[{"admin":{"added":1703014272000,"created":1702988584000,"id":"publication-8943","indexed":1706780151012,"modified":1706347028000,"processed":1706780144134,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0","version":3},"lifecycle":{"publication":[{"date":[{"value":"2023"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"}]}]},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery","title":[{"primary":true,"value":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-79249","_score":19.10273,"_source":{"admin":{"added":1592996658000,"created":1312637261000,"flag":"Standard Record","id":"object-79249","indexed":1747246359863,"modified":1723561506000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79249","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","uuid":"2a21072c-7147-300a-89bd-ad08af76a9c3","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"maiolica dish standing on a low foot, painted in polychrome, with a bust of a female warrior named MARTA B(ELLA) on a scroll"},{"value":"Buff earthenware, tin-glazed overall; the reverse severely crazed. Painted in blue, green, yellow, orange, and manganese. Circular with shallow curved sides, standing on a narrow ring foot.(Poole 1995, Shape 77) A bust of a female warrior faces in profile to left, wearing a fantastic parade helmet in the shape of a crouching lion-like beast. Her name, `MA\/RTA B'(Bella) is inscribed on a scroll arched over her head. The background and rim are blue."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.63-1927","primary":true,"type":"accession number","value":"C.63-1927"},{"priref":"79249","type":"priref","value":"79249"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249"}],"inscription":[{"description":[{"value":"MA separated by the helmet from RTA B on scroll over woman's head"}],"location":"on scroll on front","method":"painted in blue","transcription":[{"value":"MARTA B"}],"type":"inscription"},{"description":[{"value":"or 602"}],"location":"on the base","method":"in blue, after firing","transcription":[{"value":"662"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1520,"from":{"earliest":1520,"era":["CE"],"latest":1520,"precision":"circa","value":"1520"},"latest":1530,"range":true,"to":{"earliest":1530,"era":["CE"],"latest":1530,"value":"1530"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188372","uid":"adlib-agent-188372","uuid":"4dfc899a-4c0b-3632-ba5e-a63bbbfaef42"},"summary_title":"Unidentified Castel Durante potter"},{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188373","uid":"adlib-agent-188373","uuid":"a417bfc7-7595-3146-8bab-43ca46b53f2a"},"summary_title":"Unidentified Urbino potter"}],"note":[{"value":"Dishes decorated with heads of women or men, have traditionally been attributed to Castel Durante, but may equally well have been made in Urbino. This is one of a small group decorated with young women wearing elaborate parade helmets. The only dated example, of 1522, is in the Museo Civico, Pesaro. Inscribed `FAVSTINA', it differs from the rest of the group in having a border of bound leaves and fruits. The others are `DEIDAMIA' in the Kunstgewerbe\u00acmuseum, Berlin.`BRADAMANTE BEL' at the Ceramic Museum at S\u00e8vres, and later, and painted in a different style, `MARFISA' in the Museo Internationale delle Ceramiche at Faenza. \nClosely related to Deidamia is a small group of dishes with girls wearing visor-like headdresses and a cloth snood enclosing their hair at the back of their head: `CARENDINA' in the Lehman collection at the Metropolitan Museum of Art, New York, `TARSIA B [Bella]' in the Gambier\u00ac-Parry collec\u00action at the Courtauld Institute Galleries, London, and `PHILOMENA' in the Metropolitan Museum. The Fitzwilliam Museum's MARTA B' differs from all these in having an extremely long and slender neck, a zoomorphic helmet as opposed to one decorated with grotesque masks, wings or shell-like coils, and an arched name scroll instead of a coiling ribbon passing behind her shoulders. In this respect it resembles two dishes decorated with heads of men wearing Saracen-style helmets and having an arched scroll over their head bearing their name, 'CATELINA' and 'SANSONE'. There are several further dishes decorated with men wearing parade helmets with their names on scrolls below, including SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs Lyon, and CORNELIO in the Louvre."