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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of treachery."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-134567","uid":"adlib-term-134567","uuid":"cb330736-31a5-3937-b99b-30a434c36c22"},"summary_title":"1520s"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"3.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-187308","uid":"adlib-media-187308","uuid":"4f5247e5-9bd4-331c-a823-07712f3034fc"},"processed":{"large":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa30\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":499},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926403667,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa30\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926403667,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1839422729","source":"portfolio","uid":"portfolio-media-1839422729","uuid":"e48eb84d-6cf2-3eec-826f-91f082127699"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/large_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":768},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529198924000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":500}]},"modified":1529198924000,"resizable":true,"type":"image"},"original":{"location":"EC.30-1938_201407_kly25_mas.tif","modified":1529198924000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":188},{"dimension":"width","units":"pixels","value":250}]},"modified":1529198924000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. 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These inscriptions frequently used the specialised Latin vocabulary of published medical texts and \u2018books of secrets\u2019. Spouted jars were used for oils, syrups, or liquid infusions. This one is labelled: \u2018O[x]ymel composito\u2019 compound oxymel, a potion prepared by evaporating a mixture of clarified honey and vinegar until it formed a syrup. This sweet- and-sour concoction, known from ancient Roman sources, was used to treat asthma as well as conjunctivitis. The warming nature of the remedy is alluded to by the old man who points to a flaming brazier, an image often emblematic of Winter.\nThe jar and C.65-1927 belong to a group of at least 280 pharmacy of several different forms with closely related and very distinctive decoration. The ceramic historian, Bernard Rackham (1876-1964), named the type 'Orsini-Colonna' jars, because a large two-handled bottle in the British Museum is decorated with a bear embracing a column with the words 'ET SARRIMO boNI AMICI' (and we will be good friends), emblematic of a reconciliation between these rival Roman families. The Orsini jars might be more appropriate, as that family's arms appear on a two-handled vase in the Lehman collection in the Metropolitan Museum of Art, New York, and on a two-handled bottle in a private collection. However, as more jars became known, it became apparent that the contents labels were repeated two, three, four, or in two instances five times, indicating that there must have been several different sets. This is also supported by the use of Roman capitals for the labels on some jars, and Gothic lettering on others. \nIn the absence of firm evidence for their place of origin the jars used to be attributed to central Italian towns, including Deruta, Siena, Cafaggiolo, Faenza or Casteldurante. Their secure attribution to Castelli in the Abruzzi followed the retrieval of many similar fragments in an excavation there between 1980 and 1982. This revealed the waste tip on the hillside behind the house of Orazio Pompei (c. 1510-20 to after 1590), a member of a large and flourishing potting family in the town. The connection between Orazio and the jars is supported by the inscription 'OC\/OPVS\/ORATII' on a dragon-spouted ewer in the Museo Internazionale delle Ceramiche, Faenza, and by similarities between the female busts on the jars, and those on two maiolica  panels attributed to him. The first, decorated with the Virgin and Child flanked by the letters 'ORO', presumably for Orazio, and the date '1551' was formerly situated at the entrance to his house. The second, decorated with the Annunciation, and dated '21.MAI\/1557' belongs to the comune of Chieti. Given Orazio's presumed date of birth, it seems unlikely that the pharmacy jars were made before about 1540 and judging by their similarities with the figures in the wall panels, production could have continued until the late 1550s.  Vincenzo De Pompeis considered that this jar was probably made at the early end of the date range. 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Purchased from Kerin, London, on 9 December 1933 by H.S. Reitlinger (d. 1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 45, no. 65","page":"p. 45","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. pp. 32-5, 3874-D3, a jug with pine cones' in relief flanking a relief head, and 154-5, 3875-D, a jug with 'pine cones' in relief on either side of a rabbit or hare in relief","page":"32-35, 154-5","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf.p. 52, no. 5, a squatter jug with a relief face on the front, flanked by pine cones or bunches of grapes, in the Ashmolean Museum, Oxford, inv. no. 