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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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The borders of rays dividing panels of scales and formal plants also occur with different central subjects, a few of which are dated, such as a man shaving an ass, dated 1556, in the Victoria & Albert Museum.\nAlmost identical polychrome dishes with similar marks on the reverse are in the British Museum, and MAK (Museum f\u00fcr Angewandte Kunst), Vienna. Another, with two spirals on the back, is in the Mus\u00e9e Civico, Pesaro. Further equestrian Turk dishes were cited in Poole, 1995, p. 200 (see Documention). Equestrian Turks also appear, but less frequently, on Deruta lustred dishes, for example, in the Wallace Collection, London (III A 44), the Petit Palais, Paris (S.2439), and the Mus\u00e9e des Beaux-Arts, Lyon (D.45, acq. 1880).\nIn 1935 Bernard Rackham, attributed this dish to Giacomo Mancini. 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See p. 84 note 1 for a brief mention of the Fitzwilliam's dish in a list of comparable dishes","page":"80-84","type":"reference"},"admin":{"id":"publication-5679","uid":"adlib-publication-5679","uuid":"2b220458-5727-3c6a-9df2-0ae5333e653b"},"summary_title":"Italian Maiolica of the Renaissance"},{"@link":{"notes":"Cf. pp. 442-4, no. 259, which appears to be painted by the same hand, has two blue spirals on the back and in the middle a crossed zig-zag.The authors leave open the possibility that it was made in the Mancini workshop, and date it c. 1520-60.","page":"442-4","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 76, no. 26, a dish with a Turkish horseman riding to the left, with a different border design, dated to c. 1525-60.","page":"76","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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Painted in dark blue, green, dark yellow, and manganese-purple."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"note":[{"value":"except for base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-81370","_score":16.970587,"_source":{"admin":{"added":1592996709000,"created":1312637261000,"flag":"Standard Record","id":"object-81370","indexed":1747246362119,"modified":1723546256000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-81370","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","uuid":"da42761e-fd3e-3671-b3cb-a283ab81d149","version":10},"agents":[{"@link":{"note":[{"value":"Sir Alfred Lane Beit (1903-1994), 2nd Baronet"}],"type":"reference"},"admin":{"id":"agent-179498","uid":"adlib-agent-179498","uuid":"a66203ba-d987-331b-b04a-3ce6ee72d5c0"},"summary_title":"Beit, Alfred, Sir"},{"@link":{"note":[{"value":"Sir Otto John Beit, 1st Baronet, KCMG, FRS (1865-1930)"}],"type":"reference"},"admin":{"id":"agent-206918","uid":"adlib-agent-206918","uuid":"774b6904-36ed-3059-a007-d197ac98fb12"},"summary_title":"Beit, Otto, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"manganese, dark relief-blue, and a little green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"n relief blue, manganese-purple, and green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.3"}]},"name":"Mouth"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.8"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"22.5"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica two-handled pharmacy jar, painted in manganese, dark relief blue and green with hounds, 'oak leaves', dots and dashes."},{"value":"Buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green. Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn one side there is a hound running to the left and, on the other, a hound running to the right, surrounded by sprays of oak leaves with dots and dashes in the background. On each side of the handles, there are three vertical manganese lines, on the outside of which are short horizontal manganese strokes separated by blue spots. Round the lower part of the body there are two horizontal manganese bands; round the neck, alternating manganese chevrons and blue spots between pairs of manganese bands. The handles are decorated with a crutch with a green shaft, a series of horizontal manganese lines, and blue spots. Below each handle are two manganese six-armed asterisks with blue dots at the end of the strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1218","uid":"adlib-exhibition-1218","uuid":"8a44c344-f4e9-3612-8308-51f40c783c33"},"summary_title":"Saving Bodies, Saving Souls: Hospitals in History"}],"identifier":[{"accession_number":"C.75-1961","primary":true,"type":"accession