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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of treachery."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-134567","uid":"adlib-term-134567","uuid":"cb330736-31a5-3937-b99b-30a434c36c22"},"summary_title":"1520s"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"3.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-187308","uid":"adlib-media-187308","uuid":"4f5247e5-9bd4-331c-a823-07712f3034fc"},"processed":{"large":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa30\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":499},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926403667,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa30\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926403667,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1839422729","source":"portfolio","uid":"portfolio-media-1839422729","uuid":"e48eb84d-6cf2-3eec-826f-91f082127699"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/large_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":768},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529198924000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":500}]},"modified":1529198924000,"resizable":true,"type":"image"},"original":{"location":"EC.30-1938_201407_kly25_mas.tif","modified":1529198924000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":188},{"dimension":"width","units":"pixels","value":250}]},"modified":1529198924000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. 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No. 376 for a full description of the dish, its design, coat of arms and imprese, and references to  publications on the other dishes in the service.","page":"304-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 58-9, no. 24","page":"58-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ.","page":"135","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 28 short text with colour illustration","page":"28","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Ref. For the myth of Peleus and Thetis, see Book XI, lines 217-65.","page":"134-9","type":"reference"},"admin":{"id":"publication-3032","uid":"adlib-publication-3032","uuid":"424dff59-c2f4-34e7-b563-5ecaa3f39497"},"summary_title":"Ovid in Six Volumes IV Metamorphoses with an English translation by Frank Justus Miller, II, Books IX-XV"},{"@link":{"type":"reference"},"admin":{"id":"publication-3033","uid":"adlib-publication-3033","uuid":"dc9c073e-004e-3afd-a79a-6958c5c6642b"},"summary_title":"Ovidio methamorphoseos vulgare"},{"@link":{"notes":"Ref. For Isabella d'Este's imprese, and citations of earlier literature.","page":"65-6","type":"reference"},"admin":{"id":"publication-200000987","uid":"adlib-publication-200000987","uuid":"3fec68e9-fd46-3068-bf23-7a791ff224ce"},"summary_title":"The Gonzaga Devices"},{"@link":{"notes":"Ref. 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Estimate: \u00a390,000-130,000\/E 100,000-150,000","page":"24-26","type":"reference"},"admin":{"id":"publication-6806","uid":"adlib-publication-6806","uuid":"d7c91d4c-4d81-3a56-a39d-2187de2eac4c"},"summary_title":"500 Ans  Arts D\u00e9coratifs Europ\u00e9ens"},{"@link":{"notes":"Cf. p. 124, colour pl., an example in the Victoria & Albert Museum, a broad-rimmed bowl with Hippolytus and Phaedra with arms and devices of Isabella d\u2019Este,  XX\/VII, NEC SPE NEC METU and musical notes. By Nicola da Urbino. D. 27.2 cm. (V. & A. inv. no. C.2229-1910).","page":"124","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 82-7,inv. no. 470-D3, a shallow plate from the same service decorated with Jupiter and Semele and the imprese, NEC SPE NEC METU and XXVII. 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Circular with eighteen scallops round the rim. The shallow curved sides and slightly convex centre are moulded with two rows of dimples and shallow inverted gadroons radiating from the centre. The low, spreading circular foot is moulded with vertical inverted gadroons. The front is decorated in the centre with an oval scrolled and beribboned cartouche charged with a coat-of-arms or impresa of a scythe cutting a serpent in half. Further out is a circular border of a continuous blue stem with yellow and orange leaves. The reverse is undecorated. The base inside the foot is inscribed in blue: 'fatto in\/Nazzanno d.S.\/Paulo d Roma\/il primo d\/Agosto 1583'."}],"identifier":[{"accession_number":"C.1-2000","primary":true,"type":"accession number","value":"C.1-2000"},{"priref":"28365","type":"priref","value":"28365"},{"source":"Fitzwilliam Museum","type":"entry form number","value":"118"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28365","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28365"}],"inscription":[{"location":"base inside the foot","method":"painted inglaze in blue","transcription":[{"value":"fatto in\/Nazzanno d.S.\/Paulo d Roma\/il primo d\/Agosto 1583"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam with grants from the National Art Collections Fund and the MGC\/V & A Purchased Grant Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2000,"latest":2000,"value":"2000-01-24"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1583,"from":{"earliest":1583,"era":["CE"],"latest":1583,"precision":"dated","value":"1583-08-01"},"latest":1583,"note":[{"value":"dated 1st August 1583"}],"range":true,"to":{"earliest":1583,"era":["CE"],"latest":1583,"value":"1583"}}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-166066","uid":"adlib-agent-166066","uuid":"55ecca48-5fc9-3a2c-990e-da5cd05113ff"},"summary_title":"Durantino, Francesco"}],"note":[{"value":"Made in a pottery at Nazzano owned by Francesco Gnagni (probably Francesco di Bernardini Nanni  (before 1520 - c.1597) who signed Francesco Durantino), one of two documentary specimens of maiolica known from this small hilltop village in Lazio. 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The other piece is a fragment of the base of a bowl inscribed 'Fatta in\/Nazzano 1581\/[A]gosto, which with a broken jug bearing the emblem of the monastery of San Paolo Fuori le Mura, was excavated in the castle at Nazzano."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, 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Purchased for the Fitzwilliam by Errol Manners, 66A Kensington Church Street, London, W8."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76-7 under Nazzano, illustrated p. 77, figs. 9-10. The authors cite the","page":"70-78","type":"reference"},"admin":{"id":"publication-200002811","uid":"adlib-publication-200002811","uuid":"0c4eb96f-0f19-373d-b633-bdf836dcceb8"},"summary_title":"Il Lazio"},{"@link":{"notes":"Publ. p. 325, fig. 1, where attributed to Francesco Durantino's workshop.","page":"323-325","type":"reference"},"admin":{"id":"publication-400001937","uid":"adlib-publication-400001937","uuid":"d392ba7c-b742-36d1-bb5b-a966848a4c7d"},"summary_title":"Centro Ligure per la storia della ceramica, Atti XLIII, Convegno Internazionale della Ceramica. La Ceramica nel periodi di transizione novit\u00e0 e persistenze nel mediterraneo tra XII e XVI secolo"},{"@link":{"notes":"Publ. p. 10, fig. 1 front, fig. 2 foot with inscription. Cf. p. 18, fig. 7 a jug bearing the sword emblem of the Monastery of San Paolo Fuori le Mura, and a simple foliage border comparable to the one on the Fitzwilliam's dish. Cf. fig. 8 a fragment of base of a cup or bowl inscribed 'Fatta in Nazzano 1581\/[A]gosto'. Both excavated in the castle at Nazzano","page":"9-29","type":"reference"},"admin":{"id":"publication-200003129","uid":"adlib-publication-200003129","uuid":"4cc971f5-3e47-34f4-8b30-01c3cb641ed9"},"summary_title":"Francesco Durantino \"vasaro\" a Perugia, Nazzano, Roma e Torino"},{"@link":{"notes":"Publ. p. 88, Figs. 1 and 2. On the same page the author provides a short biography of Francesco Durantino.","page":"88","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-113255","uid":"adlib-term-113255","uuid":"4cef6f98-cf2d-3154-b5a2-e64242d11478"},"summary_title":"compendiario"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-128774","uid":"adlib-term-128774","uuid":"3365c4e5-7b0c-322c-ab47-46dbc3401bf5"},"summary_title":"dish on low foot"}},"summary_title":"dish on low foot","techniques":[{"description":[{"value":"pale yellowish-buff earthenware, moulded, tin-glazed white overall except for the underside of the edge of the foot, and painted blue, yellow and orange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-78668","_score":17.869385,"_source":{"admin":{"added":1592996642000,"created":1312637261000,"flag":"Standard Record","id":"object-78668","indexed":1756836094173,"modified":1731502516000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-78668","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668","uuid":"1d004c0a-8b0a-35b3-9435-01c40e81abf7","version":12},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156428","uid":"adlib-agent-156428","uuid":"0ec44411-a674-3ecb-b530-bcc1bd58caae"},"summary_title":"Turk"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152195","uid":"adlib-agent-152195","uuid":"f6ba28af-cca8-3a73-b996-016112c8deb7"},"summary_title":"horseman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113343","uid":"adlib-term-113343","uuid":"ee4e412e-379b-3dbc-9687-b4574cab3cb5"},"summary_title":"F. Leverton Harris"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, and orange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"name":"Front","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"name":"Reverse","techniques":[{"note":[{"value":"or tin-glazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108340","uid":"adlib-term-108340","uuid":"71c1266d-2d95-3798-ac62-e718dc06b45a"},"summary_title":"slip-coated"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Dark buff earthenware, the front tin-glazed; the reverse probably slip-coated or tin-glazed before application of honey-yellow lead glaze. Painted in dark blue, green, yellow, and orange.