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He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \nInformation from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160362","uid":"adlib-agent-160362","uuid":"44ce5876-ae4f-3a12-adf7-bda70173856e"},"summary_title":"Ulysses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160360","uid":"adlib-agent-160360","uuid":"f08ddf1e-3622-3c74-adf8-61c8a09dfc58"},"summary_title":"Circe"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms."},{"value":"Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. 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The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second 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Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904, lot 93; Dr Alfred Pringsheim; Sotheby's, 20 July 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 390; Marmaduke Langdale Horn (1890-1953)."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-79992","uid":"adlib-object-79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 14, no. 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Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3248","uid":"adlib-publication-3248","uuid":"652d18eb-394c-32a9-85e3-3629ddcba65d"},"summary_title":"Collection Bourgeois Fr\u00e8res, Catalogue des objets d'art et e haute curiosit\u00e9 composant la collection Bourgeois Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904"},{"@link":{"type":"reference"},"admin":{"id":"publication-3201","uid":"adlib-publication-3201","uuid":"e21a58a9-f96d-3513-b0fd-be8aadf7e292"},"summary_title":"Die Majolikasammlung Alfred Pringsheim in M\u00fcnchen, II"},{"@link":{"notes":"Publ. pp. 105-19, mentioned p. 113","page":"pp. 105-19","type":"reference"},"admin":{"id":"publication-200001097","uid":"adlib-publication-200001097","uuid":"b4478edd-f3c0-302b-ab2f-b38dec094f48"},"summary_title":"Rimpianto (Due collezioni faentine disperse)"},{"@link":{"notes":"Publ. p. 21, no. 50, figs. 47, 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Landau's view is that they are not the same person.","page":"10-18","type":"reference"},"admin":{"id":"publication-1466","uid":"adlib-publication-1466","uuid":"c8db8cda-c826-3edb-912e-3bf5c48be1cc"},"summary_title":"Catalogo completo dell'opera grafica di Georg Pencz"},{"@link":{"type":"reference"},"admin":{"id":"publication-7213","uid":"adlib-publication-7213","uuid":"b9763f84-28b0-37a4-9c6b-acae3494b9b2"},"summary_title":"The Art of the Italian Potter, Maiolica and Porcelain from a Private Collection"},{"@link":{"notes":"Cf. pp. 182-3, no. 57, a large dish from the Pucci service decorated with the Woman of Sestos.","page":"182-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 188-9, a dish from the Pucci service in the McEwan Collection, Polesden Lacy, Surrey (National Trust). 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The figures stand side by side on a low rocky base which rises up in the centre of the back to support them. The bearded fortune teller stands on the left with feet apart, bending over the right hand of the young woman, which he holds by the wrist in his left hand. The girl stands on the right with her left arm by her side, holding a now missing object. Between them is a rectangular object, perhaps a book. The fortune teller wears a wreath of leaves and berries on his head, a dark pink coat with yellow lining, turquoise breeches, and black boots with a gold border at the top. She has three flowers on top of her head, and wears a petticoat decorated with turquoise flowers and puce and gold leaves, a yellow open robe with an orange stomacher and cuffs, and a trailing garland of flowers and leaves passing over her right shoulder and diagonally across her back to her waist. The visible shoe is orange. 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(Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 40-1, F11","page":"pp. 40-1","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 115, pl. 42","page":"p. 115","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Ref. A painted copy of the original, is illustrated in pl. 16; the printed source pl. 17\nCf. A white example then in the E.M.H. Cross Collection, see p. 6, no. 7 and pl. 15","page":"p. 6","type":"reference"},"admin":{"id":"publication-2819","uid":"adlib-publication-2819","uuid":"d6e4e484-0b62-36cc-87b4-dadb33811c29"},"summary_title":"Transactions of the English Ceramic Circle"},{"@link":{"notes":"Ref. The possible printed source of the design see p. 82, no. 223 and pl. p. 84.","page":"p. 82","type":"reference"},"admin":{"id":"publication-2818","uid":"adlib-publication-2818","uuid":"db8fbf49-8ea5-32f3-b2b0-a5bfec860e55"},"summary_title":"L'oeuvre grav\u00e9 de Fran\u00e7ois Boucher dans la collection Edmond de Rothschild"},{"@link":{"notes":"Ref. This model is A49 in Bradshaw's list of Bow figures, see p. 91. For the mark, see pp. 42-3. He notes that the use of this mark became more common after about 1762.