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147682","uid":"adlib-term-147682","uuid":"27e95109-62eb-305b-b01d-b71655ff7d15"},"summary_title":"16th Century, third decade"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113124","uid":"adlib-term-113124","uuid":"9cb3d1b6-4d7f-31d1-9896-a75256a6780a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Castel Durante"},{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24"},{"dimension":"Height","units":"cm","value":"4.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52750","uid":"adlib-media-52750","uuid":"a979799f-3d43-3d1b-a400-8b8c36e947f6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":518},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584162642,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":259},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584162642,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish standing on low foot"}],"note":[{"type":"history note","value":"M. & R. Stora, ( Maurice (1879-1950) and Rapha\u00ebl (1887-1963), 32 bis, Boulevard Hausmann, Paris, from whom purchased in 1920 by F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 296-7, no. 366, where other dishes decorated with male or female heads wearing helmets are listed. Colour Plate 38","page":"pp. 296-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 60-1, no. 25","page":"60-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 239-43, no. 175, a shallow bowl or dish, with a profile head of a female warrior wearing a parade helmet, with the name DEIDAMIA on a scroll below. The author lists further examples on p. 239.","page":"239-43","type":"reference"},"admin":{"id":"publication-1626","uid":"adlib-publication-1626","uuid":"5b3b0632-26d4-3992-8fdd-82f5ec43e259"},"summary_title":"Majolika. Spanische und Italienische Keramik vom 14. bis zum 18. Jahrhundert, Kataloge des Kunstgewerbemuseums Berlin, Band VI"},{"@link":{"notes":"Cf. p. 244-5, no. 800, a bust of female warrior wearing a parade helmet in profile to left named BRADAMANTE BEL on a scroll below, in the Mus\u00e9e de la C\u00e9ramique, S\u00e8vres; p. 244-5, no. 799, a male warrior in profile to right wearing a parade helmet, named CORNELIO on a scroll below in the Louvre. Both attributed to Casteldurante.","page":"244-5","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. pp. 104-106, no. 63 a dish with a bust of a woman wearing a visa-like headdress in profile to right with the name CARENDINA on a scroll below. See Appendix I, pp. 244-5, figs. 63.1-12, illustrations of dishes with male and female heads wearing parade helmets, or visor-like headdresses. On p. 245, fig. 63.10 is CATELINA, who wears a saracen style helmet and has his name on a scroll over his head like the Fitzwilliam's MARTA B.","page":"104-106","type":"reference"},"admin":{"id":"publication-3377","uid":"adlib-publication-3377","uuid":"e960b292-06f9-36c2-82f2-4a2c334f1804"},"summary_title":"The Robert Lehman Collection X Italian Majolica"},{"@link":{"notes":"Cf. p. 80, no. 34, CORNELIO in the Louvre (inv. OA 1745); p. 81 no. 35, TARSIA B in the Courtauld Gallery, London (inv. O 1966 GP 88); no. 36 SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs, Lyon (inv. no. 1718)","page":"81","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 161-4, no. 31, shallow bowl decorated with the head and shoulders of a girl in profile wearing a visor-like headdress with TARSIA B on a scroll below, probably referring to the King's daughter in the classical Story of Apollonius, King of Tyre. In note 15 the author cites two examples of 16th century women named Tarsia, one in Castel Durante and the other in Ferrara.","page":"161-4","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Cf. pp. 164-5, no. 50 a shallow bowl decorated with the head of a man in profile wearing a helmet, title RVGGIERO. Inv. no. 1965.65.67","page":"pp. 164-5","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. p. 203, no. 260 a footed dish with a male helmetted head with the name ASTOLFO on a scroll behind him, attributed to Casteldurante or Urbino. c. 1520-30.","page":"203","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-75231","uid":"adlib-term-75231","uuid":"29e4fe09-c40b-3c6e-b4b6-72cde48a1ff8"},"summary_title":"helmet"},{"@link":{"type":"literal"},"name":[{"value":"helmet"}],"summary_title":"helmet"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse severely crazed. Painted in blue, green, yellow, orange, and manganese."