\nShape 61. Circular with sloping rim, upturned at the edge and wide deep well, standing on a footring in which there are two holes for suspension at the top.\nIn the well, a mounted Turkish lancer gallops to the left. He wears a high-crowned turban and a long gown with a wide falling collar. A scarf or pennant streams out behind him. The landscape background has a low horizon, and the right half of the sky is dark blue and the left half is white. The rim is divided by radial stripes into six panels containing alternately scale pattern and a foliate scroll with formal flowers and fruits. A yellow band encircles the edge. On the back, inside the footring, there is a blue zigzag resembling an M or W with an extra stroke, crossed by a diagonal line, and outside the footring, two blue spirals."}],"exhibitions":[{"@link":{"catalogue":"no. 4\/126","type":"reference"},"admin":{"id":"exhibition-1660","uid":"adlib-exhibition-1660","uuid":"e34e04b5-edf9-32d5-af18-e68d5ffcaf54"},"summary_title":"Europa und der Orient: 800-1900"},{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.100-1927","primary":true,"type":"accession number","value":"C.100-1927"},{"priref":"78668","type":"priref","value":"78668"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668"}],"inscription":[{"description":[{"value":"circular"}],"method":"inscribed in faded ink","transcription":[{"value":"Leverton\/Harris\/Bequest 1926\/M25"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1927"}]}],"creation":[{"date":[{"earliest":1525,"from":{"earliest":1525,"latest":1525,"precision":"circa","value":"1525"},"latest":1555,"range":true,"to":{"earliest":1555,"latest":1555,"value":"1555"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-159315","uid":"adlib-agent-159315","uuid":"62644784-211c-3942-aad3-ced3e6981e77"},"summary_title":"Mancini Workshop"}],"note":[{"value":"Polychrome display dishes with borders of rays dividing panels of scales and formal plants were in production in Deruta by the early 1520s, and continued until at least the beginning of the 1560s. The earliest known example, datable by the arms of Pope Hadrian VI (1522-3) is in the British Museum, and the latest, bearing those of Pius IV (1559-65) is in the Mus\u00e9e Ariana, Geneva. A border of floriated scrolls occurs on a dish with the arms of Clement VII (1523-34), dated 1531, and floriated scrolls with rays and scale panels on a dish with the arms of Cosimo I de'Medici and Eleonora of Toledo (married 1539), at the Mus\u00e9e national de la Renaissance, \u00c9couen.          \nDishes decorated in the well with equestrian Turks may have been introduced at Deruta about the time of the repulse of the Turks from Vienna in 1529. They were also executed with different border patterns. The borders of rays dividing panels of scales and formal plants also occur with different central subjects, a few of which are dated, such as a man shaving an ass, dated 1556, in the Victoria & Albert Museum.\nAlmost identical polychrome dishes with similar marks on the reverse are in the British Museum, and MAK (Museum f\u00fcr Angewandte Kunst), Vienna. Another, with two spirals on the back, is in the Mus\u00e9e Civico, Pesaro. Further equestrian Turk dishes were cited in Poole, 1995, p. 200 (see Documention). Equestrian Turks also appear, but less frequently, on Deruta lustred dishes, for example, in the Wallace Collection, London (III A 44), the Petit Palais, Paris (S.2439), and the Mus\u00e9e des Beaux-Arts, Lyon (D.45, acq. 1880).\nIn 1935 Bernard Rackham, attributed this dish to Giacomo Mancini. More recent scholars have considered that a less cramped crossed M mark on the reverse of some Deruta dishes might refer to the Mancini workshop, but no concrete evidence is known to prove this."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"40"},{"dimension":"Height","units":"cm","value":"9.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52701","uid":"adlib-media-52701","uuid":"7ea80561-1e35-39fe-9dd5-da0f48aa0d67"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1616262877512,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1616262877512,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"piatto di pompa"}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. colour pl. facing p. 321 & pl.p. 323","page":"p. 321","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. p. 58 & pl. 14","page":"p. 58","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 199-201, no. 273, where other comparable dishes are listed with bibliographical references","page":"pp. 199-201","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 78-9, no. 34","page":"78-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 80-4, nos. 36-38, three dishes each decorated with a different mounted Turk, of which no. 38 has a comparable border to C.100-1927. See p. 84 note 1 for a brief mention of the Fitzwilliam's dish in a list of comparable dishes","page":"80-84","type":"reference"},"admin":{"id":"publication-5679","uid":"adlib-publication-5679","uuid":"2b220458-5727-3c6a-9df2-0ae5333e653b"},"summary_title":"Italian Maiolica of the Renaissance"},{"@link":{"notes":"Cf. pp. 442-4, no. 259, which appears to be painted by the same hand, has two blue spirals on the back and in the middle a crossed zig-zag.The authors leave open the possibility that it was made in the Mancini workshop, and date it c. 1520-60.","page":"442-4","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 76, no. 26, a dish with a Turkish horseman riding to the left, with a different border design, dated to c. 1525-60.","page":"76","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 53-4, no. 17, a similar dish, also with two spirals and crossed zig-zag on the reverse (MAK, KE 7981), dated c. 1520-60. The Fitzwilliam's dish is mentioned. Cf. also these marks on the reverse of a dish decorated with a three-quarter-length warrior, p. 55, no. 18. MAK KHM 49 (old no. KHM 2481).","page":"53-4","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"type":"reference"},"admin":{"id":"publication-3401","uid":"adlib-publication-3401","uuid":"c22c2cc5-0565-37b2-8110-badd7e4cac9d"},"summary_title":"Maioliche del Museo Civico di Pesaro"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-87299","uid":"adlib-term-87299","uuid":"e56fc02e-8688-3ed4-9117-3de816ad1a78"},"summary_title":"lance"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"lance"}],"summary_title":"lance"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"dark buff earthenware, the front tin-glazed; the reverse probably slip-coated or tin-glazed before application of honey-yellow lead glaze. Painted in dark blue, green, yellow, and orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Dish: a Turkish Lancer"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73180","_score":17.869385,"_source":{"admin":{"added":1592970412000,"created":1312637261000,"flag":"Standard Record","id":"object-73180","indexed":1758045645202,"modified":1734443640000,"processed":1758045642283,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73180","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180","uuid":"d3f414a8-572f-30e5-b621-3a48fbd5b34f","version":8},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"dark blue, yellow, and orange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica deep bowl on a low foot, painted in blue, yellow, and orange, with a woman with billowing drapery sitting in a rocky landscape."},{"value":"Earthenware, tin-glazed overall. Painted in dark blue, yellow, and orange. Shape 75. In the middle, within three narrow concentric circles, a woman with billowing drapery sits in a rocky landscape. Radiating from the medallion are six wide and six narrow panels, the former traversed by an orange diagonal stripe with a stylised plant on each side of it, the latter decorated with foliage reserved in a blue ground. On the rim there is a repeating border comprising elongated ovals alternating with groups of three beads, reserved in a blue ground between narrow bands. On the outside are blue and yellow split leaves between groups of horizontal blue bands, the lower group having a yellow band second from the bottom."