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Franklin replied on 5 May 1788, (Yale University Library), see Elizabeth Bryden Adams, \u2018The Dwight and Lucille Beeson Wedgwood Collection in the Birmingham Museum of Art\u2019, Birmingham Alabama, 1992, p. 106, where quoted, and p. 174, note 79."},{"value":"Slavery was abolished in England in 1833 but as it was not formally abolished in the whole of North America until 1865, many English slave owners continued to increase their wealth by selling enslaved people to American traders. Much of the wealth associated with the industrial revolution was directly connected to the trade and labour of enslaved people."},{"value":"The medallions, made in Wedgwood\u2019s famous jasperware (imitating ancient cameos), were incorporated into jewellery, shoe buckles, hairpins and campaign buttons, allowing supporters of the abolitionist movement to publicly demonstrate their support for the cause and help to spread word of the Society and its aims. The image, together with the accompanying phrase, \u2018Am I not a man and a brother?\u2019 became one of the most powerful symbols of the abolitionist cause and it was widely copied and adapted. It can be found painted on ceramic patch boxes, cast in metal medals and even woven and beaded in textile form. Wedgwood distributed these medallions widely, sending 500 to founding member of the Society, Thomas Clarkson, and 400 to Benjamin Franklin in Philadelphia. Franklin gave them to his friends and thanked Wedgwood, writing, \u2018I am persuaded it may have an effect equal to that of the best written pamphlet in procuring honour to those oppressed people\u2019."},{"value":"This badge was used to advocate for the abolition (end of) the trade in enslaved African people. It was produced for the Society for the Abolition of the Slave Trade, formed in 1787, which campaigned vigorously in favour of a new law through the production of widely-distributed pamphlets, books, posters and prints. Famous ceramic manufacturer Josiah Wedgwood had long been a staunch abolitionist and after joining the Society, his factory began to produce medallions depicting this image, which is attributed to sculptor Henry Webber and prepared for production by modeller William Hackwood."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"white and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107483","uid":"adlib-term-107483","uuid":"42cd0dfd-3d96-36f1-910d-7d1da88f245d"},"summary_title":"jasper 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Two brown and grey pistols are attached to the belt at centre front, and a sword in a gold and white scabbard is suspended at his left side by means of a cream strap which passes over his right shoulder."}],"identifier":[{"accession_number":"C.16-1954","primary":true,"type":"accession number","value":"C.16-1954"},{"priref":"140138","type":"priref","value":"140138"},{"source":"Meissen porcelain factory","type":"model number","value":"407"},{"source":"Lord Fisher's catalogue number","type":"old object number","value":"411"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140138","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140138"}],"inscription":[{"location":"on underside of base","method":"hand-written in black","transcription":[{"value":"F"}],"type":"inscription"},{"description":[{"value":"circular white paper label with serrated edge"}],"location":"on underside of base","method":"printed in red and hand-written in black","transcription":[{"value":"printed in red, the Fisher crest with 'No.' (o raised) below, followed by '411' hand-written in black ink."}],"type":"label"},{"location":"on label to left of crest","method":"hand-written in pencil","transcription":[{"value":"14"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Lord and Lady Fisher through the National Art Collections Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-171103","uid":"adlib-agent-171103","uuid":"80fad945-ac43-3823-9bca-eefd85fd5004"},"summary_title":"Fisher, Lord and Lady"}],"date":[{"earliest":1954,"latest":1954,"value":"1954-01-14"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1745,"from":{"earliest":1745,"latest":1745,"precision":"circa","value":"1745"},"latest":1750,"range":true,"to":{"earliest":1750,"latest":1750,"value":"1750"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-163301","uid":"adlib-agent-163301","uuid":"e48ba156-d9ec-3938-a33c-5360794eb376"},"summary_title":"Meissen Porcelain Factory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-40614","uid":"adlib-agent-40614","uuid":"1583983d-2e84-362c-9346-9b0956849899"},"summary_title":"Eberlein, Johann Friedrich"},{"@link":{"role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-41954","uid":"adlib-agent-41954","uuid":"7e77b7f6-03d2-313a-ba2b-a8aab888d739"},"summary_title":"Engelbrecht, Martin"}],"note":[{"value":"The name Pandur is of Serbo-Croation origin and became proverbial in German for brutal soldiery. 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