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79986","_score":19.10273,"_source":{"admin":{"added":1592996680000,"created":1312637261000,"flag":"Standard Record","id":"object-79986","indexed":1747246359926,"modified":1714467858000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79986","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","uuid":"b14c2cf0-123d-3d89-959a-b8da1e99e217","version":10},"agents":[{"@link":{"note":[{"value":"Probably in the Medici Collection, Florence up to 1784 inventory."}],"type":"reference"},"admin":{"id":"agent-207502","uid":"adlib-agent-207502","uuid":"976ca9f3-eec2-3273-9349-cc5bcc593c31"},"summary_title":"Medici Collection"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-95937","uid":"adlib-agent-95937","uuid":"1b124579-0a0c-3c28-97a3-c749f6562ba6"},"summary_title":"Moses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160746","uid":"adlib-agent-160746","uuid":"f434c5bd-54dd-3e7b-af94-ae075d6c8473"},"summary_title":"Pharoah"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152759","uid":"adlib-agent-152759","uuid":"5c091042-4a5e-35cc-b5f3-2152afa269e4"},"summary_title":"putto"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome, with the Crossing of the Red Sea."},{"value":"Earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Circular with shallow, curved sides and flat centre. On the underside there are two concentric ribs surrounding the junction with the foot, now missing. The Crossing of the Red Sea. On the right Pharoah, seated in front of his camp, raises his right arm angrily at Moses standing on the opposite shore of the Red Sea. The Children of Israel cross safely in a long procession from right to left while, in the right foreground, the Egyptian forces are prevented from following by the piled-up waves. The yellow rim is decorated with brown-outlined petals with white centres. On the back, five putti fly above clouds, four holding branches and one a drape. The outer rib is surrounded by petals with black centres, outlined in orange-brown on a yellow ground, flanked by diagonal strokes. The yellow rim is decorated with orange petals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.134-1933","primary":true,"type":"accession number","value":"C.134-1933"},{"priref":"79986","type":"priref","value":"79986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986"}],"inscription":[{"description":[{"value":"oval"}],"method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY\/ALFRED A DE PASS\/1933"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. De Pass, 1933, in memory of his son, Crispin (d. 1918)."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153140","uid":"adlib-agent-153140","uuid":"f5bf2584-5b68-39cb-ae7a-96c84bb52a36"},"summary_title":"de Pass, Alfred A."}],"date":[{"earliest":1933,"latest":1933,"value":"1933-06-15"}],"method":{"value":"given"},"note":[{"value":"Accessioned between 15th and 19th June 1933."}]}],"creation":[{"date":[{"earliest":1555,"from":{"earliest":1555,"era":["CE"],"latest":1555,"precision":"circa","value":"1555"},"latest":1570,"range":true,"to":{"earliest":1570,"era":["CE"],"latest":1570,"value":"1570"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-46294","uid":"adlib-agent-46294","uuid":"c10e7f72-ce26-3044-84dd-3f49daa49e79"},"summary_title":"Fontana, Orazio"},{"@link":{"qualifier":"possibly","role":[{"value":"decorator"}],"type":"reference"},"admin":{"id":"agent-203717","uid":"adlib-agent-203717","uuid":"8ac071a0-2203-3809-ac03-02bc4dc352cc"},"summary_title":"Patanazzi, Antonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-120218","uid":"adlib-agent-120218","uuid":"498124b4-ad94-3072-bdb3-49eb5ca23d25"},"summary_title":"Salomon, Bernard"}],"note":[{"value":"This dish originally stood on a high foot which has been lost. The front is decorated with the Crossing of the Red Sea or Destruction of Pharaoh and his Army,which is described in the Bible, in Exodus, 14.21-31. The design was probably derived from the woodcut illustration headed `ESOD XIII' by Bernard Salomon in Damiano Maraffi, 'Figure del Vecchio