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.2188-1928","primary":true,"type":"accession number","value":"C.2188-1928"},{"priref":"73180","type":"priref","value":"73180"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1570,"from":{"earliest":1570,"era":["CE"],"latest":1570,"precision":"circa","value":"1570"},"latest":1590,"range":true,"to":{"earliest":1590,"era":["CE"],"latest":1590,"value":"1590"}}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160588","uid":"adlib-agent-160588","uuid":"1db6a775-3634-3daa-9506-68c2bd07276d"},"summary_title":"Bettisi, Leonardo di Antonio"}],"note":[{"value":"Faenza white miaiolica (bianchi di Faenza) was being made by the 1540s and, during the second half of the sixteenth and the early seventeenth century, gained acclaim throughout Europe. Its attraction lay primarily in the high quality and whiteness of its glaze. When painted decoration was added, it was executed mainly in blue, yellow, and orange,  sometimes with green, and rarely with a little red. This deep fluted bowl illustrates two of the most characteristic types of decoration on Faenza white ware. Its central roundel is painted in compendiario (sketchy or summary) style and its sides with radiating panels a ricamo (resembling embroidery). Bowls of this form were made from at least the early 1560s. An example with different decoration in the Hermitage at St Petersburg is inscribed 'in Faienca'1563'. Bowls and basins (bacini or catini) are mentioned in sixteenth-century inventories of Fenza services, and it therefore seems likely that they were used with a ewer for hand-washing or perhaps for rinsing fruit at table. A water cistern for cooling bottles was usually described as a rinfrescatoio."},{"value":"On the basis of initialled or signed pieces, bowls comparable to this one have been attributed to the workshop of Virgiliotto Calamelli (d. c. 1570) and to his successor Leonardo di Antonio Bettisi, alias 'Don Pino' , who leased the workshop form Virgiliotto's widow in 1570. During the latter part of his life, Leonardo was assisted by his son, Antonio, who took over the workshop on his father's death, probably before 1589. Two documents of 1581 indicate that the two were sometimes referred to jointly as the 'Don Pini'. The Fitzwilliam's bowl is attributed to Leonardo on the basis of two others signed 'DOPI' and 'DO.PI', respectively in the Silesian Museum Opava, and an Italian  private collection. The latter cannot have been made before 1571 because it bears the arms of Girolamo di Antonio Michelozzi and Caterina di Braccio Alberti, who were married in that year.  A fragment of a bowl centre signed 'DO.PI', and two comparable unsigned bowls are in the International Ceramic Museum at Faenza (nos. 7429, 9832 and 10607)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, 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bowl on low foot"},{"value":"rinfrescatoio"}],"note":[{"type":"history note","value":"Unknown before Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. I, p. 284, no. 2188, II, pl. 179C","page":"p. 284","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 263-265, no. 339","page":"pp. 263-265","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp-90-1, no. 40, Colour Plate 31","page":"90-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Ref.","page":"129-31","type":"reference"},"admin":{"id":"publication-200001157","uid":"adlib-publication-200001157","uuid":"54f76624-87f6-3c26-9ec6-09231529dab7"},"summary_title":"Pezzi firmati di Don Pino"},{"@link":{"notes":"Ref. For information on the potter.","page":"367-70","type":"reference"},"admin":{"id":"publication-200001156","uid":"adlib-publication-200001156","uuid":"ed00abef-4105-3685-a9f5-6c61f6c3cce6"},"summary_title":"Leonardi Bettisi fu Antonio ed il figlio Antonio junior detti ambedue \"Don Pino\""},{"@link":{"notes":"Cf. p. 202-06, no. 41","page":"202-06","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Ref. pp. 154-71 for the career of Bettisi. Cf. a  the bowl fragment (7429)  pp. 202-3; an unsigned basin at Faenza, p. 205, figs. 43c and d (9832), and a bowl in the Silesian Museum, Opava, p. 205, figs. 43e and f","page":"154-71","type":"reference"},"admin":{"id":"publication-3380","uid":"adlib-publication-3380","uuid":"3bed1971-5a6f-3f24-9c19-e84fe96e621d"},"summary_title":"Faenza-fa\u00efence, \"Bianchi\" di Faenza"},{"@link":{"type":"reference"},"admin":{"id":"publication-6510","uid":"adlib-publication-6510","uuid":"8d08e61e-e4ef-3b57-9d7f-acee80422f6b"},"summary_title":"Centuries of Style, Silver, European Ceramics, Portrait Miniatures and Gold Boxes"},{"@link":{"notes":"Cf. p. 136, no. 89, a bowl of this form with 'a ricamo' decoration surrounding a centaur in a landscape, in the Joanneum, Graz, inv. 4297. The palette includes small amounts of dull red.","page":"136","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. pp. 53-65 evidence for the sale of Faenza white ware in Florentine inventories of the Medici and others","page":"53-65","type":"reference"},"admin":{"id":"publication-200003320","uid":"adlib-publication-200003320","uuid":"227fa277-a42c-3a3f-b8bc-94223786ff83"},"summary_title":"I primi 'bianchi' di Faenza a Firenze (1546-1570)"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"Earthenware, moulded, tin-glazed overall, and painted in dark blue, yellow, and orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73247","_score":17.869385,"_source":{"admin":{"added":1592999608000,"created":1312637261000,"flag":"Standard Record","id":"object-73247","indexed":1762970549180,"modified":1762951259000,"processed":1762970547113,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73247","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247","uuid":"a1d67ed8-fe1e-3959-85e0-65b684cf061d","version":16},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green which has run, yellow, and orange, with manganese-purple outlines"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in blue, green, yellow, and orange in Isnik style with sprays of foliage and flowers on either side of a saz leaf."},{"value":"Pale yellowish-cream earthenware, tin-glazed overall; the reverse scattered with pin holes and tinged with green. Painted in blue, green which has run, yellow, and orange, with manganese-purple outlines. Circular with wide, slightly concave sloping rim and small curved well, standing on a footring. (Poole, 1995, Shape 62). Sprays of foliage and flowers including roses, hyacinths, carnations, tulips and lilies on either side of a saz leaf, all springing from the same point at the bottom of the rim. At the top, the initials 'G:D:\/B:' are inscribed in a rectangular scrolled frame. Round the rim there are two narrow blue bands, continuous scrolls and another blue band. The back is painted in blue with four elongated Ss separated by four squiggles each resembling a '3' with an extra backward stroke at the top."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"10","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.22-1932","primary":true,"type":"accession number","value":"C.22-1932"},{"priref":"73247","type":"priref","value":"73247"},{"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"type":"Glaisher additions number","value":"Gl.Add.40-1932"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247"}],"inscription":[{"location":"on front of rim","method":"painted in blue","transcription":[{"value":"G:D:\/B:"}],"type":"initials"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-05-20"}],"method":{"value":"bought"},"note":[{"value":"This object was included as no. 2212 in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to incorrectly as C.2212-1932 instead of C.22-1932. It was also given a Glaisher Additions no. Gl. Add.40-1932."}]}],"creation":[{"date":[{"earliest":1610,"from":{"earliest":1610,"era":["CE"],"latest":1610,"precision":"circa","value":"1610"},"latest":1705,"note":[{"value":"probably mid 17th century"}],"range":true,"to":{"earliest":1705,"era":["CE"],"latest":1705,"value":"1705"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-192946","uid":"adlib-agent-192946","uuid":"a9557f5c-2b5c-3868-92a2-06a2cab3d14e"},"summary_title":"Unidentified Paduan pottery"},{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160729","uid":"adlib-agent-160729","uuid":"979fe7f5-c091-3c4c-ba65-8f24f9387ed8"},"summary_title":"Manardi Factory"}],"note":[{"value":"This unusually large dish is decorated in the style of Isnik pottery of about 1570-1600, which featured exuberant floral designs in blue, emerald green, black and vivid 'sealing-wax red'. Exports of this splendid Ottoman ware to Italy must have been considerable, because it was there that many pieces were found by nineteenth century collectors such as Charles Drury Fortnum.\nDated dishes show that maiolica influenced by this class of Isnik pottery was being made by the second decade of the seventeenth century, probably at Padua. The earliest known dated example is of 1613. The earliest dish with a large central 'saz' leaf in the design and blue squiggles on the back resembling those on the Fitzwilliam's dish, is dated 1633. This dish, now in the Mus\u00e9e National de C\u00e9ramique at S\u00e8vres, is inscribed `S. Chandiana', for a nun, Suora (sister) Chandiana. The first nineteenth century publications of that dish missed out the `h' and consequently the whole class became known as `Candiana ware' and was thought to come from Crete, known earlier as Candia. The latest recorded dish, in the Ca' Rezzonico, Venice, is dated 1705. Isnik style decoration has also been recorded on ewers, bowls and vases.\nThe discovery of fragments of Isnik style maiolica including wasters, during an excavation in 1982 on the site of the Manardi factory at Bassano del Grappa, indicate that it was also made there during the second half of the seventeenth century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106655","uid":"adlib-term-106655","uuid":"ee8a7821-8b3c-3059-913f-eca0d91befec"},"summary_title":"18th Century, 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Harland; Mrs Bryan Harland; Sotheby's, 20 May 1932, Catalogue of Fine Tapestries and Spanish Carpets, Boxwood Figures, Alabaster Carvings, European Faience, Old English Furniture etc. comprising the property of Mrs Bryan Harland . . . . ,  p. 3, lot 3; sold for \u00a350 to the Fitzwilliam Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 3, lot 3","page":"p. 3","type":"reference"},"admin":{"id":"publication-3336","uid":"adlib-publication-3336","uuid":"db61c5a2-6c32-3107-8d1d-a46ac021325f"},"summary_title":"Catalogue of continental pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-200001140","uid":"adlib-publication-200001140","uuid":"9030e8dc-656e-31d3-93a7-a3a612a2036d"},"summary_title":"Maioliche dette \"Candiane\" in Inghilterra"},{"@link":{"notes":"Publ. 