number","value":"C.75-1961"},{"priref":"81370","type":"priref","value":"81370"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370"}],"inscription":[{"description":[{"value":"circular with serrated edge, 62 crossed out"}],"method":"inscribed in pencil","transcription":[{"value":"62"}],"type":"label"},{"location":"on base","method":"inscribed in red","transcription":[{"value":"736"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1427,"from":{"earliest":1427,"era":["CE"],"latest":1427,"precision":"circa","value":"1427"},"latest":1431,"range":true,"to":{"earliest":1431,"era":["CE"],"latest":1431,"value":"1431"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-53048","uid":"adlib-agent-53048","uuid":"37eb6b31-d7c3-3551-a4ec-83c121497444"},"summary_title":"Giunta di Tugio"},{"@link":{"qualifier":"perhaps","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159224","uid":"adlib-agent-159224","uuid":"d953aadb-4750-35e2-a71f-95c9e37ed06f"},"summary_title":"Maso and Miniato di Domenico"}],"note":[{"value":"This jar is decorated in manganese and relief-blue (zaffera a rilievo), a glaze-like, upstanding pigment containing cobalt. Archaeological evidence recovered since 1975 indicates that it was probably introduced in Tuscany during the last third of the fourteenth century, as fragments found during excavations in Florence and nearby towns, such as Prato, Pistoia, and Montelupo, can be dated to the end of the century. Others have been found with fragments of Italo-Moresque type which suggests that relief-blue decoration continued until the 1460s.By the early fifteenth century it was well-established and in addition to two-handled jars, it was used on jugs, albarelli, ewers, and, more rarely, on dishes.  It was also adopted in the Romagna, Lazio, and Umbria during the same period. It may be the blue referred to in two recipes, one for blue pigment for the decoration of maiolica, and the other for relief-blue 'in the Florentine manner' included in a MS now in the Library of the University of Bologna (MS 2861), and formerly in the convent of San Salvatore in Bologna.                \nThe best-known examples of relief-blue decoration outside Italy are Tuscan two-handled storage jars. These have been attributed to Florence and Montelupo, and were probably made elsewhere, such as at Baccheretto. Typically they have borders creating a panel on each side which is occupied by a central motif surrounded by stylized oak foliage. The main motifs include heraldic and other animals, fleurs-de-lis, and mythical or human figures. Some jars, however, are decorated overall with foliage, scales, or undulating lines. These motifs appear to have been derived from local and Islamic art, including heraldry, woven textiles and ceramics.                                                                                      This is one of at least twenty-one 'oak leaf jars' whose handles bear the crutch emblem of the hospital of Santa Maria Nuova in Florence. The hospital's archives record the purchase of large numbers of jars for its pharmacy in 1427 from Maso and Miniato di Domenico. But it seems more likely that they were among  about 1,000 ordered in 1431 from Giunta di Tugio, whose workshop was in the Oltrarno district of the ciity, because the record mentioned orciuoli (two handled jars) for the new pharmacy. The meaning of the two asterisks is uncertain. They may be the mark of a decorator, because one, two or three asterisks occur on other jars of this kind. An excavation in 1975 on the site of the Giunta di Tugio's workshop in Florence confirmed that maiolica with relief-blue decoration was made there and that an asterisk mark was used, and this was confirmed by a further excavation in 2015."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129010","uid":"adlib-term-129010","uuid":"674154af-c0f1-32b3-87cb-985607daa8cb"},"summary_title":"15th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53284","uid":"adlib-media-53284","uuid":"faca1ea5-2e87-3b48-b0f6-14913ef9a450"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":541},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286200198,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":271},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286200198,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"oak-leaf jar"}],"note":[{"type":"history note","value":"Sir Otto Beit (1865-1930); Sir Alfred Beit (1903-94);  Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP., lot 5; Louis C.G. Clarke (1881-1960)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76, no. 736","page":"p. 76","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. pp. 96-9, no. 154, and