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Painted in blue, green, turquoise, yellow, orange, beige, brown, manganese, and black; red and golden lustre. Shape 78. Circular with shallow upturned sides and flat centre, standing on a low foot.\nMucius Scaevola before Lars Porsenna. Mucius Scaevola stands on the right holding his right hand over flames burning on an altar, behind which stands a soldier and a nude boy, pointing towards Lars Porsenna, who sits on a throne beneath a draped curtain, his feet resting awkwardly on a foot stool. On the right side there is a tree and in the background two more trees and six tents. A black band and a yellow band encircle the outer edge. In the middle of the back there is a lustred swirl and an inscription in dark blue: `.1533.\/Mucio che la sua des\/tra errate cuoce.\/Nella. . Deca d Tito Livio\/Fra: Xato .A.\/da Rouigo.\/i Urbino.' (Mucius who scorches his erring right hand.In the Decade of Tito Livius Francesco Xanto Avelli da Rovigo in Urbino.); on the sides, four complex swirls of rd and gold lustre and a yellow band on the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.12-1953","primary":true,"type":"accession number","value":"C.12-1953"},{"priref":"71591","type":"priref","value":"71591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71591"}],"inscription":[{"location":"in the middle of the back","method":"painted in dark blue","transcription":[{"value":"1533.\/Mucio che la sua des\/tra errate cuoce.\/Nella. . 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See\/Victoria & Albert Museum\/1748-1855 (Plate 38 Maiolica)\/The Central Group is reversed\/Both dated 1533"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. 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Cook; Humphrey W. Cook; Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., lot 76; W.H. Woodward; Henry Harris; Sotheby's, 20 June 1950, Catalogue of fine Italian maiolica from the well-known collection of the late Henry Harris, Esq. . . ., lot 117; Marmaduke Langdale Horn (1890-1953)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 20, no. 119","page":"p. 20","type":"reference"},"admin":{"id":"publication-3043","uid":"adlib-publication-3043","uuid":"a5c54200-d7aa-3b40-8860-dddffa64c6cd"},"summary_title":"Catalogue of Italian Majolica and other Pottery at 8 Cadogan Square"},{"@link":{"type":"reference"},"admin":{"id":"publication-3234","uid":"adlib-publication-3234","uuid":"85af1f74-585b-30ab-9cd3-a2720662c75c"},"summary_title":"Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., ... collection ... of the late Sir Francis Cook, Bart., 7-10 July 1925"},{"@link":{"notes":"Publ. pp. 32-3, no. 39 & pl. XII, reverse pl. XIII","page":"pp. 32-3","type":"reference"},"admin":{"id":"publication-3249","uid":"adlib-publication-3249","uuid":"3f3c03b5-3d6f-39d5-890e-885275bdee1b"},"summary_title":"Catalogue of a Collection of Pottery belonging to W.H. Woodward"},{"@link":{"type":"reference"},"admin":{"id":"publication-3250","uid":"adlib-publication-3250","uuid":"778db093-e476-3c63-8643-45001a715beb"},"summary_title":"Catalogue of fine Italian maiolica from the well-known collection of the late Henry Harris, Esq. . . ."},{"@link":{"notes":"Publ. p. 23, no. 100, figs. 94, 287R","page":"p. 23","type":"reference"},"admin":{"id":"publication-3247","uid":"adlib-publication-3247","uuid":"22d81b28-1e7d-397d-8b1a-ca77d4f27d2b"},"summary_title":"Corpus della maiolica italiana, II, Le maioliche datate dal l53l al l535"},{"@link":{"notes":"Publ. p. 229, cited without location","page":"p. 229","type":"reference"},"admin":{"id":"publication-200001099","uid":"adlib-publication-200001099","uuid":"221e4db2-30b4-37cc-8eac-7bed66fa4d24"},"summary_title":"Francesco Xanto Avelli and Petrarch"},{"@link":{"notes":"Publ. pp. 345-6, no. 394. For the source for the figures, see p. 333, fig. 27.","page":"pp. 345-6","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. pp. 94-7, inv. no. 4673-D3, a dish by Xanto of the same subject, but with a coat-of-arms above on the central tent","page":"94-7","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-45787","uid":"adlib-term-45787","uuid":"c771f626-b476-3a72-8dea-beb6566630bf"},"summary_title":"altar"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-69145","uid":"adlib-term-69145","uuid":"784af795-5401-382f-b51a-79b0f2b2dab1"},"summary_title":"curtains"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-60647","uid":"adlib-term-60647","uuid":"04b30013-2292-36ec-a938-1109132ca164"},"summary_title":"tent"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-68515","uid":"adlib-term-68515","uuid":"38643dbc-c37d-32ce-82d0-5b28cc8bbef8"},"summary_title":"stool"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-59105","uid":"adlib-term-59105","uuid":"96364d4e-4fef-3f53-a69c-cb84af98aa6a"},"summary_title":"military camp"},{"@link":{"type":"literal"},"name":[{"value":"altar"}],"summary_title":"altar"},{"@link":{"type":"literal"},"name":[{"value":"curtains"}],"summary_title":"curtains"},{"@link":{"type":"literal"},"name":[{"value":"tent"}],"summary_title":"tent"},{"@link":{"type":"literal"},"name":[{"value":"stool"}],"summary_title":"stool"},{"@link":{"type":"literal"},"name":[{"value":"military camp"}],"summary_title":"military camp"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"Earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, turquoise, yellow, orange, beige, brown, manganese, and black; red and golden lustre."