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A pair with MAR.C.1A-1912."}],"identifier":[{"accession_number":"MAR.C.1B-1912","primary":true,"type":"accession number","value":"MAR.C.1B-1912"},{"priref":"11148","type":"priref","value":"11148"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11148","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11148"}],"inscription":[{"location":"on the plinth","method":"impressed","transcription":[{"value":"WEDGWOOD\/O"}],"type":"factory mark"},{"location":"on the plinth","method":"incised","transcription":[{"value":"236"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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(Wedgwood Archives, University of Keele, L1-204). The plasters are in the Wedgwood Archives."},{"value":"The design probably originated in a pair of plaster vases, one decorated with a triton and one with a satyr, symbolizing water and wine, exhibited at the Acad\u00e9mie de Saint-Luc in Paris in 1774 by Sigisbert-Fran\u00e7ois Michel (1728-1811), nephew of Claude Michel, known as Clodion (1738-1814). See Documentation."},{"value":"The ewers were no. 236 in the  Wedgwood Shape Book (54.30019) where they were described as 'Marine & Satyr Handles & Ewer Sacred\/to Neptune & Bacchus'. They are also in the Shape Book water-marked 1794 rebound in 1916. They sold at 42\/- ( 2 guineas) in black and 105\/- (5 guineas) in jasper. They were still in production in 1878, when included in The Wedgwood Illustrated Catalogue of Ornamental Shapes 1878."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109012","uid":"adlib-term-109012","uuid":"6b3470f9-1fc6-37b1-a546-0fa985333828"},"summary_title":"red dry-bodied 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for wine"}],"note":[{"type":"history note","value":"unknown before testator"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-12373","uid":"adlib-object-12373","uuid":"bc929ac0-0e70-37d2-be70-842ba5600680"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-12385","uid":"adlib-object-12385","uuid":"cfd6925a-2094-3835-be14-624ae3ebfd9a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-981","uid":"adlib-publication-981","uuid":"3290b152-74dc-3668-b39c-4e5c84c93b41"},"summary_title":"Wallace Collection Catalogues, Furniture"},{"@link":{"notes":"Cf.The design probably originated in a pair of plaster vases, one decorated with a triton and one with a satyr, symbolizing water and wine, exhibited at the Acad\u00e9mie de Saint-Luc in Paris in 1774 by Sigisbert-Fran\u00e7ois Michel (1728-1811), nephew of Claude Michel, known as Clodion (1738-1814). A pair of ewers of comparable design in bronze and gilt-bronze attributed to Sigisbert-Fran\u00e7ois Michel (1728-1811)  c. 1770-80, p. 59, no. 50, ill. p. 57","page":"p. 59","type":"reference"},"admin":{"id":"publication-982","uid":"adlib-publication-982","uuid":"71aeb5a9-b3b5-3e89-8b31-ac4c9d8c06bf"},"summary_title":"Mus\u00e9e Nissim de Camondo"},{"@link":{"notes":"Cf. A pair of black basaltes ewers in the British Museum, p. 39, text. p. 38, fig. 26. Given by Mr and Mrs Isaac Falcke, 1909. H. 38.6 cm. (15 1\/4\") and 38.4 cm. (15 1\/8\")","page":"p. 39","type":"reference"},"admin":{"id":"publication-983","uid":"adlib-publication-983","uuid":"1c545f5a-e608-3ef1-9413-4da3a71abcd8"},"summary_title":"Masterpieces of Wedgwood in the British Museum"},{"@link":{"notes":"Cf. A pair of silver ewers by Messrs. Carrington of 1905 and 1906, were sold by Christie's, 27 March 1985, Important Silver and Gold Objects of Vertu and Miniatures, p. 24, lot 100.","page":"p. 24","type":"reference"},"admin":{"id":"publication-2158","uid":"adlib-publication-2158","uuid":"d8a28223-4500-390d-b85f-83522d5e9bf1"},"summary_title":"Important Silver and Gold Objects of Vertu and Miniatures, 27th March 1985"},{"@link":{"notes":"Cf. No. 129, a pair of black basaltes ewers at Burghley House, Stamford, dated to c. 1775.","page":"p. 61","type":"reference"},"admin":{"id":"publication-984","uid":"adlib-publication-984","uuid":"b49b3bba-0038-3f3d-a4c1-70885283ce9f"},"summary_title":"European Ceramics at Burghley