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The author attributes it 'pethaps to Padua district (or possibly Liguria)'.","page":"152-6","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Cf. p. 275, no. 349, a smaller plate with a wide rim and small well, attributed to Bassano del Grappa (or Padua), second half of 17th century....","page":"275","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15225","uid":"adlib-term-15225","uuid":"8ca7808b-8711-3f9d-bd7d-247bbb2328cd"},"summary_title":"Iznik"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-30746","uid":"adlib-term-30746","uuid":"c9b49335-33a0-3ee8-b9d3-3f1f3abc5414"},"summary_title":"foliage"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51573","uid":"adlib-term-51573","uuid":"ab22aab4-7391-3892-8111-eec7278d2f0e"},"summary_title":"roses"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-32082","uid":"adlib-term-32082","uuid":"04e97d59-3082-39c9-9b4b-a8f06131e4c9"},"summary_title":"hyacinth"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108450","uid":"adlib-term-108450","uuid":"2abaabcd-7ef8-3781-b95a-52e78269140a"},"summary_title":"carnation"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108464","uid":"adlib-term-108464","uuid":"6633d0a4-77a1-3055-b157-1f884dd49e02"},"summary_title":"tulip"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-109580","uid":"adlib-term-109580","uuid":"dcddba0b-730f-315f-9fbc-fdfbf868b0b8"},"summary_title":"lilies"},{"@link":{"type":"literal"},"name":[{"value":"foliage"}],"summary_title":"foliage"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"roses"}],"summary_title":"roses"},{"@link":{"type":"literal"},"name":[{"value":"hyacinth"}],"summary_title":"hyacinth"},{"@link":{"type":"literal"},"name":[{"value":"carnation"}],"summary_title":"carnation"},{"@link":{"type":"literal"},"name":[{"value":"tulip"}],"summary_title":"tulip"},{"@link":{"type":"literal"},"name":[{"value":"lilies"}],"summary_title":"lilies"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"pale yellowish-cream earthenware, tin-glazed overall; the reverse scattered with pin holes and tinged with green. Painted in blue, green which has run, yellow, and orange, with manganese-purple outlines."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48389","_score":16.860668,"_source":{"admin":{"added":1592996564000,"created":1312637261000,"flag":"Standard Record","id":"object-48389","indexed":1747246339818,"modified":1737738184000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48389","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","uuid":"af007ac1-7bf6-35e4-b986-2ea5b6e66c39","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance, maiolica bowl with broad rim, painted in blue with, in the middle, a spotted duck."},{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. Painted in blue.\nShape approximately 58, thickly potted, and heavy for its size. Circular with wide, sloping rim and deep well.\nIn the middle, a spotted duck with a long beak swims to the left within a cusped lozenge-shaped frame surrounded by foliate scrolls. The rim is decorated alla porcellana with four pairs of lozenges filled with dots, separated by four symmetrical arrangements of foliate scrolls. The back is inscribed in the middle in blue,  `J o: chafagguolo', and on the rim and sides of the well there are four foliated spirals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.4-1960","primary":true,"type":"accession number","value":"C.4-1960"},{"priref":"48389","type":"priref","value":"48389"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389"}],"inscription":[{"location":"in the centre","transcription":[{"value":"Jo: chafagguolo"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1960,"latest":1960,"value":"1960-10-13"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1510,"from":{"earliest":1510,"era":["CE"],"latest":1510,"precision":"circa","value":"1510"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-67585","uid":"adlib-agent-67585","uuid":"d827ffd5-e9ea-32dd-ae92-4315a5a184be"},"summary_title":"Jacopo di Stefano di Filippo"}],"note":[{"value":"This is one of nine recorded plates of tondino form decorated 'alla porcellana' in blue and inscribed 'Jo (o raised) chafagguolo' on the back. With one exception all have borders of lozenges and foliated arabesques, and, on the back, three or four foliated coiling stems surrounding the inscription on the base. None of the dishes is dated but their style indicates that they were made during the first quarter of the sixteenth century. The first two letters of the inscription are probably a short form of Jacopo, and resemble the writing on a plate in the Victoria and Albert Museum decorated with an equestrian 'Judith with the Head of Holofernes' on the front, and signed 'Japo' (o raised) in chaffaguolo' on the reverse."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Cafaggiolo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.2"},{"dimension":"Height","units":"cm","value":"4.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18132","uid":"adlib-media-18132","uuid":"d6002ed9-6ed3-3e23-88b9-61add08de67e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":512},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581292890,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":256},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581292890,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"bowl with broad rim"},{"value":"tondino"}],"note":[{"type":"history note","value":"Charles Damiron; Sotheby's, 16 June 1938, Catalogue of the very choice collection of old Italian majolica and Hispano-Moresque ware, the property of Monsieur Damiron, 8 rue Vaubecour, Lyons, lot 74; F.D. Lycett Green; Sotheby's, 14 October 1960, Catalogue of Italian maiolica, works of art, etc. including the property of . . . the late F.D. Lycett Green, Esq., lot 10."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. II, p. 7, figs. 54-5","page":"p. 7","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5, pl. III","page":"p. 5","type":"reference"},"admin":{"id":"publication-3200","uid":"adlib-publication-3200","uuid":"f497a637-bb32-3363-9555-50e9040eaf4a"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1960"},{"@link":{"notes":"Publ. p. 75","page":"p. 75","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. p. 62, no. 43","page":"p. 63","type":"reference"},"admin":{"id":"publication-3050","uid":"adlib-publication-3050","uuid":"3615cab9-e204-3c7a-82af-0107ffd051cd"},"summary_title":"La maiolica di Cafaggiolo"},{"@link":{"notes":"Publ. pp. 132-3, no. 190","page":"pp. 132-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 42, no. 16","page":"p. 42","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 27-32, nos. 1 and 2","page":"27-32","type":"reference"},"admin":{"id":"publication-3405","uid":"adlib-publication-3405","uuid":"149226c4-048a-322f-8c61-d34a6d83136c"},"summary_title":"Maioliche marcate di Cafaggiolo, Museo Nazionale del Bargello"},{"@link":{"notes":"Cf. pp. 66-8, no. 21","page":"66-8","type":"reference"},"admin":{"id":"publication-3406","uid":"adlib-publication-3406","uuid":"ee93d199-384f-3541-8f42-9dc713432bb9"},"summary_title":"Italian Maiolica, Catalogue of the Collections"},{"@link":{"notes":"Cf. p. 141, no. 94, a plate with a ship in the centre, surrounded by a border, and decoration on the reverse, similar to the Fitzwilliam's plate. Dated c. 1500-1515, and attributed  'probably by the painter Jacopo'. German private collection.","page":"141","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Cf. p. 141, no. 181a-b, two plates of similar design, no. 181a with a sea monster in the centre, and 181b with a couple of pears. Inv. nos. 481M and 484 M, attributed to Cafaggiolo, decorated by Jacopo, and dated end of the 15th or beginning of 16th century. The bases of both plates have the same inscription as the Fitzwilliam's with minor differences.","page":"141","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. Painted in blue."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73237","_score":16.860668,"_source":{"admin":{"added":1592999608000,"created":1312637261000,"flag":"Standard Record","id":"object-73237","indexed":1747246350135,"modified":1714466817000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73237","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73237","uuid":"a3620ad1-3069-35b7-afaa-d700b4f352b2","version":9},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150914","uid":"adlib-agent-150914","uuid":"c08bc409-c15a-30de-b559-c274d3d44a2e"},"summary_title":"soldier"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150959","uid":"adlib-agent-150959","uuid":"533d8a4c-ba3c-3188-96f0-9ccd30576357"},"summary_title":"musician"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-21228","uid":"adlib-agent-21228","uuid":"468c82f5-84cb-3fe0-af82-60d6c2cf1c09"},"summary_title":"Caesar, Gaius Julius"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153085","uid":"adlib-agent-153085","uuid":"670c9e14-ee68-3f07-a0a9-d1ea67860079"},"summary_title":"Victory"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113302","uid":"adlib-term-113302","uuid":"2747e058-f9ff-3d49-9bc9-c69e97b18c26"},"summary_title":"H.S. Reitlinger"}],"component":[{"materials":[{"note":[{"value":"blue, green, a little turquoise-green, yellow, orange, manganese-purple, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110589","uid":"adlib-term-110589","uuid":"3c574483-f330-3dae-9cc0-3c8d03df766e"},"summary_title":"authority\/state"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica shallow bowl, painted in polychrome with A Triumph over the Sons of Pompey."