Testamento con versi tos\u00accani', Lyon, 1554,the Italian edition of Claude Paradin, Quadrins historiques de la Bible, Lyon, 1553, or later editions which have similar, and additional woodcut illustrations. The dish was probably made in the workshop of Orazio Fontana (d. 1571) in Urbino, and may have been painted by him, or by Antonio Patanazzi (1515-87), who worked in close contact with him, and after his death succeeded him. It was formerly attributed to the workshop of Guido Durantino, the father of Orazio Fontana. \n \nThe putti or cherubs on the reverse are close in style to angels bearing Instru\u00acments of the Passion on the reverse of a standing dish decorated with the Cruci\u00acfixion after Bernard Salomon\u2019s woodcut in 'Figures du Nouveau Testament', Lyon, 1554, in the Gambier-Parry collection, at the Courtauld Gallery, Somerset House, London ( inv. no. O.1966.GP.90). There are also strong similarities between details on the front of that dish, such as the horse's head, and the depiction of costume, which suggest that they were decorated by the same painter. The backs of the two dishes are comparable to the back of one in Wisbech and Fenland Museum (1868.173), decorated with with angels holding musical instruments above clouds, but painted by a different hand on the front with 'Moses striking the Rock', possibly that of the painter of some of the dishes in the set bearing the arms of Guidobaldo II, duke of Urbino (1514-74) made as a gift for the Franciscan, Andrea da Volterra, which are usually attributed to the Fontana workshop.\nThe dish in the Courtauld Gallery has the number 148 on the foot in writing similar to two others in its collection, all of which came from the famous Stowe sale in 1848 , and had previously belonged to the Grand Duke of Tuscany. Sani (see 2020 and 2023) found that although the number on the Courtauld\u2019s Crucifixion dish does not match a number in the 1784 inventory of the Medici collection, its description, and those of the other two plates discussed above, correspond with nos. 451, 455 and 452 respectively decorated with \u2018The Crucifixion of the Redeemer\u2019, the \u2018Crossing of the Red Sea\u2019, and \u2018Moses that quench the thirst of the Israelites. Which is broken in part.\u2019 For the subjects of all three dishes to match the inventory makes it unlikely that this is a coincidence, and it is therefore highly likely that the Fitzwilliam\u2019s dish was in the Grand Ducal collection in Florence, until at least 1784."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marche"}],"summary_title":"The Marche","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.6"},{"dimension":"Height","units":"cm","value":"3.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Probably Grand Ducal Collection, Florence before 1784. Uncertain. Alfred Aaron De Pass (1861-1952), Falmouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 247, no. V","page":"p. 247","type":"reference"},"admin":{"id":"publication-200001003","uid":"adlib-publication-200001003","uuid":"85ba346d-d1d0-31b4-878f-4cbeaae5b964"},"summary_title":"The De Pass pottery in the Fitzwilliam Museum"},{"@link":{"notes":"Publ. pp. 372-3, no. 409; for the printed source of the design, see p. 374, fig. 41","page":"pp. 372-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 156, front illustrated, fig. 4, back illustrated fig. 5, and see text continuing on p. 156. Cf. The reverse of a dish in the Courtauld Institute, p. 155, fig. 3, and the back of a dish in the Wisbech and Fenland Museum, p. 157, fig. 7.","page":"156","type":"reference"},"admin":{"id":"publication-200003227","uid":"adlib-publication-200003227","uuid":"4452ccec-0e0f-3a14-87c1-f283a94194f7"},"summary_title":"Un capolavoro della maiolica istoriata rinascimentale alla Courtauld Gallery: 'La Crocifissione Gambier Parry'"},{"@link":{"type":"reference"},"admin":{"id":"publication-3400","uid":"adlib-publication-3400","uuid":"a6e23473-1c42-3481-92c0-7fedc1cfd92e"},"summary_title":"Figure del Vecchio Testamento con versi toscani"},{"@link":{"notes":"Publ. p. 96, pl. 7a, attributed to Guido or Orazio Fontana.","page":"96","type":"reference"},"admin":{"id":"publication-200002310","uid":"adlib-publication-200002310","uuid":"5830258e-a7fd-3329-863e-56c347d3e0b0"},"summary_title":"Maioliche urbinati dal Fontana ai Patanazzi"},{"@link":{"notes":"Cf. p. p. 148, and p. 149, fig. 55 and p. 151. 