House"},{"@link":{"notes":"Cf. A ewer sacred to Neptune, marked 'WEDGWOOD & BENTLEY ETRURIA', see p. 208, no. 130, colour pl. 46. (inv. no. 1979.262).","page":"p. 208","type":"reference"},"admin":{"id":"publication-985","uid":"adlib-publication-985","uuid":"a173a766-74f2-3d47-ad14-666e514e75e5"},"summary_title":"Good European Ceramics, Glass and Enamels"},{"@link":{"notes":"Cf. E31, text p. 112, ill. p. 113, a pair of black basalt ewers marked WEDGWOOD & BENTLEY, height 40.5 cm in the Wedgwood Museum, Barlaston (5161, 5762 ? is this an error for 5162 in the catalogue) See also, Hamburg, Hamburger Kunsthalle, 20 April 1979 - 3 June 1979, John Flax-man, Mythologie und Industrie, pp. 68-9, pl. 19a. See also W.B. Honey, Wedgwood Ware, London, 1948, p. 17 and pls. 60-1.","page":"112-13","type":"reference"},"admin":{"id":"publication-996","uid":"adlib-publication-996","uuid":"49f3ca01-c66c-3397-a14b-3e3019a0ce72"},"summary_title":"The Genius of Wedgwood"},{"@link":{"notes":"Cf. A silver-gilt pair  by the Goldsmiths & Silversmiths Co. Ltd., London, 1910 were sold by Sotheby's, Monaco, 24 June 2000, Bel Ameublement et Orf\u00e8vrerie Europ\u00e9enne, pp. 202-3, lot 347.","page":"pp. 202-3","type":"reference"},"admin":{"id":"publication-2159","uid":"adlib-publication-2159","uuid":"c9567f3c-bbd5-3c9e-ac82-fc4beb5cc261"},"summary_title":"Bel Ameublement et Orf\u00e8vrerie Europ\u00e9enne, 24th June 2000"},{"@link":{"notes":"Cf. p. 112, lot 140, a pair of ewers, marked WEDGWOOD & BENTLEY ETRURIA, h. 39.3 and 39.1 cm. Dated to c. 1775. Estimate  $7,000-10,000.","page":"112","type":"reference"},"admin":{"id":"publication-8729","uid":"adlib-publication-8729","uuid":"6f0888f7-c751-3bc5-a3de-28b746fb7d69"},"summary_title":"Wedgwood & Beyond. 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The plinth, foot and vase is held together by a rod, disk and nut."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"title":[{"value":"Ewer Sacred to Bacchus"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-11615","_score":18.771503,"_source":{"admin":{"added":1592999335000,"created":1312637261000,"flag":"Standard Record","id":"object-11615","indexed":1753207442402,"modified":1753202081000,"processed":1753207433773,"source":"adlib","stream":"fitz-online","uid":"adlib-object-11615","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11615","uuid":"1e5db4fe-0682-36eb-9a3c-e4f103d7b840","version":12},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-192537","uid":"adlib-agent-192537","uuid":"d5687729-51f9-3b8b-a80c-fcaefd5b4dfe"},"summary_title":"Darwin, Erasmus"},{"@link":{"type":"reference"},"admin":{"id":"agent-210476","uid":"adlib-agent-210476","uuid":"f5a598a0-4e70-32db-b00b-2cfe91f85feb"},"summary_title":"Darwin, Emma"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-158722","uid":"adlib-agent-158722","uuid":"1cffff36-4957-3dbb-9b48-c4d5b506440a"},"summary_title":"Paris"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}],"component":[{"name":"Reliefs","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115812","uid":"adlib-term-115812","uuid":"5ff69ea6-7a8e-307d-89e3-0a960ba42e8a"},"summary_title":"applying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Portland Vase copy, blue-black jasperware with applied white reliefs; on the sides classical scenes; on the base, the head of Paris"},{"value":"Jasper, solid blue-black with white reliefs. Squat ovoid body with incurved neck and everted rim, with two elbowed handles, and disk base. Decorated with two scenes separated by bearded male masks below the handles. Reading from left to right: Side 1. Two square pillars supporting an architrave, behind which is a small shrub. In  front of the pillars a nude young man holding a drape behind him in his right hand, steps forward to take the arm of a partly draped  woman who sits on the ground, looking back at him, and has a snake in her lap. Eros, holding a bow in his left hand and a torch in his right, flies overhead looking back to the young man. On the right, a bearded man stands in three-quarter profile to left, with his right foot on a heap of stones in front of a tree. He rests his chin on his right hand and his right elbow on his right thigh. To the right behind him there is a slender tree. Side 2.  