},{"value":"Earthenware, tin-glazed overall, the reverse pale beige. There is a fault in the glaze on the reverse. Painted in blue, green, a little turquoise-green, yellow, orange, manganese-purple, black, grey, and white.\nCircular with lightly scalloped rim and deep curved sides, convex in the middle; the sides are moulded with gadroons radiating from the foot, which has been broken off leaving a short stump.\nA Triumph over the Sons of Pompey. On the left, a winged Victory holds a laurel wreath over Caesar's head while he stands in a chariot drawn by two horses. Three soldiers walk beside the chariot and a captive with his hands tied behind his back walks in front. Behind him there is a trumpeter and a group of soldiers with standards. The rim is yellow. The middle of the back is inscribed in black, `vinti li figli\/di ponpeo' (The sons of Pompey vanquished), and there are three yellow bands round the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.221-1991","primary":true,"type":"accession number","value":"C.221-1991"},{"priref":"73237","type":"priref","value":"73237"},{"date":[{"earliest":1989,"latest":1989,"value":"1989"}],"source":"Allocated by Wendy Rose when object left Maidenhead","type":"packing number","value":"EURCER 327"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73237","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73237"}],"inscription":[{"location":"back, middle","method":"in black","transcription":[{"value":"vinti li figli\/di pompeo"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"H.S. Reitlinger Bequest, 1950; transferred from the Reitlinger Trust, 1991"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150552","uid":"adlib-agent-150552","uuid":"566a6fcb-b8cd-3926-9bbf-78d0c4a5cc81"},"summary_title":"Reitlinger, Henry Scipio"}],"date":[{"earliest":1991,"latest":1991,"value":"1991-04-29"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1575,"from":{"earliest":1575,"era":["CE"],"latest":1575,"precision":"circa","value":"1575"},"latest":1585,"range":true,"to":{"earliest":1585,"era":["CE"],"latest":1585,"value":"1585"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-188373","uid":"adlib-agent-188373","uuid":"a417bfc7-7595-3146-8bab-43ca46b53f2a"},"summary_title":"Unidentified Urbino potter"}],"note":[{"value":"The sons of Pompey, Gnaeus Pompeius (b. 79 BC) and his brother, Magnus Pius Pompeius, conquered much of southern Spain but were defeated in 45 BC at Munda. Gnaeus Pompeius was captured and later executed. The design on the dish was probably derived from a drawing now in the Uffizi, Florence (11881F) which is attributed to Federico Zuccaro (1540\/1-1609). The treatment of the subject indicates that the dish was painted later than MAR.C.64-1912, a larger dish decorated with the same subject with more figures and background, identified as 'A Triumph over the forces of King Juba'. It was possibly as late as 1585, the date on a dish in the Museo Civico, Pesaro which is closely related to another drawing of this subject, also in the Uffizi (12264F, Santarelli collection).  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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 59. Circular with wide sloping rim and deep well, slightly convex in the middle, standing on a footring.\nA Triumph over the Forces of King Juba. On the left, a Victory holds a wreath over the head of Caesar, who is seated in a chariot drawn by two horses and accompanied by five soldiers. A group of captives with their arms tied behind their backs walk in front of the chariot. Behind them there are two standards, trumpeters, and the lances of soldiers who have moved on out of sight, and further back two trees, a rotunda, and a larger building with three orders of columns applied to its facade. In the foreground there are rocks and grass. The rim is yellow. The back is inscribed in the middle in black 'Abbatute le forze del Re juba' (King Juba's forces defeated). 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The Fitzwilliam's dish is mentioned on p. 383, in note 3.","page":"380-3","type":"reference"},"admin":{"id":"publication-5679","uid":"adlib-publication-5679","uuid":"2b220458-5727-3c6a-9df2-0ae5333e653b"},"summary_title":"Italian Maiolica of the Renaissance"},{"@link":{"notes":"Cf. pp. 213-4, no.171, a shallow bowl decorated with the central part of the same scene and dated 1584 on a standard. The reverse is inscribed 'Abbatute le forze del re iuba (The forces of King Juba defeated). (MAK KE 67702) See p. 214, for an illustration of a drawing of the scene, either by or copied after Taddeo or Federico Zuccaro (Uffizzi, Florence, 12264F). Cf. p. 213-5, no. 172, a shallow bowl showing the charior moving away from the viewer, also dated 1584, and probably from the same set, but titled differently on the reverse: 'soggiocchata alesandria la rubell (Rebellous Alexandria subdued).","page":"213-4","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Cf. pp. 208-09, no. 269, a large dish with the Triumph in a central medallion, surrounded by Urbino-style grotesque decoration. Attributed to the Fontana workshop and dated to c. 1565-75.","page":"208-09","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107505","uid":"adlib-term-107505","uuid":"c3d7bf9c-773c-34aa-80e1-8d38aa516639"},"summary_title":"chariot"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-87299","uid":"adlib-term-87299","uuid":"e56fc02e-8688-3ed4-9117-3de816ad1a78"},"summary_title":"lance"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110685","uid":"adlib-term-110685","uuid":"8276927b-4e86-3f5b-ac3c-264cf64e51ed"},"summary_title":"standard"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-22235","uid":"adlib-term-22235","uuid":"fa625ee3-a6f9-3a3e-bc2e-f55a64c8995d"},"summary_title":"trumpet"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-80059","uid":"adlib-term-80059","uuid":"809c2121-86d8-3af2-bcaf-fd4abb85b3d8"},"summary_title":"horses"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58554","uid":"adlib-term-58554","uuid":"8ce08a13-3c47-3bf5-8d01-010b0259f547"},"summary_title":"trees"},{"@link":{"relation":"event","type":"reference"},"admin":{"id":"term-24993","uid":"adlib-term-24993","uuid":"9088c03d-54c7-3da2-a65a-6072a263e197"},"summary_title":"triumph"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-113139","uid":"adlib-term-113139","uuid":"617bc9c0-61ca-35fc-aad2-ea00cbfd9c73"},"summary_title":"rotunda"},{"@link":{"type":"literal"},"name":[{"value":"chariot"}],"summary_title":"chariot"},{"@link":{"type":"literal"},"name":[{"value":"lance"}],"summary_title":"lance"},{"@link":{"type":"literal"},"name":[{"value":"standard"}],"summary_title":"standard"},{"@link":{"type":"literal"},"name":[{"value":"trumpet"}],"summary_title":"trumpet"},{"@link":{"type":"literal"},"name":[{"value":"horses"}],"summary_title":"horses"},{"@link":{"type":"literal"},"name":[{"value":"trees"}],"summary_title":"trees"},{"@link":{"type":"literal"},"name":[{"value":"triumph"}],"summary_title":"triumph"},{"@link":{"type":"literal"},"name":[{"value":"rotunda"}],"summary_title":"rotunda"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; the reverse is pale beige and has crawled in two places. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"A Triumph over the Forces of King Juba"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-81370","_score":16.860668,"_source":{"admin":{"added":1592996709000,"created":1312637261000,"flag":"Standard Record","id":"object-81370","indexed":1747246362119,"modified":1723546256000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-81370","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","uuid":"da42761e-fd3e-3671-b3cb-a283ab81d149","version":10},"agents":[{"@link":{"note":[{"value":"Sir Alfred Lane Beit (1903-1994), 2nd Baronet"}],"type":"reference"},"admin":{"id":"agent-179498","uid":"adlib-agent-179498","uuid":"a66203ba-d987-331b-b04a-3ce6ee72d5c0"},"summary_title":"Beit, Alfred, Sir"},{"@link":{"note":[{"value":"Sir Otto John Beit, 1st Baronet, KCMG, FRS (1865-1930)"}],"type":"reference"},"admin":{"id":"agent-206918","uid":"adlib-agent-206918","uuid":"774b6904-36ed-3059-a007-d197ac98fb12"},"summary_title":"Beit, Otto, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"manganese, dark relief-blue, and a little green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"n relief blue, manganese-purple, and green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.3"}]},"name":"Mouth"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.8"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"22.5"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica two-handled pharmacy jar, painted in manganese, dark relief blue and green with hounds, 'oak leaves', dots and dashes."},{"value":"Buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green. Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn one side there is a hound running to the left and, on the other, a hound running to the right, surrounded by sprays of oak leaves with dots and dashes in the background. On each side of the handles, there are three vertical manganese lines, on the outside of which are short horizontal manganese strokes separated by blue spots. Round the lower part of the body there are two horizontal manganese bands; round the neck, alternating manganese chevrons and blue spots between pairs of manganese bands. The handles are decorated with a crutch with a green shaft, a series of horizontal manganese lines, and blue spots. Below each handle are two manganese six-armed asterisks with blue dots at the end of the strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1218","uid":"adlib-exhibition-1218","uuid":"8a44c344-f4e9-3612-8308-51f40c783c33"},"summary_title":"Saving Bodies, Saving Souls: Hospitals in History"}],"identifier":[{"accession_number":"C.75-1961","primary":true,"type":"accession number","value":"C.75-1961"},{"priref":"81370","type":"priref","value":"81370"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370"}],"inscription":[{"description":[{"value":"circular with serrated edge, 62 crossed out"}],"method":"inscribed in pencil","transcription":[{"value":"62"}],"type":"label"},{"location":"on base","method":"inscribed in red","transcription":[{"value":"736"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1427,"from":{"earliest":1427,"era":["CE"],"latest":1427,"precision":"circa","value":"1427"},"latest":1431,"range":true,"to":{"earliest":1431,"era":["CE"],"latest":1431,"value":"1431"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-53048","uid":"adlib-agent-53048","uuid":"37eb6b31-d7c3-3551-a4ec-83c121497444"},"summary_title":"Giunta di Tugio"},{"@link":{"qualifier":"perhaps","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159224","uid":"adlib-agent-159224","uuid":"d953aadb-4750-35e2-a71f-95c9e37ed06f"},"summary_title":"Maso and Miniato di Domenico"}],"note":[{"value":"This jar is decorated in manganese and relief-blue (zaffera a rilievo), a glaze-like, upstanding pigment containing cobalt. Archaeological evidence recovered since 1975 indicates that it was probably introduced in Tuscany during the last third of the fourteenth century, as fragments found during excavations in Florence and nearby towns, such as Prato, Pistoia, and Montelupo, can be dated to the end of the century. Others have been found with fragments of Italo-Moresque type which suggests that relief-blue decoration continued until the 1460s.By the early fifteenth century it was well-established and in addition to two-handled jars, it was used on jugs, albarelli, ewers, and, more rarely, on dishes.  It was also adopted in the Romagna, Lazio, and Umbria during the same period. It may be the blue referred to in two recipes, one for blue pigment for the decoration of maiolica, and the other for relief-blue 'in the Florentine manner' included in a MS now in the Library of the University of Bologna (MS 2861), and formerly in the convent of San Salvatore in Bologna.                \nThe best-known examples of relief-blue decoration outside Italy are Tuscan two-handled storage jars. These have been attributed to Florence and Montelupo, and were probably made elsewhere, such as at Baccheretto. Typically they have borders creating a panel on each side which is occupied by a central motif surrounded by stylized oak foliage. The main motifs include heraldic and other animals, fleurs-de-lis, and mythical or human figures. Some jars, however, are decorated overall with foliage, scales, or undulating lines. These motifs appear to have been derived from local and Islamic art, including heraldry, woven textiles and ceramics.                                                                                      This is one of at least twenty-one 'oak leaf jars' whose handles bear the crutch emblem of the hospital of Santa Maria Nuova in Florence. The hospital's archives record the purchase of large numbers of jars for its pharmacy in 1427 from Maso and Miniato di Domenico. But it seems more likely that they were among  about 1,000 ordered in 1431 from Giunta di Tugio, whose workshop was in the Oltrarno district of the ciity, because the record mentioned orciuoli (two handled jars) for the new pharmacy. The meaning of the two asterisks is uncertain. They may be the mark of a decorator, because one, two or three asterisks occur on other jars of this kind. An excavation in 1975 on the site of the Giunta di Tugio's workshop in Florence confirmed that maiolica with relief-blue decoration was made there and that an asterisk mark was used, and this was confirmed by a further excavation in 2015."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129010","uid":"adlib-term-129010","uuid":"674154af-c0f1-32b3-87cb-985607daa8cb"},"summary_title":"15th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53284","uid":"adlib-media-53284","uuid":"faca1ea5-2e87-3b48-b0f6-14913ef9a450"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":541},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286200198,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":271},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286200198,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"oak-leaf jar"}],"note":[{"type":"history note","value":"Sir Otto Beit (1865-1930); Sir Alfred Beit (1903-94);  Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP., lot 5; Louis C.G. Clarke (1881-1960)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76, no. 736","page":"p. 76","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. pp. 96-9, no. 154, and colour pl. 4; other jars with the crutch emblem are cited","page":"pp. 96-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 20-1, no. 5","page":"20-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7534","uid":"adlib-publication-7534","uuid":"d5d2f60c-8706-39e5-b0a9-af7a3064ed71"},"summary_title":"Museo Nazionale di Firenze, Palazzo del Bargello, Catalogo delle maioliche"},{"@link":{"notes":"Cf. p. 8, a jar with a hound running to the right, in the author's collection; formerly in the De Osma, Pringsheim, E.L. Paget and Kolkhorst collections","page":"8","type":"reference"},"admin":{"id":"publication-8909","uid":"adlib-publication-8909","uuid":"642c40cb-6430-3ad0-b922-62805196bde1"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3158","uid":"adlib-publication-3158","uuid":"eed5e193-4e6d-3560-95ff-0891e31704e2"},"summary_title":"Storia della maiolica di Firenze e del contado secoli XIV e XV"},{"@link":{"notes":"Cf. pp. 64-5, no. 6, a jar with two hounds addorsed on each side in the Bargello, Florence; p. 256, no. 73, a jar with a hound chasing a hare, and the crutch emblem on the handles, in the Gemeentemuseum, The Hague; p. 256, no. 75, a jar with one hound on each side, formerly in the Scott-Taggart collection; p. 256, no. 76, a jar with one hound on each side in the Rijksmuseum, Amsterdam.  See also Alessandro Alinari and Fausto Berti, 'Zaffera fiorentina pe lo speziale e la mensa' pp. 47-55, for the interpretation and attribution of the asterisk marks on oak leaf jars for the hospital nof Santa Maria Nuova.","page":"256","type":"reference"},"admin":{"id":"publication-8825","uid":"adlib-publication-8825","uuid":"4e2519bc-4201-3705-987f-b0f95b5ffc2d"},"summary_title":"Zaffera e similia nella maiolica italiana"},{"@link":{"notes":"Ref. For a discussion of the influences on heraldic and other animal motifs on 'oak leaf' jars","page":"477-500","type":"reference"},"admin":{"id":"publication-400002321","uid":"adlib-publication-400002321","uuid":"0c7391ff-38b2-3fe0-9958-39b69b884cd4"},"summary_title":"Florentine \"zaffera a rilievo\" maiolica: a new look at the Oriental influence"},{"@link":{"notes":"Ref.  For a discussion of the origins of oak leaf decoration including architectural ornament, sculpture, MS illumination, and maiolica arcaica, which downplays the influence of Islamic ceramics, whereas Alinari and Berti, in Conti, 1991, pp. 47-52, retained the view that Islamic and Spanish ceramics were significant, especially in the use of contour panels.","page":"128-32","type":"reference"},"admin":{"id":"publication-200003216","uid":"adlib-publication-200003216","uuid":"34cfdd5d-0192-3d41-8bdf-de6edb987113"},"summary_title":"La foglia di quercia le sue origini ed il suo sviluppo"},{"@link":{"notes":"Cf. pp. 32-37 no. 83, a jar with a hound going to the left.","page":"32-37","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"notes":"Cf. inv. no.  3649-D3, a jar decorated with a hound on each side, and the crutch emblem on its handles, dated c. 1430","page":"pp. 36-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp 24-5, no. 1, an oak leaf jar with a plant motif amidst oak leaves, and having the crutch emblem of Santa Maria Nuova on the handle, with two asterisks below with a blob of blue on the end of each arm. Dated to  c. 1431, and attributed probably to the workshop of Giunta di Tugio.","page":"24-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 46-7, no. 12, a pharmacy jar decorated with scale pattern and having the crutch emblem of the hospital of Santa Maria Nuova on its handle. The author mentions the finding of relief-blue decorated maiolica and asterisk marks when the site of the Giunta di Tugio workshop was excavated in 2015.","page":"46-7","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. pp. 