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Reitlinger"}],"component":[{"materials":[{"note":[{"value":"manganese and green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Exterior","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Interior","techniques":[{"description":[{"value":"Earthenware, the interior is tin-glazed greyish-white; the exterior is lead-glazed yellowish-brown; base unglazed. 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The sides are decorated with green strokes on either side of a wavy manganese stem, with a horizontal manganese band above."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.80 & A & B-1991","primary":true,"type":"accession number","value":"C.80 & A & B-1991"},{"priref":"76123","type":"priref","value":"76123"},{"date":[{"earliest":1989,"latest":1989,"value":"1989"}],"source":"Allocated by Wendy Rose when object left Maidenhead","type":"packing number","value":"EURCER 468"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76123","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76123"}],"inscription":[{"description":[{"value":"circular with blue border"}],"method":"printed in blue and inscribed in blue-black ink","transcription":[{"value":"'WILLIAM RIDOUT COLLECTION', printed in blue, `O\/19A' inscribed in blue-black ink"}],"type":"label"},{"description":[{"value":"circular with serrated edge"}],"method":"in pencil","transcription":[{"value":"271"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"H.S. 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IV. William Ridout; Christie's, 13 December 1938, The William Ridout collection of Italian majolica, European pottery, faience and delftware, part of lot 108; H.S. Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 13, O.19a & pl. 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Attributed to Orvieto and dated c. 1380-1200. Formerly in the Elia Volpi collection, Palazzo Davanzati, Florence.  Later, John Philip Kassebaum (1932-2016). The John Philip Kassebaum Collection, I, 1981, p. 53, fig. 56.","page":"44-7","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. 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Painted in dark relief-blue with manganese outlines. Poole, 1995, Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn each side, a long-tailed bird struts in profile to right, surrounded by sprays of oak leaves with dots in the background. On each side of the handles there are three vertical manganese lines, blue undulations and manganese scalloped lines. Round the lower part of the body there are two horizontal manganese bands; on the neck, alternating chevrons and blue spots between pairs of manganese bands. On each handle there are horizontal manganese lines and blue spots, with below, an inverted oak leaf and dots, and above, three spots and dots. On one handle the spots are linked by lines to form an asterisk."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.71-1927","primary":true,"type":"accession number","value":"C.71-1927"},{"priref":"48153","type":"priref","value":"48153"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48153","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48153"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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The pigment was made by mixing imported cobalt-blue and lead, which did not sink into the tin-glaze, and produced a glossy upstanding effect when fired."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120931","uid":"adlib-term-120931","uuid":"75155fcc-cd26-395a-8b9d-ac9a11175d8e"},"summary_title":"15th Century, first half"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"district of Florence"}],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"except base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"two-handled storage jar"},{"value":"two-handled pharmacy jar"}],"note":[{"type":"history note","value":"Private collection, London; Alfred Spero, London, from whom purchased on 7 May 1925 by F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. colour pl. facing facing p. 14","page":"14","type":"reference"},"admin":{"id":"publication-200000991","uid":"adlib-publication-200000991","uuid":"8abfbba2-051f-3c8e-8476-30efa10336a6"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - III"},{"@link":{"notes":"Publ. p. 3 & pl. 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Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. 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See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. 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The author, Grazia Biscontini Ugolini, provides a fuller account of the tiles than the earlier references given here.","page":"239-43","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Cf. p. 170 pl. 199, colour illustration of floor tile with VRAI AMOVR NESE CHANGE, (V. & A inv. 334:6-1903). p. 171 pl. 200 four Gonzaga floor tiles from the same set, the hound at lower left.  Attributed to Pesaro, c. 1494. Workshop of Antonio Fedeli. 23.5 x 23.5 cm. (V. & A. inv. nos. 334:1-5-1903)","page":"170","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 56-7, no. 19 six tiles from the pavement with Gonzaga emblems in the Louvre, inv. nos. OA 6432A-F. 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Painted in dark blue, green, yellow, brownish-orange, and manganese-purple high-temperature (metallic oxide) colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"maiolica inkstand with a three-dimensional Nativity group at the back, and an inkwell and candlesocket on either side"},{"value":"Dark buff earthenware, tin-glazed on the upper surfaces; base streaked with glaze. Painted in dark blue, green, yellow, brownish-orange, and manganese-purple. Modelled in the form of a shallow tray with a Nativity group in the round at the back, a cylindrical inkwell on the right, and a smaller cylindrical candle socket (incorrectly restored) on the left. The Virgin Mary and St Joseph kneel on either side of a wattle stall occupied by an ox and an ass. The infant Christ lies on a wavy-edged cloth between them. In front of the figures is a space for pens, enclosed by a low wall, decorated on the exterior with strapwork."