A square pillar with a capital, beside which sits a nude young man on a pile of rocks. He has a drape over his right leg, and looks to the right towards a woman, who reclines on pile of rocks in front of a tree.  Her lower body is draped, and she holds a torch pointing downwards in her left hand, and has her right arm bent with the hand on her head. In front of her is a square stone with central hole and chamfered edge. On the right is a nude woman, seated on a separate pile of rocks, looking back towards the other two figures. She is partly draped, and holds a sceptre in her left hand. On the base, there is a spray of foliage above the head of a young man,  in profile to right, wearing a Phrygian cap, and a cloak, and having his right forefinger to his lips. Accompanied by original fitted travelling case (C.20A-1980)"}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1988","uid":"adlib-exhibition-1988","uuid":"ab970555-97b2-36fd-afa0-e74c1089ee29"},"summary_title":"From Reason to Revolution, Art and Society in Eighteenth-Century Britain"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-4058","uid":"adlib-exhibition-4058","uuid":"4ab165c7-3b3a-37ff-a254-b8a88497dfb6"},"summary_title":"Margaret Cavendish Holles Harley, Duchess of Portland"}],"identifier":[{"accession_number":"C.20-1984","primary":true,"type":"accession number","value":"C.20-1984"},{"priref":"11615","type":"priref","value":"11615"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11615","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11615"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought with the Cunliffe Fund, Grant-in-Aid from the Victoria and Albert Museum and a contribution from the National Heritage Memorial Fund, 1984"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152829","uid":"adlib-agent-152829","uuid":"08c3fe1e-3e6f-3f87-b00e-d88900bf86b5"},"summary_title":"Darwin, George Pember"}],"date":[{"earliest":1984,"latest":1984,"value":"1984-04-30"}],"method":{"value":"bought"},"note":[{"value":"For notes on the provenance of this example, see the object's file."}]}],"creation":[{"date":[{"earliest":1789,"latest":1789,"note":[{"value":"probably early autumn of 1789"}],"precision":"circa","value":"1789"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143579","uid":"adlib-agent-143579","uuid":"c32405af-1ece-35c0-b858-f9afd196ebc6"},"summary_title":"Wedgwood, Josiah"}],"note":[{"value":"The production of jasper ware copies of the cameo glass Portland Vase was one of Wedgwood's greatest achievements. 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They regard the vase as having been made 'to celebrate Rome's birth from the ashes of Troy, and to honor the man who had inaugurated Rome's golden age', i.e. Augustus.","page":"114-188","type":"reference"},"admin":{"id":"publication-200000479","uid":"adlib-publication-200000479","uuid":"dd9f66d6-1d17-3f30-8561-a99fe265e25e"},"summary_title":"The Portland Vase"},{"@link":{"notes":"Ref. A copy which descended in the family of Darwin's first wife, and was not the Erasmus Darwin Portland example is in the Dwight and Lucille Beeson Collection in the Birmingham Museum of Art, Alabama, see, pp. 144","page":"pp. 141-6","type":"reference"},"admin":{"id":"publication-2811","uid":"adlib-publication-2811","uuid":"f0083d31-ce25-31ac-ba4d-f20ebe989e92"},"summary_title":"The Dwight and Lucille Beeson Wedgwood Collection at the Birmingham Museum of Art"},{"@link":{"notes":"Ref. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"pale blue, dark puce, two shades of purplish-grey, and brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in pale blue, dark puce, two shades of purplish-grey, and brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of a cat, painted in enamels."