\nCf. A coloured example, p. 76, pl. 42","page":"pp. 42, 91","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Cf. A coloured example in the British Museum, p. 95, fig. IV, the figure, fig. V., the engraving, and p. 96, fig. VI, a detail of the painting.","page":"pp. 95-6","type":"reference"},"admin":{"id":"publication-200000889","uid":"adlib-publication-200000889","uuid":"ce779f73-b184-3b15-8ceb-62ee3cdc5b30"},"summary_title":"Some Consequences of the Bow Porcelain Special Exhibition, Part I: The Alderman Arnold Period (Nov 1748-March 1750)"},{"@link":{"type":"reference"},"admin":{"id":"publication-2779","uid":"adlib-publication-2779","uuid":"8cbdf779-106f-3416-9f27-58cc6fb9f45c"},"summary_title":"Chelsea, Bow and Derby Porcelain Figures"},{"@link":{"notes":"Cf. A coloured example, see p. 127, no. 196. From the Aubrey Toppin collection, sold Sotheby's, 19th May 1970, English Porcelain, lot 1; anonymous, Bonhams, 25th March 1977, lot 73. Exhibited in the English Ceramic Circle Exhibition, 1948, pl. 36, no. 163","page":"p. 127","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. pp. 88-9, a coloured example in the Trevelyan Collection, Wallington, Northumberland; p. 89 colour illustration; p. 88 text and fig. 1 the print by Aveline, and fig. 2 a detail showing the book with diagram, which is a unique feature of this  model.  The group is no. 158 in house list of ceramics.","page":"88-9","type":"reference"},"admin":{"id":"publication-8407","uid":"adlib-publication-8407","uuid":"c2ab7f09-de03-38d7-b05a-2d9deb284d12"},"summary_title":"Ceramics. 400 Years of British Collecting in 100 Masterpieces"},{"@link":{"notes":"Cf. A coloured example, p. 32, lot 164. Estimate \u00a32-3,000; fetched \u00a32,160 (including buyer's premium).","page":"p. 32","type":"reference"},"admin":{"id":"publication-2821","uid":"adlib-publication-2821","uuid":"33ea618d-8224-3aa4-960e-3b7c3fbe217a"},"summary_title":"English Pottery and Porcelain and 19th Century Ceramics, 13th June 1983"},{"@link":{"notes":"Cf. A coloured example, p. 133, lot 188. Fetched \u00a313,200 inc. 10%; sold again Christie's, 18th May 1992, British Ceramics, p. 18, lot 38. 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W. L. Glaisher"}],"component":[{"name":"Details","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120060","uid":"adlib-term-120060","uuid":"2a6ad93f-460b-3c12-ae60-89a8c8d54a3d"},"summary_title":"hand-modelling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23557","uid":"adlib-term-23557","uuid":"194aa9d9-b56f-3c7d-8624-28305a4d3af5"},"summary_title":"arts\/architecture"},{"@link":{"type":"reference"},"admin":{"id":"term-110350","uid":"adlib-term-110350","uuid":"ab450de1-5dfc-3514-9493-1f724d7255a7"},"summary_title":"trade\/occupation"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of Kitty Clive as 'The Fine Lady' in Lethe."},{"value":"Soft-paste porcelain containing bone ash, press-moulded, and lead-glazed on the exterior, and on a small area of the interior of the skirt. The porcelain appears slightly greyish-white and the glaze is speckly. The figure is open underneath and has, at the front, half of a square base cut diagonally. 'The Fine Lady' stands facing the front, with her head back. She wears a pinner, a ruffle round her neck, a pet-en-lair jacket with a sack back and small bobbles on the cuffs and front edges, double ruffles below the cuffs, and a wide hooped skirt. She rests her left arm over the skirt and holds a lapdog under her right arm."}],"identifier":[{"accession_number":"C.3026A-1928","primary":true,"type":"accession number","value":"C.3026A-1928"},{"priref":"41539","type":"priref","value":"41539"},{"source":"Glaisher MS Catalogue, vol. 27","type":"old object number","value":"4491B"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41539","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41539"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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A model on a high base, inscribed with the date 1750, is in the Fitzwilliam (EC.3-1938)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed 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note","value":"Mr Stoner (probably Mr George Stoner), Stoner & Evans, London, from whom purchased on 21 March 1917 for \u00a3125 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 284, no. 3027A, Vol. II, pl. 243B","page":"p. 284","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. The figure is A1 in Bradshaw's list of Bow figures, see p. 88, A1\nFor information on Kitty Clive, see p. 50\nCf. An example on a low base with Henry Woodward, in the National Museum of Ireland, see p. 60, pl. 1","page":"pp. 50, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For an illustration of the mezzotint, in which the Bow model was derived from, see p. 21, fig. 31, and see pp. 20-6 for Kitty Clive and Lethe.","page":"pp. 20-6","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. The majority of examples are glazed white porcelain, but there is a biscuit example lacking the left arm, in the British Museum, see p. 9, I.7, which is described as 'a proof of the original mould of the statuette'.","page":"p. 9","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-2766","uid":"adlib-publication-2766","uuid":"c3f79447-44cb-31fe-8ac2-f394068b2b05"},"summary_title":"The Important Collection of Fine English Porcelain, The Property of the Late Sir Bernard Eckstein Barrett, 29th March 1949"},{"@link":{"notes":"Cf. An