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Mucius Scaevola before Lars Porsenna"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-81370","_score":18.057055,"_source":{"admin":{"added":1592996709000,"created":1312637261000,"flag":"Standard Record","id":"object-81370","indexed":1747246362119,"modified":1723546256000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-81370","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","uuid":"da42761e-fd3e-3671-b3cb-a283ab81d149","version":10},"agents":[{"@link":{"note":[{"value":"Sir Alfred Lane Beit (1903-1994), 2nd Baronet"}],"type":"reference"},"admin":{"id":"agent-179498","uid":"adlib-agent-179498","uuid":"a66203ba-d987-331b-b04a-3ce6ee72d5c0"},"summary_title":"Beit, Alfred, Sir"},{"@link":{"note":[{"value":"Sir Otto John Beit, 1st Baronet, KCMG, FRS (1865-1930)"}],"type":"reference"},"admin":{"id":"agent-206918","uid":"adlib-agent-206918","uuid":"774b6904-36ed-3059-a007-d197ac98fb12"},"summary_title":"Beit, Otto, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"manganese, dark relief-blue, and a little green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"n relief blue, manganese-purple, and green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.3"}]},"name":"Mouth"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.8"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"22.5"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica two-handled pharmacy jar, painted in manganese, dark relief blue and green with hounds, 'oak leaves', dots and dashes."},{"value":"Buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green. Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn one side there is a hound running to the left and, on the other, a hound running to the right, surrounded by sprays of oak leaves with dots and dashes in the background. On each side of the handles, there are three vertical manganese lines, on the outside of which are short horizontal manganese strokes separated by blue spots. Round the lower part of the body there are two horizontal manganese bands; round the neck, alternating manganese chevrons and blue spots between pairs of manganese bands. The handles are decorated with a crutch with a green shaft, a series of horizontal manganese lines, and blue spots. Below each handle are two manganese six-armed asterisks with blue dots at the end of the strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1218","uid":"adlib-exhibition-1218","uuid":"8a44c344-f4e9-3612-8308-51f40c783c33"},"summary_title":"Saving Bodies, Saving Souls: Hospitals in History"}],"identifier":[{"accession_number":"C.75-1961","primary":true,"type":"accession number","value":"C.75-1961"},{"priref":"81370","type":"priref","value":"81370"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370"}],"inscription":[{"description":[{"value":"circular with serrated edge, 62 crossed out"}],"method":"inscribed in pencil","transcription":[{"value":"62"}],"type":"label"},{"location":"on base","method":"inscribed in red","transcription":[{"value":"736"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1427,"from":{"earliest":1427,"era":["CE"],"latest":1427,"precision":"circa","value":"1427"},"latest":1431,"range":true,"to":{"earliest":1431,"era":["CE"],"latest":1431,"value":"1431"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-53048","uid":"adlib-agent-53048","uuid":"37eb6b31-d7c3-3551-a4ec-83c121497444"},"summary_title":"Giunta di Tugio"},{"@link":{"qualifier":"perhaps","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159224","uid":"adlib-agent-159224","uuid":"d953aadb-4750-35e2-a71f-95c9e37ed06f"},"summary_title":"Maso and Miniato di Domenico"}],"note":[{"value":"This jar is decorated in manganese and relief-blue (zaffera a rilievo), a glaze-like, upstanding pigment containing cobalt. Archaeological evidence recovered since 1975 indicates that it was probably introduced in Tuscany during the last third of the fourteenth century, as fragments found during excavations in Florence and nearby towns, such as Prato, Pistoia, and Montelupo, can be dated to the end of the century. Others have been found with fragments of Italo-Moresque type which suggests that relief-blue decoration continued until the 1460s.By the early fifteenth century it was well-established and in addition to two-handled jars, it was used on jugs, albarelli, ewers, and, more rarely, on dishes.  It was also adopted in the Romagna, Lazio, and Umbria during the same period. It may be the blue referred to in two recipes, one for blue pigment for the decoration of maiolica, and the other for relief-blue 'in the Florentine manner' included in a MS now in the Library of the University of Bologna (MS 2861), and formerly in the convent of San Salvatore in Bologna.                \nThe best-known examples of relief-blue decoration outside Italy are Tuscan two-handled storage jars. These have been attributed to Florence and Montelupo, and were probably made elsewhere, such as at Baccheretto. Typically they have borders creating a panel on each side which is occupied by a central motif surrounded by stylized oak foliage. The main motifs include heraldic and other animals, fleurs-de-lis, and mythical or human figures. Some jars, however, are decorated overall with foliage, scales, or undulating lines. These motifs appear to have been derived from local and Islamic art, including heraldry, woven textiles and ceramics.                                                                                      This is one of at least twenty-one 'oak leaf jars' whose handles bear the crutch emblem of the hospital of Santa Maria Nuova in Florence. The hospital's archives record the purchase of large numbers of jars for its pharmacy in 1427 from Maso and Miniato di Domenico. But it seems more likely that they were among  about 1,000 ordered in 1431 from Giunta di Tugio, whose workshop was in the Oltrarno district of the ciity, because the record mentioned orciuoli (two handled jars) for the new pharmacy. The meaning of the two asterisks is uncertain. They may be the mark of a decorator, because one, two or three asterisks occur on other jars of this kind. An excavation in 1975 on the site of the Giunta di Tugio's workshop in Florence confirmed that maiolica with relief-blue decoration was made there and that an asterisk mark was used, and this was confirmed by a further excavation in 2015."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129010","uid":"adlib-term-129010","uuid":"674154af-c0f1-32b3-87cb-985607daa8cb"},"summary_title":"15th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53284","uid":"adlib-media-53284","uuid":"faca1ea5-2e87-3b48-b0f6-14913ef9a450"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":541},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286200198,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":271},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286200198,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"oak-leaf jar"}],"note":[{"type":"history note","value":"Sir Otto Beit (1865-1930); Sir Alfred Beit (1903-94);  Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP., lot 5; Louis C.G. Clarke (1881-1960)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76, no. 736","page":"p. 76","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. pp. 96-9, no. 154, and colour pl. 4; other jars with the crutch emblem are cited","page":"pp. 96-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 20-1, no. 5","page":"20-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7534","uid":"adlib-publication-7534","uuid":"d5d2f60c-8706-39e5-b0a9-af7a3064ed71"},"summary_title":"Museo Nazionale di Firenze, Palazzo del Bargello, Catalogo delle maioliche"},{"@link":{"notes":"Cf. p. 8, a jar with a hound running to the right, in the author's collection; formerly in the De Osma, Pringsheim, E.L. Paget and Kolkhorst collections","page":"8","type":"reference"},"admin":{"id":"publication-8909","uid":"adlib-publication-8909","uuid":"642c40cb-6430-3ad0-b922-62805196bde1"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3158","uid":"adlib-publication-3158","uuid":"eed5e193-4e6d-3560-95ff-0891e31704e2"},"summary_title":"Storia della maiolica di Firenze e del contado secoli XIV e XV"},{"@link":{"notes":"Cf. pp. 64-5, no. 6, a jar with two hounds addorsed on each side in the Bargello, Florence; p. 256, no. 73, a jar with a hound chasing a hare, and the crutch emblem on the handles, in the Gemeentemuseum, The Hague; p. 256, no. 75, a jar with one hound on each side, formerly in the Scott-Taggart collection; p. 256, no. 76, a jar with one hound on each side in the Rijksmuseum, Amsterdam.  See also Alessandro Alinari and Fausto Berti, 'Zaffera fiorentina pe lo speziale e la mensa' pp. 47-55, for the interpretation and attribution of the asterisk marks on oak leaf jars for the hospital nof Santa Maria Nuova.","page":"256","type":"reference"},"admin":{"id":"publication-8825","uid":"adlib-publication-8825","uuid":"4e2519bc-4201-3705-987f-b0f95b5ffc2d"},"summary_title":"Zaffera e similia nella maiolica italiana"},{"@link":{"notes":"Ref. For a discussion of the influences on heraldic and other animal motifs on 'oak leaf' jars","page":"477-500","type":"reference"},"admin":{"id":"publication-400002321","uid":"adlib-publication-400002321","uuid":"0c7391ff-38b2-3fe0-9958-39b69b884cd4"},"summary_title":"Florentine \"zaffera a rilievo\" maiolica: a new look at the Oriental influence"},{"@link":{"notes":"Ref.  