},{"value":"Soft-paste porcelain containing bone ash, press-moulded, and painted over lead-glaze in pale blue, dark puce, two shades of purplish-grey, and brown enamels. The underside is concave and glazed. The pear-shaped base has a scrolled edge and a small, stepped mound at the front. The cat sits at the narrow end of the base, looking straight ahead, and holding a mouse to itself with its right front leg. Its left paw rests on the mound, into which another mouse is disappearing, its back and tail still visible. The cat is painted to resemble a tabby in shades of purplish-grey. On one side there is a fingerprint. The mice are brown, and the mound is pale blue. 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Some earned their keep as mousers, such as this tiny feline whose mouse-catching abilities have been immortalised in soft-paste porcelain: with one paw firmly placed on a mouse-hole (into which a lucky mouse escapes), she traps a less fortunate one in the other. Other cats, like the contented one in Valentino\u2019s kitchen scene (displayed nearby), appear to have preferred living off kitchen scraps fed to them by indulgent servants."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed 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figure"}}],"note":[{"type":"history note","value":"Christie's, 15 June, 1922, part of lot 32, two cats; purchased for \u00a377 on behalf of Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 387, no. 3055","page":"p. 387","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 118, fig. 4.9 and p. 251, cat. 164","page":"118, 251","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. This model is B175 in Peter Bradshaw's list of Bow figures, see p. 181, B175B\nCf. p. 168, pl. 193, centre (Christie's)","page":"pp. 168, 181","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Cf. A tabby similarly painted in greyish-purple, lot 111. Fetched \u00a3756 (including buyer's premium).","page":"p. 21","type":"reference"},"admin":{"id":"publication-2835","uid":"adlib-publication-2835","uuid":"38bf0cd3-947b-3c84-8499-051839f82ff0"},"summary_title":"English Porcelain"},{"@link":{"notes":"Cf. A pair of patchy coloured cats, one of which is the same form as the Fitzwilliam's, lot 3000. Estimate \u00a3800-1000; fetched \u00a31760 (including premium)","page":"p. 106","type":"reference"},"admin":{"id":"publication-2613","uid":"adlib-publication-2613","uuid":"bb6bf94c-77c7-33cf-b3aa-fe69ccfc7b8e"},"summary_title":"Early English and Continental Ceramics, 19th February 1991"},{"@link":{"notes":"Cf. A less stripey cat, p. 204, pl. 145, and see p. 201","page":"pp. 201, 204","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Cf A stripey cat,  7.5 cm high.","page":"66-67","type":"reference"},"admin":{"id":"publication-4825","uid":"adlib-publication-4825","uuid":"13a86d30-5679-3ff7-8e38-c8c3579fdad1"},"summary_title":"Splendour in the Grass, Birds, Beasts and Flowers in European Ceramics"},{"@link":{"notes":"Cf. p. 17, lot 44 a comparable cat dated to c. 1758-60. H. 7.8 cm. Previously sold by Sotheby's, London 21.7.1964, lot 42, and 20.9.1987, lot 106. Estimate $3-5,000.","page":"17","type":"reference"},"admin":{"id":"publication-8729","uid":"adlib-publication-8729","uuid":"6f0888f7-c751-3bc5-a3de-28b746fb7d69"},"summary_title":"Wedgwood & Beyond. English Ceramics from the Starr Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106263","uid":"adlib-term-106263","uuid":"26defd1a-3e3f-3c78-aeff-41fa6b29619d"},"summary_title":"cat"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-83722","uid":"adlib-term-83722","uuid":"b244ed31-6e9d-31a2-b31a-b539c2874832"},"summary_title":"mouse"},{"@link":{"type":"literal"},"name":[{"value":"cat"}],"summary_title":"cat"},{"@link":{"type":"literal"},"name":[{"value":"mouse"}],"summary_title":"mouse"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110277","uid":"adlib-term-110277","uuid":"97f1ad1c-7b1d-373a-b0ae-ed010d95f37b"},"summary_title":"animal figure"}},"summary_title":"animal figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded, and painted over lead-glaze in pale blue, dark puce, two shades of purplish-grey, and brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Cat seated with Mouse in its Paw"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":7,"total":7}]