example on a low base, see pp. 166-9, fig. 241, pl. 76","page":"pp. 166-9","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example on a low base with Henry Woodward, in the Godden collection, see colour pl. H, and pp. 134-5. See 2nd edition, 1991, colour pl. H, and p. 124","page":"pp. 134-5","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-2765","uid":"adlib-publication-2765","uuid":"2d522003-0542-3332-b6da-157ffd1f02ef"},"summary_title":"English Pottery and Porcelain, 19th April 1982"},{"@link":{"notes":"Cf. An example on a low base, see p. 122, no. 186","page":"p. 122","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"type":"reference"},"admin":{"id":"publication-2632","uid":"adlib-publication-2632","uuid":"64a355ff-02a0-3871-9dfd-748c4a3c6691"},"summary_title":"English Enamels and British and Irish Ceramics"},{"@link":{"notes":"Cf. An example on a low base with two points at the front separated by curves, p. 16, lot 47. Estimate \u00a32-3,000; unsold.","page":"p. 16","type":"reference"},"admin":{"id":"publication-2767","uid":"adlib-publication-2767","uuid":"e6dabc18-eead-3fa0-bcb8-e24adab02bba"},"summary_title":"British and Irish Ceramics, 27th May 1986"},{"@link":{"type":"reference"},"admin":{"id":"publication-2768","uid":"adlib-publication-2768","uuid":"841be34f-a4a0-3138-8df0-e333b85314f0"},"summary_title":"Sale of Southwick House, the property of the late Mrs E.S. Borthwick-Norton, 18th October 1988"},{"@link":{"notes":"Cf. An example on a low base with Henry Woodward, p. 195, lot 385; previously sold at Sotheby's, 23rd February 1971, lot 167. 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Painted in blue, green, turquoise-green, yellow, orange, stone, brown, manganese-purple, black, and white.\nShape 52. Circular with a wide, gently sloping rim and shallow well, slightly and unevenly convex in the middle.\nOrlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship. Oliver stands on the right holding Ruggiero's armour. Brandimarte is aboard the ship, holding out his arms towards Frontino, who is partly hidden by three shields and an awning. Orlando, girt with the sword Balisarda, sits with his back to the viewer on a rock in the foreground. Hanging from the mast is a shield, charged with the Pucci arms argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. In the background to left there is a tree, and on the right, a rocky island. The edge is yellow. 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Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino."}],"type":"inscription"},{"description":[{"value":"rectangular"}],"method":"typed","transcription":[{"value":"From the Pucco [sic] service"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"note":[{"value":"dated"}],"value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The dish was painted by Francesco Xanto Avelli, a native of Rovigo, near Padua, and was recorded in Urbino between 1530 and 1542. During that period he marked or signed numerous dishes and panels, many of which are also inscribed with their subject and its literary source. Xanto's reference on the back of this dish to canto 37 (stanzas 25-9) of Orlando Furioso, shows that he used the first edition, published in 1516 and reprinted in 1521, 1524, and each year until 1531. In the second edition of 1532 and subsequent editions, the action takes place in canto 41 (stanzas 25-9). These editions had no illustrations to serve as a basis for the illustration on the dish. So Xanto followed his usual practice of constructing a scene with figures taken from prints, in this case just one, the Abduction of Helen, engraved by Marcantonio Raimondi after Raphael. The first illustrated Orlando Furioso with a simple woodcut to each canto had been published in 1530, but it was not until 1542 that really lively illustrations appeared in the edition by Gabrielli Giolito de' Ferrari of Venice."},{"value":"This is one of thirty-six dishes surviving from a service bearing the arms of a member of the Pucci family of Florence. Thirty-four are dated 1532 and two, 1533. The identity of the owner of the service is uncertain. Piero Maria Pucci of Florence (b. 1467) is one member of the family who has been suggested. Another was Roberto Pucci, whose wife having died in 1526,  entered the Church, becoming Bishop of Pistoia in 1541, and a Cardinal in 1542, after which he impaled the Farnese arms with Pucci. He died aged eighty-three in 1547. Most of the dishes are decorated with scenes from classical mythology or history, but this dish and another in the British Museum differ in having scenes from one of the greatest romantic epic poems, Orlando Furioso by Ludovico Ariosto (1474-1533). The action shown on the Fitzwilliam's dish takes place after the hero, Ruggiero, had abandoned his ship in a storm off the coast of Egypt, leaving on board his horse, Frontino, his armour and his magic sword, Belisarda. These were found by a Christian warrior, Orlando, who took the sword for himself, and distributed the armour and horse to his companions, Oliviero, and Brandimarte, in preparation for a battle with a Saracen, Gradasso."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The 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