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She concluded that the first two could be by the same painter, possibly Antonio Patanazzi, but that the dish at Wisbech was by another hand.","page":"169-73","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Ref. pp. 71-79 the 'Inventario Generale della Real Galleria di Firenze compilato nel 1784 . . .' in which no. 455 'Una d.a. simile [Una sottocoppa liscia], che rappresenta il passaggio' may have been the Fitzwilliam's dish. No. 451 was probably the dish decorated with the Crucifixion, now in the Courtauld Gallery (O.1966.GP.90), and no. 452 the dish decorated with 'Moses striking the Rock' now in Wisbech Museum.","page":"58-79","type":"reference"},"admin":{"id":"publication-200003283","uid":"adlib-publication-200003283","uuid":"0fbd54ee-2857-34b2-8903-ae320f4c7ab5"},"summary_title":"La maiolica nel Museo del Bargello. 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Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. 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It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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Purchased from Durlacher Bros., 142 New Bond Street, London, on 20 February 1920 by F. Leverton Harris ( 1864-1926)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 269","page":"p. 269","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. Illustrated, pl. VIIIE and pl. XIV, third shelf down on the right side at the back. See also p. 6 of text.","page":"p. 6","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Publ. Mentioned. Fake for the 1911 exhibition in Paris?, p. 45, no. 89","page":"p.45","type":"reference"},"admin":{"id":"publication-1573","uid":"adlib-publication-1573","uuid":"847520ff-9058-30e2-b93b-f574486a1f1f"},"summary_title":"Decorative Arts of the Italian Renaissance 1400-1600"},{"@link":{"notes":"Publ. pp. 283-4, no. 357, where literature and locations of other examples are cited.","page":"pp. 283-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 28-9, no. 9, and front cover","page":"28-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. back cover, and p. 48, fig. 31, where the problem of mice and rats is mentioned.","page":"p. 48","type":"reference"},"admin":{"id":"publication-1576","uid":"adlib-publication-1576","uuid":"34b8dbd3-6101-37d4-b573-0989a84b02c2"},"summary_title":"The Scholar in his Study"},{"@link":{"notes":"Publ. p. 12, illustrated","page":"12","type":"reference"},"admin":{"id":"publication-6374","uid":"adlib-publication-6374","uuid":"ca695373-60c6-3457-9c4c-0105050abb24"},"summary_title":"The Dog, 5000 Years of the Dog in Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Cf. Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. OA 6342C is the hound tile.","page":"pp. 44-6","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Eight tiles in the Museo Castello Sforzesco, Vol. V, colour plate 52 and see p. 282, no. 52. Museo Castello Sforzesco, nos. 24-30 and 352. There are seventeen tiles in Mus\u00e9e Jacquemart-Andr\u00e9, see Institut de France, Mus\u00e9e Jacquemart-Andr\u00e9, Catalogue itineraire, 7th edn., 1933, p. 130, no. 917. Acquired from Angiolini, Bologna, 1893.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1575","uid":"adlib-publication-1575","uuid":"ba63987d-d256-3a38-831a-07afe71f63c2"},"summary_title":"Masterpieces of Western Ceramics, Italian Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-1584","uid":"adlib-publication-1584","uuid":"b61dbd8b-dd02-33e0-92bb-88847c71de61"},"summary_title":"Isabella d'Este Furstin und Mazenatin der Renaissance"},{"@link":{"notes":"Cf. pp. 239-243, nos. 249-56. The author, Grazia Biscontini Ugolini, provides a fuller account of the tiles than the earlier references given here.","page":"239-43","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Cf. p. 170 pl. 199, colour illustration of floor tile with VRAI AMOVR NESE CHANGE, (V. & A inv. 334:6-1903). p. 171 pl. 200 four Gonzaga floor tiles from the same set, the hound at lower left. Attributed to Pesaro, c. 1494. Workshop of Antonio Fedeli. 