colour pl. 4; other jars with the crutch emblem are cited","page":"pp. 96-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 20-1, no. 5","page":"20-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7534","uid":"adlib-publication-7534","uuid":"d5d2f60c-8706-39e5-b0a9-af7a3064ed71"},"summary_title":"Museo Nazionale di Firenze, Palazzo del Bargello, Catalogo delle maioliche"},{"@link":{"notes":"Cf. p. 8, a jar with a hound running to the right, in the author's collection; formerly in the De Osma, Pringsheim, E.L. Paget and Kolkhorst collections","page":"8","type":"reference"},"admin":{"id":"publication-8909","uid":"adlib-publication-8909","uuid":"642c40cb-6430-3ad0-b922-62805196bde1"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3158","uid":"adlib-publication-3158","uuid":"eed5e193-4e6d-3560-95ff-0891e31704e2"},"summary_title":"Storia della maiolica di Firenze e del contado secoli XIV e XV"},{"@link":{"notes":"Cf. pp. 64-5, no. 6, a jar with two hounds addorsed on each side in the Bargello, Florence; p. 256, no. 73, a jar with a hound chasing a hare, and the crutch emblem on the handles, in the Gemeentemuseum, The Hague; p. 256, no. 75, a jar with one hound on each side, formerly in the Scott-Taggart collection; p. 256, no. 76, a jar with one hound on each side in the Rijksmuseum, Amsterdam.  See also Alessandro Alinari and Fausto Berti, 'Zaffera fiorentina pe lo speziale e la mensa' pp. 47-55, for the interpretation and attribution of the asterisk marks on oak leaf jars for the hospital nof Santa Maria Nuova.","page":"256","type":"reference"},"admin":{"id":"publication-8825","uid":"adlib-publication-8825","uuid":"4e2519bc-4201-3705-987f-b0f95b5ffc2d"},"summary_title":"Zaffera e similia nella maiolica italiana"},{"@link":{"notes":"Ref. For a discussion of the influences on heraldic and other animal motifs on 'oak leaf' jars","page":"477-500","type":"reference"},"admin":{"id":"publication-400002321","uid":"adlib-publication-400002321","uuid":"0c7391ff-38b2-3fe0-9958-39b69b884cd4"},"summary_title":"Florentine \"zaffera a rilievo\" maiolica: a new look at the Oriental influence"},{"@link":{"notes":"Ref.  For a discussion of the origins of oak leaf decoration including architectural ornament, sculpture, MS illumination, and maiolica arcaica, which downplays the influence of Islamic ceramics, whereas Alinari and Berti, in Conti, 1991, pp. 47-52, retained the view that Islamic and Spanish ceramics were significant, especially in the use of contour panels.","page":"128-32","type":"reference"},"admin":{"id":"publication-200003216","uid":"adlib-publication-200003216","uuid":"34cfdd5d-0192-3d41-8bdf-de6edb987113"},"summary_title":"La foglia di quercia le sue origini ed il suo sviluppo"},{"@link":{"notes":"Cf. pp. 32-37 no. 83, a jar with a hound going to the left.","page":"32-37","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"notes":"Cf. inv. no.  3649-D3, a jar decorated with a hound on each side, and the crutch emblem on its handles, dated c. 1430","page":"pp. 36-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp 24-5, no. 1, an oak leaf jar with a plant motif amidst oak leaves, and having the crutch emblem of Santa Maria Nuova on the handle, with two asterisks below with a blob of blue on the end of each arm. Dated to  c. 1431, and attributed probably to the workshop of Giunta di Tugio.","page":"24-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 46-7, no. 12, a pharmacy jar decorated with scale pattern and having the crutch emblem of the hospital of Santa Maria Nuova on its handle. 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Pierpont Morgan (d. 31 March 1913); collection purchased by Joseph Duveen, 1916;  Dr Alfred Israel Pringsheim; Sotheby's, 7 June 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 33."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 23, no. 75","page":"p. 23","type":"reference"},"admin":{"id":"publication-3207","uid":"adlib-publication-3207","uuid":"7f9d6c5f-57ad-39b0-b07d-dfd208164647"},"summary_title":"Di un'insigne raccolta di maioliche depinte delle fabbriche di Pesaro e della provincia metaurense"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3208","uid":"adlib-publication-3208","uuid":"2d1daf51-dd10-376d-ac43-c117e18076c0"},"summary_title":"Collection Charles Mannheim, objets d'art"},{"@link":{"notes":"Publ. p. 33 & pl. 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Painted in blue and with brassy-yellow lustre.\nShape 70, but deeper. Circular with narrow rim, wide shallow well with a slightly convex boss in the middle, surrounded by a circle rib, a sloping concave zone and an indented circle.