For a discussion of the origins of oak leaf decoration including architectural ornament, sculpture, MS illumination, and maiolica arcaica, which downplays the influence of Islamic ceramics, whereas Alinari and Berti, in Conti, 1991, pp. 47-52, retained the view that Islamic and Spanish ceramics were significant, especially in the use of contour panels.","page":"128-32","type":"reference"},"admin":{"id":"publication-200003216","uid":"adlib-publication-200003216","uuid":"34cfdd5d-0192-3d41-8bdf-de6edb987113"},"summary_title":"La foglia di quercia le sue origini ed il suo sviluppo"},{"@link":{"notes":"Cf. pp. 32-37 no. 83, a jar with a hound going to the left.","page":"32-37","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"notes":"Cf. inv. no.  3649-D3, a jar decorated with a hound on each side, and the crutch emblem on its handles, dated c. 1430","page":"pp. 36-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp 24-5, no. 1, an oak leaf jar with a plant motif amidst oak leaves, and having the crutch emblem of Santa Maria Nuova on the handle, with two asterisks below with a blob of blue on the end of each arm. Dated to  c. 1431, and attributed probably to the workshop of Giunta di Tugio.","page":"24-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 46-7, no. 12, a pharmacy jar decorated with scale pattern and having the crutch emblem of the hospital of Santa Maria Nuova on its handle. The author mentions the finding of relief-blue decorated maiolica and asterisk marks when the site of the Giunta di Tugio workshop was excavated in 2015.","page":"46-7","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. pp. 8-22","page":"8-22","type":"reference"},"admin":{"id":"publication-200003286","uid":"adlib-publication-200003286","uuid":"fd48ae82-cffd-3d8b-9e23-72af16c7d6e2"},"summary_title":"La marca dell'asterisco della bottega di Tugio di Giunta a Firenze"},{"@link":{"notes":"Cf. no. 12b, a two-handled jar with similar hounds in an upright position back to back, attributed to Florence","page":"pp. 26-28","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-23516","uid":"adlib-term-23516","uuid":"290ee5a9-02db-302c-8885-a62b4540e002"},"summary_title":"pharmacy"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-107810","uid":"adlib-term-107810","uuid":"2b4d2a52-ba0a-3962-8e0a-70ec572f5816"},"summary_title":"hounds"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-38432","uid":"adlib-term-38432","uuid":"574d1fc9-f958-3d45-9e32-c114b0cf87b4"},"summary_title":"oak"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-4803","uid":"adlib-term-4803","uuid":"003c7e5f-96a4-35d8-bac5-1dadc90aba65"},"summary_title":"oak leaf"},{"@link":{"type":"literal"},"name":[{"value":"hounds"}],"summary_title":"hounds"},{"@link":{"type":"literal"},"name":[{"value":"oak"}],"summary_title":"oak"},{"@link":{"type":"literal"},"name":[{"value":"oak leaf"}],"summary_title":"oak leaf"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},"summary_title":"two-handled jar","techniques":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-80787","_score":18.057055,"_source":{"admin":{"added":1592996700000,"created":1312637261000,"flag":"Standard Record","id":"object-80787","indexed":1747246321337,"modified":1584183698000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-80787","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80787","uuid":"0e54e161-0b83-38ef-b2a8-3fefde93d8fe","version":4},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153715","uid":"adlib-agent-153715","uuid":"8b8facef-bbf3-3362-accf-80549de1f9da"},"summary_title":"man"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Painted in polychrome, with a man being fired at by arrows in a landscape, being released or tied up by a young woman"},{"value":"Earthenware, tin-glazed greyish-white overall. Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. There are three small spur marks in the well. Shape approximately 59 (Poole 1995), slightly convex in the middle. Circular with a broad rim, and deep curved well, slightly convex in the middle.\nThe central medallion contains a landscape in which a stream of arrows speeds towards a young man who is bound to a stake, while a young woman is either tying him up or releasing him. The sides are decorated with bianco sopra bianco and orange Vs between rows of simulated beading. On the rim are grotesques reserved in a dark blue ground: four labels inscribed `1520', each flanked by cornucopiae and scrolls and surmounted by a winged putto's head, alternating with four grotesque masks, each flanked by dolphin scrolls and surmounted by a palmette. The rim is yellow.\nThe middle of the back is painted in blue with three concentric circles, crossed by two lines. One quarter contains a small circle, the other three an arrow pointing towards the centre. Radiating from the base are two rows of blue petals, the inner row transversely striped in blue and the outer in orange. The spaces between the petals are filled with blue transverse lines, and three narrow concentric blue bands encircle the edge."}],"exhibitions":[{"@link":{"catalogue":"no. 948 L","type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"EC.36-1942","primary":true,"type":"accession 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with broad rim"}],"note":[{"type":"history note","value":"Sir Otto Beit; Sir Alfred Beit; Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP, lot 22."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 69-70, no. 711 & pl. 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Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. 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Sotheby's, 8 June 1932, Catalogue of the well-known collection of important Italian majolica, also bronzes and statuary, velvets, textiles and embroideries, fine Oriental rugs, & c. the property of Herr Kurt Glogowski of Berlin, lot 26."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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