8-22","page":"8-22","type":"reference"},"admin":{"id":"publication-200003286","uid":"adlib-publication-200003286","uuid":"fd48ae82-cffd-3d8b-9e23-72af16c7d6e2"},"summary_title":"La marca dell'asterisco della bottega di Tugio di Giunta a Firenze"},{"@link":{"notes":"Cf. no. 12b, a two-handled jar with similar hounds in an upright position back to back, attributed to Florence","page":"pp. 26-28","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-23516","uid":"adlib-term-23516","uuid":"290ee5a9-02db-302c-8885-a62b4540e002"},"summary_title":"pharmacy"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-107810","uid":"adlib-term-107810","uuid":"2b4d2a52-ba0a-3962-8e0a-70ec572f5816"},"summary_title":"hounds"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-38432","uid":"adlib-term-38432","uuid":"574d1fc9-f958-3d45-9e32-c114b0cf87b4"},"summary_title":"oak"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-4803","uid":"adlib-term-4803","uuid":"003c7e5f-96a4-35d8-bac5-1dadc90aba65"},"summary_title":"oak leaf"},{"@link":{"type":"literal"},"name":[{"value":"hounds"}],"summary_title":"hounds"},{"@link":{"type":"literal"},"name":[{"value":"oak"}],"summary_title":"oak"},{"@link":{"type":"literal"},"name":[{"value":"oak leaf"}],"summary_title":"oak leaf"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},"summary_title":"two-handled jar","techniques":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79589","_score":16.860668,"_source":{"admin":{"added":1592970439000,"created":1312637261000,"flag":"Standard Record","id":"object-79589","indexed":1756836093015,"modified":1756820443000,"processed":1756836091215,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79589","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","uuid":"43093897-a7fc-378f-a268-3572433e298d","version":11},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160374","uid":"adlib-agent-160374","uuid":"2b38ae2f-690b-3048-b9c7-0da25326ee3f"},"summary_title":"Hero"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160373","uid":"adlib-agent-160373","uuid":"0aaecf15-ba8b-3924-a7a8-65784d378975"},"summary_title":"Leander"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware, tin-glazed, painted in blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige and has several pin holes. Circular with wide sloping rim and shallow curved well, convex in the centre.\nThe front is decorated overall with the Suicide of Hero. In the foreground, Leander lies drowned in the Hellespont. On the right, a man seated on a rock looks towards him, raising his right arm. On the left, Cupid stands holding a flaming torch. In the background there is an archway inscribed 'AMOR.NE. CAVSA' (Love is the cause of it), the lower part of a tower, and a doorway with a window above. Hero is shown throwing herself from a window in the tower. The edge is encircled by a very narrow black band and a wide yellow band. The back is decorated with a wreath of blue leaves on a continuous wavy stem. The base is inscribed in blue, 'Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"identifier":[{"accession_number":"C.21-1995","primary":true,"type":"accession number","value":"C.21-1995"},{"priref":"79589","type":"priref","value":"79589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589"}],"inscription":[{"location":"on arch","method":"painted","transcription":[{"value":"AMOR.NE.CAVSA"}],"type":"inscription"},{"location":"on base","method":"painted","transcription":[{"value":"Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the F. Leverton Harris Fund and the Leonard D. Cunliffe Fund"},"lifecycle":{"acquisition":[{"date":[{"earliest":1995,"latest":1995,"value":"1995"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1995"}]}],"creation":[{"date":[{"earliest":1561,"era":["CE"],"latest":1561,"note":[{"value":"dated '61'"}],"precision":"dated","value":"1561"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160372","uid":"adlib-agent-160372","uuid":"02812d23-6ab3-39e0-a4c3-f8e746eed805"},"summary_title":"Sforza di Marcantonio"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-97017","uid":"adlib-agent-97017","uuid":"50d126f7-214f-3e19-b339-bffa736d939b"},"summary_title":"Veneziano, Agostino"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-35821","uid":"adlib-agent-35821","uuid":"7864b6fe-8b62-333d-b6ff-dcc5decb8942"},"summary_title":"Dente, Marco (Marco da Ravenna)"}],"note":[{"value":"During the second and third decades of the sixteenth century the maiolica industry in Pesaro was less flourishing than in the previous century. This situation improved after Guidobaldo II della Rovere succeeded to the dukedom of Urbino in 1538, because he preferred to live at Pesaro. The presence of the court stimulated local industries, and from around 1540 Pesaro became a significant producer of istoriato maiolica, that is, painted with narrative scenes."},{"value":"Hero was a priestess of Venus at Sestos. Leander, her lover, used to swim the Hellespont to see her, guided by a torch which she held up from the window of a high tower. One night in winter, when Hero had begged him to come despite the inclement weather, he was drowned, and she committed suicide by throwing herself from the tower. The lovers were mentioned in Ovid's Heroides, 18 and 19."},{"value":"Sforza di Marcantonio da Casteldurante was recorded as a potter, and sometimes also as a painter in documents in Pesaro between in 1550 and 1552, and almost every year from 1563 until 1580, when he made his will on 17 November, and probably died shortly after. He signed himself 'SFORZA' on two panels dated 1567, respectively in the British Museum and the Museo Civico Medievale, Bologna. Dishes signed '.S.' in 1561, as this one is, and in some years up to and including 1576, are attributed to him on the basis of similarities with these panels. Sforza's choice of subjects, iconography, and inscriptions suggest that during the late 1530s he had been contact with the Urbino maiolica painter, Francesco Xanto, whose latest signed works are dated in 1542. Several of Sforza's designs closely follow those on plates by Xanto, who painted several dishes with versions of 'Hero and Leander' between 1532 and 1538. Xanto probably knew the story from a translation of Ovid's Heroides, but on the backs of the dishes he quoted from Francesco Petrarch's Trionfi, III, 21 'Leandro in mare ed Hero a la fenestra'  (or Trionfi, II in editions with commentary by Bernardo Ilicini, first published in 1475).  The first dish decorated with this subject which is attributed to Sforza was painted in 1546 (Christie's, 25 May 1962, lot 110); the latest, in the Herzog Anton Ulrich-Museum, Braunschweig, is dated 1576, and initialled '.S.'  Both, like the Fitzwilliam's dish, have an inscription from Petrarch, and the figure of Leander used by Xanto, which was taken from a Marcantonio Raimondi school print, known as the 'Battle with the Cutlass' by Marco Dente (Bartsch, XIV, p 171, no. 211), or Agostino da Veneziano. The three dishes illustrate the persistence of popular themes over a long period, the influence of an outstanding maiolica painter on another, and the repetitive nature of much maiolica painting."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Pesaro"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30"},{"dimension":"Height","units":"cm","value":"4.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52825","uid":"adlib-media-52825","uuid":"f29d9a81-9e93-3fdd-9406-554647e4635c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584149739,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584149739,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Purchased. Given to the vendor's husband by his mother, who bought it an antique shop."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Front cover, text p. 17","page":"p. 17","type":"reference"},"admin":{"id":"publication-656","uid":"adlib-publication-656","uuid":"e34cd340-f467-31dd-b9f5-160b9af3268b"},"summary_title":"The Fitzwilliam Museum Annual Report, 1995"},{"@link":{"notes":"Publ. pp. 76-7, no. 33","page":"76-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pl. 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Circular with a flange on the underside; the upper surface flat with a convex rim.\nThe Holy Family in an architectural setting; on the rim, bound leaves and berries between concentric yellow bands. On the back, two putti standing on clouds support a shield bearing the arms sable, a fess or, a chief party per pale gules and argent two rosettes counterchanged flanked by the letters `ELI' and `PYA'; below, a winged putto's head. The background is blue above the arms and brown below. 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Others have childbirth scenes from the Bible or classical mythology, or subjects connected with qualities, such as valour, which it was hoped the child would acquire. \nThe Holy Family on the top of this cover was derived from the 'Adoration of the Shepherds', engraved by Giovanni Giacomo  Caraglio after Parmigianino (1503-40).  It shows the Virgin Mary, Joseph and a female saint, around the new-born baby Jesus, who is cradled in the arms of a woman who has no halo, and was perhaps a midwife. The scene was intended to inspire the new mother, who would have looked to the Virgin and St Anne as models of motherhood. The reverse is painted with two putti, the family\u2019s coat-of- arms, and the initials, \u2018ELI\u2019 and \u2018PYA\u2019, said to be for the name of the father, \u2018Elisio Piani\u2019, an official of the Monte Piet\u00e0 in Urbino in early sixteenth-century Urbino. A dish painted with the 'Judgement of Paris' by Francesco Xanto in 1531 bears the same coat-of-arms (Fitzwilliam Museum, C.86-1961)."