}],"exhibitions":[{"@link":{"catalogue":"A2","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The Holy Home in Renaissance Italy"}],"identifier":[{"accession_number":"C.2179-1928","primary":true,"type":"accession number","value":"C.2179-1928"},{"priref":"80698","type":"priref","value":"80698"},{"source":"Glaisher MS Catalogue, vol. 9","type":"old object number","value":"3106"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80698","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80698"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher's death"}]}],"creation":[{"date":[{"earliest":1509,"from":{"earliest":1509,"era":["CE"],"latest":1509,"precision":"circa","value":"1509"},"latest":1516,"note":[{"value":"this date range is based on dated inkstands with comparable figures and animals"}],"range":true,"to":{"earliest":1516,"era":["CE"],"latest":1516,"value":"1516"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-160569","uid":"adlib-agent-160569","uuid":"f0277f0d-4a41-367d-aa6d-7b9f0c608226"},"summary_title":"Giovanni di Nicola di Manzoni of Colle"}],"note":[{"value":"Label text from the exhibition \u2018Madonnas and Miracles: The Holy Home in Renaissance Italy\u2019, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: A household object such as this inkstand allowed its owner to recall the Holy Family while writing or doing accounts. In the colourful rustic scene, watched by Joseph and the animals, Mary adores the baby Jesus, who lies naked and motionless on a cloth like a corpse, as if to foretell his eventual death."},{"value":"Maiolica inkstands with three-dimensional figures were the ceramic equivalents of the bronze candle- and inkstands made by fifteenth-century sculptors such as Riccio. They enjoyed a fairly short period of popularity from probably about 1490 to between 1510 and 1515, and then seem to have been less fashionable until about 1570. This example is very close in appearance to three others in private collections, one of which is dated 1516. The iconography differs in several respects, but the figures and animals are modelled in the same simple style, and they all have a flat base, and at the front, a low wall. The figures and animals are comparable to those on fifteen more elaborate inkstands which have curved double-walled bases with inscriptions round the sides, and are raised on three lion, or hound supports. For a list and illustrations of these, and the examples with flat bases, see Documentation, Wilson and Sani, 2007."},{"value":"This inkstand was formerly attributed doubtfully to Faenza, but has been reattributed to Colle Val d'Elsa on the basis of the inscriptions on some of the other inkwells, in which the maker described himself as IOHANES NICHOLAI DEMANZONIBVS DECOLLE or GIOVANNI ACOLLE, and the discovery of a manuscript which confirms that the Manzoni family had a pottery at Colle Val d'Elsa (Siena), and concerns its sale in 1530. See Wilson and Sani, 2007, for an extract from the notarial document.  It therefore seems possible that similar inkstands without inscriptions and the three-dimensional model (C.2180-1928) were made there though possibly not all in the same workshop. This inkstand has had the inkpot on the right incorrectly restored. On other examples the pot is not cylindrical, but of a bulbous from. 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The area under the handle is undecorated. The rest is covered by a trellis of petals outlined in manganese-purple over which are imposed short wavy blue lines and asterisks, and yellow dots. On the right side is part of the yellow petal border of the front panel. The exterior of the handle is green. A shaded blue area below the handle is marked twice in darker blue with an open P crossed."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.114-1927","primary":true,"type":"accession number","value":"C.114-1927"},{"priref":"48403","type":"priref","value":"48403"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48403","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48403"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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Galeazzo Cora named the pattern 'Santa Fina' decoration after the Hospital of Santa Fina at San Gimignano which had the remains of a set of pharmacy jars decorated in this way until they were transferred to the Museo Civico in 1906."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"24"},{"dimension":"Width","units":"cm","value":"16.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"value":"part of a jug"}],"note":[{"type":"history note","value":"Unknown before Frederick Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 113-5, no. 168","page":"pp. 113-5","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. 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Round the neck, between horizontal blue and yellow bands, there are dots and oblique lines."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.39-1931","primary":true,"type":"accession number","value":"C.39-1931"},{"priref":"81578","type":"priref","value":"81578"},{"date":[{"earliest":1931,"latest":1931,"value":"1931"}],"source":"The Fitzwilliam Museum","type":"Glaisher additions number","value":"Gl. 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