\nOn the boss within a blue circle, a woman half-length in profile to left faces a plant with three flowers. The boss is surrounded by a broad lustre band decorated with blue interlace, outside which is a series of concentric circles: blue, reserved white, blue, lustre and blue. The sides are decorated with slanting pseudo-gadroons and the rim has two continuous interlacing lines. A lustre band encircles the edge. On the back are four spaced concentric lustre circles."}],"identifier":[{"accession_number":"C.84-1927","primary":true,"type":"accession number","value":"C.84-1927"},{"priref":"48529","type":"priref","value":"48529"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529"}],"inscription":[{"description":[{"value":"rectangular with cut corners and blue printed border"}],"method":"hand-written in blue-black ink and pencil","transcription":[{"value":"'M24' in ink, 'Leverton\/Harris\/1926' in pencil"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1500,"from":{"earliest":1500,"latest":1500,"precision":"circa","value":"1500"},"latest":1530,"range":true,"to":{"earliest":1530,"latest":1530,"value":"1530"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-192453","uid":"adlib-agent-192453","uuid":"df78b698-01c1-3c17-b103-3abd32583456"},"summary_title":"Unidentified Deruta pottery"}],"note":[{"value":"Shallow basins with a central boss (bacili da acquareccia) were intended to accompany ewers, although no sets appear to have survived together. They were produced throughout the first half of the sixteenth century, and lustred examples survive in great numbers. Very few can be dated, even approximately with certainty. One of the earliest, in the British Museum, is decorated on the boss with the arms of a Montefeltro Duke of Urbino and was presumably made before 1508 when Francesco della Rovere succeeded to the dukedom. another basin at the Mus\u00e9e de la Renaissance at Ecouen, bears the arms for one or other of the Medici Popes, Leo X (1513-21) or Clement VII (1523-34).\nMany of these basins are decor\u00acated in the centre with a woman demurely facing to right or left towards a flowering plant, surrounded by a selec\u00action of stock patterns on the sides and rim, such as mock gadroons, scales, pointed rays and sty\u00aclized plants, wreaths of formal flowers and geometrical motifs. On some basins the flowers in front of the girls resemble pinks, which, like carnations, were symbols of love, so it seems likely that these were betrothal or wedding gifts, although not necessarily so. In the late fourteenth century, Margherita, the wife of the merchant, Francesco Datini of Prato (d. 1410), was asked to take 'a bowl and an ewer, such as is customary to give to girls' to the birthday party of one of her friend's daughters. At that time the ewer and basin would almost certainly have been metal, but it seems probable that, if this custom persisted maiolica would have been acceptable. A maiolica basin in an Italian private collection has the girl's name GIROLEMA painted across the boss.\nIt is difficult to date these basins other than by matching the borders with datable pieces of other types, or by the costume of the girls in the central medallion, which, because of the conservatism of Deruta decorators, is probably not very accurate. Nevertheless, it seems significant that the Louvre's relief moulded basin dated 1546, and another undated in the Lehman collection at the Metropolitan Museum of Art, feature girls wearing a different style of dress and turban-like caps. This fashion can be seen in portraits of the 1520s, and on bella donna dishes of the 1530s and early 1540s. It therefore seems likely that basins like this example and C.84-1961, which feature a Peruginesque girl, were likely to have been made before about 1530.\nThere are examples in the City Museum and Art Gallery, Stoke-on-Trent (27 P 53); the Mus\u00e9e des Antiquit\u00e9s de la Seine-Maritime, Rouen, the V. & A., the Walters Art Museum, Baltimore, the Louvre, the Mus\u00e9e National de la Renaissance, \u00c9couen, the Indianapolis Museum of Arts, the Nationalmuseum, Stockholm, the Metropolitan Museum of Art, New York, the Galeazzi collection, Terni, the Museum f\u00fcr Kunst und Gewerbe, Hamburg, the British Museum, and the Los Angeles County Museum, i(50.9.14.7)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"31.5"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18172","uid":"adlib-media-18172","uuid":"e888c589-736a-3129-83cc-9f185b6c2bac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926369018,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926369018,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18173","uid":"adlib-media-18173","uuid":"6e7b7ab4-0499-3a6d-bb1c-808b66e9e33c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926614753,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926614753,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"shallow