},{"value":"If not painted by the 'Milan Marsyas Painter' this cover was probably painted by Francesco Xanto Avelli da Rovigo"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"the Marche"}],"summary_title":"the 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Alessandro Castellani; Paris, H\u00f4tel Drouot, 28 May 1878, Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani, lot 292; C.B. Marlay before 1887."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76242","uid":"adlib-object-76242","uuid":"4fe95d0f-2c96-3192-8a98-0a11c8c2e24d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3237","uid":"adlib-publication-3237","uuid":"641efb1b-182f-38f5-ad20-f731e926aca0"},"summary_title":"Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. 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Fig. 12 reproduces the accouchement set cup in Cipriano Piccolpasso, 'Li tre libri dell'arte del vasaio'.","page":"32-33","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 213, fig. 7.18, and p. 253, cat. 245","page":"p. 213, 253","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. For the social background for accouchement sets.  The Fitzwilliam's accouchement bowl cover is mentioned on p. 90. Cf. p. 91, fig. 41, a cover decorated with the Holy Family after Parmigianino in the Museo Correr, Venice.","page":"59-109","type":"reference"},"admin":{"id":"publication-200001160","uid":"adlib-publication-200001160","uuid":"31b6bd04-cece-3a33-9cb9-82b67774b1d7"},"summary_title":"\"Delle Impagliate\" ossia annotazioni intorno alle maioliche da puerpera cinquecentesche"},{"@link":{"notes":"Cf. p. 151, pl. 178, colour, a trencher from accouchement set with birth of Hercules. D. 28 cm. (V. & A. inv. no. C.755-1925) and p. 151, pl. 179 colour, a broth bowl and cover with birthing scene, astrologer on right, attributed to Nicola da Urbino, c. 1533-8. H. 9.8 D. 17.9 cm. (V. & A. inv. no. 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Gl. Add.28-1931."}]}],"creation":[{"date":[{"earliest":1500,"from":{"earliest":1500,"latest":1500,"precision":"circa","value":"1500"},"latest":1550,"range":true,"to":{"earliest":1550,"latest":1550,"value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-192453","uid":"adlib-agent-192453","uuid":"df78b698-01c1-3c17-b103-3abd32583456"},"summary_title":"Unidentified Deruta pottery"}],"note":[{"value":"Lustred dishes decorated with peacock feather eye pattern are attributed to Deruta on the basis of sherds found there in the vicinity of kiln sites. The  design also occurs on the large display dishes, often described today as piatti da pompa, which are one of the most characteristic products of Deruta potteries in the sixteenth century. There are numerous examples of the design on dishes and bowls of different shapes and sizes. See the Documention. Less commonly the pattern occurs in polychrome, for example on a dish in the Bargello in Florence. \nThe deep narrow well and broad rim of this bowl probably indicates that it was made during the first third of the century. During the 1530s broad-rimmed bowls generally had a wider, shallower well, and they began to go out of fashion after about 1540, possibly because of the fashion for all-over istoriato decoration. The persistence of the pattern into the 1540s is shown by its occurrence on the reverse of a basin in the Hermitage, St Petersburg, which is moulded with the same design as one dated 1546 in the Mus\u00e9e du Louvre in Paris."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113222","uid":"adlib-term-113222","uuid":"f48e32b1-88de-389d-beac-3989a8b2b34b"},"summary_title":"16th Century, first half"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"21.5"},{"dimension":"Height","units":"cm","value":"4.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"broad-rimmed bowl"},{"value":"tondino"}],"note":[{"type":"history note","value":"William Morris (d. 1896); Miss May Morris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48556","uid":"adlib-object-48556","uuid":"6b192f09-f40f-31be-9710-644b23d2af77"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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II, pl. 76, a large dish decorated on the front with peacock feather eye pattern overall; p. 160, no. 485, a fragment of a dish with this pattern found at Deruta.","page":"160","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3401","uid":"adlib-publication-3401","uuid":"c22c2cc5-0565-37b2-8110-badd7e4cac9d"},"summary_title":"Maioliche del Museo Civico di Pesaro"},{"@link":{"notes":"Cf. pp. 92-3, no. 22, a comparable dish","page":"92-3","type":"reference"},"admin":{"id":"publication-8820","uid":"adlib-publication-8820","uuid":"eedf731a-950d-3c70-a196-dd3b9f6bbb9a"},"summary_title":"Mus\u00e9e du Petit Palais, Catalogue de C\u00e9ramiques I, Hispano-Mauresques, majoliques italiennes, Iznik, des collections Dutuit, Ocampo et Pierre Marie"},{"@link":{"notes":"Cf. p. 162, no. 302","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. p. 40, nos. 28 a footed dish, and 29, a shallow bowl decorated on the front with peacock feather eye pattern, illustrated p. 39, nos. 28 and 29. Dated to the first quarter of the 16th century","page":"39-40","type":"reference"},"admin":{"id":"publication-400002307","uid":"adlib-publication-400002307","uuid":"39210736-77f8-3d6b-b462-59cc768bc763"},"summary_title":"Museo della Ceramica Duca di Martina, La Maiolica Italiana"},{"@link":{"notes":"Cf. Vol. II, pp. 90-3, no. 93 a comparable dish with radiating peacock-feather eye pattern, dated c. 1520. Fragments of kiln wasters and a completed piece found at Deruta are illustrated on p. 92, fig. 2. The authors list further dishes of tondino form on p. 93, note 5, and of piatti da pompa form in note 6.","page":"vol. II, pp. 90-3","type":"reference"},"admin":{"id":"publication-6084","uid":"adlib-publication-6084","uuid":"ab8a6000-a2e7-3618-866e-06fc761bdb49"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia"},{"@link":{"notes":"Cf. pp. 116-17, no., 47, a comparable dish decorated with peacock feather eyes overall. 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Glaisher for \u00a31.10.0. (MS Cat. 2820). Jolley bought the bowl in the Corn Exchange, Cambridge. Glaisher could not remember its history in detail but thought Mr Jolley told him that it was owned by an architect from Bedford."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. I, p. 292, no. 2244, where it is suggested that it was probably made at Castelli.","page":"p. 292","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 286-8, no. 359","page":"286-8","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 124-5, no. 57","page":"124-5","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 255, fig. 284, and p. 273, cat. 256","page":"255, 273","type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Publ. p. 149, plate 145, and p. 180, no. 145, brief description","page":"149","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Cf. p. 94, a bowl of this type but with a different design, dated hesitantly to the 18th century (C 1448)","page":"94","type":"reference"},"admin":{"id":"publication-6684","uid":"adlib-publication-6684","uuid":"0ff530df-a3e4-32ae-9517-6b86ed72f13a"},"summary_title":"Catalogue des C\u00e9ramiques du Palais des Beaux-Arts de Lille"},{"@link":{"notes":"Ref. See pp. 247-91, Pointon, Marcia, The Treasury of the Santa Casa at Loreto and its English Visitors","page":"247-91","type":"reference"},"admin":{"id":"publication-7781","uid":"adlib-publication-7781","uuid":"921bdd31-23b1-3ce3-b7b6-67d968fc353f"},"summary_title":"Brilliant Effects. A Cultural History of Gem Stones and Jewellery"},{"@link":{"notes":"Cf. pp. 322-3, no. 159, a baroque style example in the Ashmolean Museum, Oxford (WA 1888.CDEF.C.464), attributed to Loreto district c. 1700-50. See also p. 323, fig. 100, five different pilgrim bowls from the Santa Casa in the Pitt Rivers Museum, Oxford (1985.50.420-424)","page":"322-3","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. p. 185, no. 141, a comparable bowl. MAK, KE 7174. See also p. 185, no. 140, a bowl painted in blue, yellow and orange with the Virgin and Child on clouds in front of the Santa Casa. Both attributed to 'Probably Loreto or district, c. 1700-1750.","page":"185","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-25016","uid":"adlib-term-25016","uuid":"a85b3fde-33ee-3989-8f48-3dc551f92b36"},"summary_title":"pilgrimage"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-61910","uid":"adlib-term-61910","uuid":"bb023646-39b3-3f69-bef3-7f1330e66f1f"},"summary_title":"church"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-113216","uid":"adlib-term-113216","uuid":"c032511a-6515-3783-8bd5-872643043b1f"},"summary_title":"Loreto"},{"@link":{"type":"literal"},"name":[{"value":"church"}],"summary_title":"church"},{"@link":{"type":"literal"},"name":[{"value":"Loreto"}],"summary_title":"Loreto"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"pale yellowish-buff earthenware, tin-glazed overall, and painted in greyish-blue, sage-green, yellow, orange, brown, and manganese."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Virgin and Child"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":14,"total":14}]