost flat base; high spreading foot with a sloping outer edge.\nIn the middle, framed by blue and yellow zig-zags between concentric circles, is a shield of testa di cavallo form charged with the arms or, six balls gules (shown dark yellow) surrounding one azure charged with three fleurs-de-lis or, set diagonally on a square with blue and yellow corners, reserved in a yellow ground decorated with blue dotted geometrical motifs. On the sides, green and blue palmettes alternate with formal plants flanked by cornucopiae reserved in a dark yellow ground. A blue band encircles the rim. Outside, there are formal plants flanked by cornucopiae reserved in a dark yellow ground, with above, a blue and yellow leaf border, and below, blue and yellow horizontal bands. 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He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \n\nInformation taken from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156780","uid":"adlib-agent-156780","uuid":"4470d805-70b9-3338-8d75-aa85567e6cd1"},"summary_title":"Orlando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160419","uid":"adlib-agent-160419","uuid":"9b481813-5e1b-380f-8947-db27e4986cf0"},"summary_title":"Ruggiero"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica plate, painted in polychrome with Orlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship."},{"value":"Pale buff earthenware, tin-glazed overall; there is a fault in the glaze on the left of the front; the reverse is off-white. Painted in blue, green, turquoise-green, yellow, orange, stone, brown, manganese-purple, black, and white.\nShape 52. Circular with a wide, gently sloping rim and shallow well, slightly and unevenly convex in the middle.\nOrlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship. Oliver stands on the right holding Ruggiero's armour. Brandimarte is aboard the ship, holding out his arms towards Frontino, who is partly hidden by three shields and an awning. Orlando, girt with the sword Balisarda, sits with his back to the viewer on a rock in the foreground. Hanging from the mast is a shield, charged with the Pucci arms argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. In the background to left there is a tree, and on the right, a rocky island. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino.' (In the tossing vessel Orlando finds Ruggiero's arms, In the 37th canto of the furioso of Messer Ludovico Ariosto. Francesco Xanto Avelli da Rovigo in Urbino.)."}],"exhibitions":[{"@link":{"catalogue":"5247","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.10-1953","primary":true,"type":"accession number","value":"C.10-1953"},{"priref":"79992","type":"priref","value":"79992"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992"}],"inscription":[{"location":"on base","method":"inscribed in dark blue","transcription":[{"value":".1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino."}],"type":"inscription"},{"description":[{"value":"rectangular"}],"method":"typed","transcription":[{"value":"From the Pucco [sic] service"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"note":[{"value":"dated"}],"value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The dish was painted by Francesco Xanto Avelli, a native of Rovigo, near Padua, and was recorded in Urbino between 1530 and 1542. During that period he marked or signed numerous dishes and panels, many of which are also inscribed with their subject and its literary source. Xanto's reference on the back of this dish to canto 37 (stanzas 25-9) of Orlando Furioso, shows that he used the first edition, published in 1516 and reprinted in 1521, 1524, and each year until 1531. In the second edition of 1532 and subsequent editions, the action takes place in canto 41 (stanzas 25-9). These editions had no illustrations to serve as a basis for the illustration on the dish. So Xanto followed his usual practice of constructing a scene with figures taken from prints, in this case just one, the Abduction of Helen, engraved by Marcantonio Raimondi after Raphael. The first illustrated Orlando Furioso with a simple woodcut to each canto had been published in 1530, but it was not until 1542 that really lively illustrations appeared in the edition by Gabrielli Giolito de' Ferrari of Venice."},{"value":"This is one of thirty-six dishes surviving from a service bearing the arms of a member of the Pucci family of Florence. Thirty-four are dated 1532 and two, 1533. The identity of the owner of the service is uncertain. Piero Maria Pucci of Florence (b. 1467) is one member of the family who has been suggested. Another was Roberto Pucci, whose wife having died in 1526,  entered the Church, becoming Bishop of Pistoia in 1541, and a Cardinal in 1542, after which he impaled the Farnese arms with Pucci. He died aged eighty-three in 1547. Most of the dishes are decorated with scenes from classical mythology or history, but this dish and another in the British Museum differ in having scenes from one of the greatest romantic epic poems, Orlando Furioso by Ludovico Ariosto (1474-1533). The action shown on the Fitzwilliam's dish takes place after the hero, Ruggiero, had abandoned his ship in a storm off the coast of Egypt, leaving on board his horse, Frontino, his armour and his magic sword, Belisarda. These were found by a Christian warrior, Orlando, who took the sword for himself, and distributed the armour and horse to his companions, Oliviero, and Brandimarte, in preparation for a battle with a Saracen, Gradasso."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.","page":"83","type":"reference"},"admin":{"id":"publication-400002304","uid":"adlib-publication-400002304","uuid":"d0b2b57b-546a-36c7-8b81-e61f2ad9859b"},"summary_title":"Le maioliche del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.","page":"65-6","type":"reference"},"admin":{"id":"publication-400002305","uid":"adlib-publication-400002305","uuid":"6d47fd97-3aed-3278-9bb2-8cb912488eed"},"summary_title":"Ceramiche dalle Collezioni del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish. Inv. no. E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. 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