basin for ewer"},{"value":"dish for a ewer"}],"note":[{"type":"history note","value":"A. Wylie; Frederick Leverton Harris (1864-1926)"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same form"}],"type":"reference"},"admin":{"id":"object-48565","uid":"adlib-object-48565","uuid":"3d224491-34cc-3f44-9968-cfabb17898f5"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 168-9, no. 238, where bibliography for other examples is cited","page":"168-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. p. 44, n. 32 and pl. XV, fig. 32","page":"44","type":"reference"},"admin":{"id":"publication-8819","uid":"adlib-publication-8819","uuid":"370f3f17-3378-32d8-ab82-49639225558d"},"summary_title":"Catalogue des fa\u00efences anciennes, Mus\u00e9e des Antiquit\u00e9s de la Seine-Inf\u00e9rieure"},{"@link":{"notes":"Cf. p. 10, no. 15, and pl. 10","page":"10","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. Basins for ewers in the Louvre, pp. 170-1, nos. 561-3, p. 189, no. 609; and an example at the Mus\u00e9e de la Renaissance, \u00c9couen, pp.189-90, no. 610","page":"170-1","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. I, p. 155, no. 463, vol. II,pl. 72, no. 463","page":"155","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. pp. 148-9, no. 109., and example in the Museum f\u00fcr Kunst und Gewerbe, Hamburg","page":"148-9","type":"reference"},"admin":{"id":"publication-5001","uid":"adlib-publication-5001","uuid":"1a6a4aab-e12a-3cc9-82eb-b38f46b5eb9f"},"summary_title":"Italienische Majolika"},{"@link":{"notes":"Cf. p. 70, no. 31","page":"70","type":"reference"},"admin":{"id":"publication-6039","uid":"adlib-publication-6039","uuid":"9c1f8e05-9789-3481-bcdf-176bb125d72b"},"summary_title":"Italian maiolica from Midwestern Collections"},{"@link":{"notes":"Cf. p. 64, fig. 29","page":"64","type":"reference"},"admin":{"id":"publication-8818","uid":"adlib-publication-8818","uuid":"c589463b-b412-32b5-bac3-111054eb37d0"},"summary_title":"Majolika fr\u00e5n Urbino och andra orter i Italian i Nationalmuseum Stockholm"},{"@link":{"notes":"Cf. p. 460-2, no. 272, a ewer stand with a central girl facing a plant, surrounded by scale pattern.","page":"460-2","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 110, no. 41 a ewer with a central girl in profile to left facing a plant. Cf. also p. 111, no. 42, a basin of similar form with the name GIROLEMA across the boss.","page":"110","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Ref. pp. 90-3, nos 11-12, two Deruta lustred ewers of the type which would have accompanied basins. In fig. 11.2, the author illustrates an assembled ewer and basin in the British Museum to show how the ewer's foot fitted over the central boss (BM 1885,0508.37 and 1878,1230.361). Fig. 11.1 shows a lustred jug with a differently shaped foot at the head of the Masci family's tax return in 1498, in the Archivio di Stato di Perugia.","page":"90-3","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-147436","uid":"adlib-term-147436","uuid":"a50fa4bb-9fa8-33d2-a65e-9e865e759e04"},"summary_title":"hand washing"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin","techniques":[{"description":[{"value":"Pale buff earthenware, moulded, and tin-glazed overall. Painted in blue and with brassy-yellow lustre."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48425","_score":16.970587,"_source":{"admin":{"added":1592996563000,"created":1312637261000,"flag":"Standard Record","id":"object-48425","indexed":1752602703129,"modified":1714465503000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48425","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48425","uuid":"8c7d9fd6-a935-34dc-9062-720c1a9d0fa6","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.9"}]},"name":"Rim"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"9.3"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"21.5"}]},"name":"Across Handles"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110589","uid":"adlib-term-110589","uuid":"3c574483-f330-3dae-9cc0-3c8d03df766e"},"summary_title":"authority\/state"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica two-handled pharmacy jar, painted in polychrome with gothic foliage, and the arms of the Corbinelli family"},{"value":"Pale buff eartheware, tin-glazed on the interior and exterior; base unglazed. Painted in dark blue, green, yellow, and manganese. Ovoid with flat base, short cylindrical neck and two small strap handles.\nOn the front is a kite-shaped shield bearing the arms azure, a stag salient argent collared argent, surrounded by gothic foliage and dots; on the other side, gothic foliage with peacock's feather eye motifs. Round the base, are horizontal green and yellow bands; on the neck, a wavy ribbon between yellow bands, and, on the rim, a green band. On each side of the handle is a vertical green line, and, down its back and extending a little above and below it, a peacock's feather. 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Sotheby's, 8 June 1932, Catalogue of the well-known collection of important Italian majolica, also bronzes and statuary, velvets, textiles and embroideries, fine Oriental rugs, & c. the property of Herr Kurt Glogowski of Berlin, lot 26."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Attributed to Montelupo and dated c. 1500-20","page":"48-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp. 34-5, no. 6, decorated with the arms of Ridolfi di Piazza of Florence, signed TB joined, dated c. 1480-1500. This jar was formerly in the Dr Robert Bak collection, sold Sotheby's, 7 December 1965, lot 51.","page":"34-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. 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Painted in dark blue, green, yellow, and manganese."}],"note":[{"value":"except base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71355","_score":16.970587,"_source":{"admin":{"added":1592999559000,"created":1312637261000,"flag":"Standard Record","id":"object-71355","indexed":1755021867818,"modified":1754996292000,"processed":1755021865424,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71355","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","uuid":"84045478-a491-382b-a8da-ca9ebe04f817","version":14},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-179350","uid":"adlib-agent-179350","uuid":"00d2e445-64b3-37fe-b93e-78b2ae0c1444"},"summary_title":"Foountaine, Andrew, IV"},{"@link":{"note":[{"value":"Marmaduke Langdale Horn was born on 23 November 1889 at 'Holmwood' at Walkerville in South Australia, and was one of three brothers who served in the Royal Flying Corp during the First World War. He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \nInformation from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160362","uid":"adlib-agent-160362","uuid":"44ce5876-ae4f-3a12-adf7-bda70173856e"},"summary_title":"Ulysses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160360","uid":"adlib-agent-160360","uuid":"f08ddf1e-3622-3c74-adf8-61c8a09dfc58"},"summary_title":"Circe"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms."},{"value":"Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"precision":"dated","value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-182276","uid":"adlib-agent-182276","uuid":"cb8a3144-a25c-3442-a37f-b502434af8e9"},"summary_title":"Monogrammist I. B."},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-35821","uid":"adlib-agent-35821","uuid":"7864b6fe-8b62-333d-b6ff-dcc5decb8942"},"summary_title":"Dente, Marco (Marco da Ravenna)"}],"note":[{"value":"Francesco Xanto was a freelance maiolica painter and it is not known in which workshop this dish was made. Xanto frequently constructed the scenes on his dishes with figures taken from several different engraved sources. The scene from the story of Ulysses and Circe was constructed from four. Ulysses was derived from 'Jupiter', dated 1528, by the Monogrammist IB. The figure also resembles Perseus in the woodcut illustration of Perseus and Andromeda in 'Ouidio methamorphoseos vulgare', Venice (Lucantonio Giunta), 1497. Circe was taken from the Muse Euterpe in the engraving by Marcantonio Raimondi of Raphael's 'Parnassus'. The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. 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The author discusses Xanto's use of prints after Raphael, and illustrates several dishes and prints","page":"21-35","type":"reference"},"admin":{"id":"publication-200003336","uid":"adlib-publication-200003336","uuid":"b2a62799-cb4f-339b-875e-ded0ff83c2f4"},"summary_title":"Ancora sul ruolo di Raffaello nell'opera di Xanto Avelli"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-69145","uid":"adlib-term-69145","uuid":"784af795-5401-382f-b51a-79b0f2b2dab1"},"summary_title":"curtains"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108479","uid":"adlib-term-108479","uuid":"f2ffb61a-dbec-3e42-b692-d0a04263041a"},"summary_title":"swine"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-3818","uid":"adlib-term-3818","uuid":"e63ad2a0-36b3-3768-9da4-45eb7c2f7a61"},"summary_title":"interior"},{"@link":{"type":"literal"},"name":[{"value":"dish"}],"summary_title":"dish"},{"@link":{"type":"literal"},"name":[{"value":"ewer"}],"summary_title":"ewer"},{"@link":{"type":"literal"},"name":[{"value":"basin"}],"summary_title":"basin"},{"@link":{"type":"literal"},"name":[{"value":"curtains"}],"summary_title":"curtains"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"swine"}],"summary_title":"swine"},{"@link":{"type":"literal"},"name":[{"value":"interior"}],"summary_title":"interior"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. 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Less commonly the pattern occurs in polychrome, for example on a dish in the Bargello in Florence. \nThe deep narrow well and broad rim of this bowl probably indicates that it was made during the first third of the century. During the 1530s broad-rimmed bowls generally had a wider, shallower well, and they began to go out of fashion after about 1540, possibly because of the fashion for all-over istoriato decoration. The persistence of the pattern into the 1540s is shown by its occurrence on the reverse of a basin in the Hermitage, St Petersburg, which is moulded with the same design as one dated 1546 in the Mus\u00e9e du Louvre in Paris."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113222","uid":"adlib-term-113222","uuid":"f48e32b1-88de-389d-beac-3989a8b2b34b"},"summary_title":"16th Century, first half"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"21.5"},{"dimension":"Height","units":"cm","value":"4.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"broad-rimmed bowl"},{"value":"tondino"}],"note":[{"type":"history note","value":"William Morris (d. 1896); Miss May Morris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48556","uid":"adlib-object-48556","uuid":"6b192f09-f40f-31be-9710-644b23d2af77"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. I, p. 285, no. 2193, II, pl. 163A","page":"p. 285","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 171, no. 242, where bibliography for comparable pieces is cited","page":"171","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. Vol. I, p. 160, no. 486, vol. II, pl. 76, a large dish decorated on the front with peacock feather eye pattern overall; p. 160, no. 485, a fragment of a dish with this pattern found at Deruta.","page":"160","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3401","uid":"adlib-publication-3401","uuid":"c22c2cc5-0565-37b2-8110-badd7e4cac9d"},"summary_title":"Maioliche del Museo Civico di Pesaro"},{"@link":{"notes":"Cf. pp. 92-3, no. 22, a comparable dish","page":"92-3","type":"reference"},"admin":{"id":"publication-8820","uid":"adlib-publication-8820","uuid":"eedf731a-950d-3c70-a196-dd3b9f6bbb9a"},"summary_title":"Mus\u00e9e du Petit Palais, Catalogue de C\u00e9ramiques I, Hispano-Mauresques, majoliques italiennes, Iznik, des collections Dutuit, Ocampo et Pierre Marie"},{"@link":{"notes":"Cf. p. 162, no. 302","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. p. 40, nos. 28 a footed dish, and 29, a shallow bowl decorated on the front with peacock feather eye pattern, illustrated p. 39, nos. 28 and 29. Dated to the first quarter of the 16th century","page":"39-40","type":"reference"},"admin":{"id":"publication-400002307","uid":"adlib-publication-400002307","uuid":"39210736-77f8-3d6b-b462-59cc768bc763"},"summary_title":"Museo della Ceramica Duca di Martina, La Maiolica Italiana"},{"@link":{"notes":"Cf. Vol. II, pp. 90-3, no. 93 a comparable dish with radiating peacock-feather eye pattern, dated c. 1520. Fragments of kiln wasters and a completed piece found at Deruta are illustrated on p. 92, fig. 2. The authors list further dishes of tondino form on p. 93, note 5, and of piatti da pompa form in note 6.","page":"vol. II, pp. 90-3","type":"reference"},"admin":{"id":"publication-6084","uid":"adlib-publication-6084","uuid":"ab8a6000-a2e7-3618-866e-06fc761bdb49"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia"},{"@link":{"notes":"Cf. pp. 116-17, no., 47, a comparable dish decorated with peacock feather eyes overall. Attribution: Probably Deruta, c. 1510-50.  The author mentions other examples, including the Fitzwilliam's.","page":"116-17","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. p. 59, no. 23, a plate with a very small central depression, and radiating peacock-feather ornament, dated c. 1510-50, in the Akademie der bildenden K\u00fcnste, Vienna, GG-A420.","page":"59","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall. 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