23.5 x 23.5 cm. (V. & A. inv. nos. 334:1-5-1903)","page":"170","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 56-7, no. 19 six tiles from the pavement with Gonzaga emblems in the Louvre, inv. nos. OA 6432A-F. The white hound tile similar to the Fitzwilliam's is illustrated as C on p. 56. Attributed to the workshop of Antonio dei Fedeli, Pesaro c. 1493-4.","page":"56-7","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 218-21, no. 38, a tile with the impresa of a sun face and a scroll inscribed 'PER VN DIXIR., adopted by Marquess Ludovico II (1412-78) of Mantuq following his defeat at the Battle of Caravaggio in 1448. This tile was donated to the Courtauld Gallery in 2020. See Sani, 2023.","page":"218-21","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. Italian ceramics before 1500"},{"@link":{"notes":"Cf. pp. 383-5, no. 201, a tile painted with the arms of Gonzaga from the same group, in the Ashmolean Museum, Oxford, inv. no. WAQ 2001.38. This was formerly in the collection of Dr Otto Lanz of Amsterdam (1865-1935).","page":"383-5","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. pp. 59-63, no. 3 a tile with the Gonzaga emblem, a sun with a human facet and the motto PER UM DIXIR for a desire) on a ribbon. The author discusses the circumstances of the commission and mentions the other emblems used on the tiles. The tile differs from the Fitzwilliam's in having only one circle cut into the reverse.","page":"59-63","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-129156","uid":"adlib-term-129156","uuid":"8f319524-dfb9-3ba8-8dca-711353acbfdc"},"summary_title":"Marmirolo"},{"@link":{"type":"reference"},"admin":{"id":"term-75037","uid":"adlib-term-75037","uuid":"b7278bfa-9db3-39c2-8218-6b4932875a16"},"summary_title":"Mantua"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-107877","uid":"adlib-term-107877","uuid":"d3fd41d2-8962-3d09-a893-f20ebb772237"},"summary_title":"sitting"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"sitting"}],"summary_title":"sitting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"}},"summary_title":"floor tile","type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48529","_score":18.5682,"_source":{"admin":{"added":1592999476000,"created":1312637261000,"flag":"Standard Record","id":"object-48529","indexed":1756836093758,"modified":1714465509000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48529","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","uuid":"7ae2037e-e8c9-31ac-ac59-d63b6a03050e","version":8},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}},{"note":[{"value":"silver-yellow, appearing brassy-yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113115","uid":"adlib-term-113115","uuid":"3fcebc71-6e21-3984-9065-72a5e40903e0"},"summary_title":"reduced pigment lustre"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120105","uid":"adlib-term-120105","uuid":"e33f30c5-7d7b-3ef5-8d75-ef724c7172c0"},"summary_title":"lustre-painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"},{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Pale buff earthenware, tin-glazed overall. Painted in blue and with brassy-yellow lustre.\nShape 70, but deeper. Circular with narrow rim, wide shallow well with a slightly convex boss in the middle, surrounded by a circle rib, a sloping concave zone and an indented circle.\nOn the boss within a blue circle, a woman half-length in profile to left faces a plant with three flowers. The boss is surrounded by a broad lustre band decorated with blue interlace, outside which is a series of concentric circles: blue, reserved white, blue, lustre and blue. The sides are decorated with slanting pseudo-gadroons and the rim has two continuous interlacing lines. A lustre band encircles the edge. On the back are four spaced concentric lustre circles."}],"identifier":[{"accession_number":"C.84-1927","primary":true,"type":"accession number","value":"C.84-1927"},{"priref":"48529","type":"priref","value":"48529"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529"}],"inscription":[{"description":[{"value":"rectangular with cut corners and blue printed border"}],"method":"hand-written in blue-black ink and pencil","transcription":[{"value":"'M24' in ink, 'Leverton\/Harris\/1926' in pencil"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1500,"from":{"earliest":1500,"latest":1500,"precision":"circa","value":"1500"},"latest":1530,"range":true,"to":{"earliest":1530,"latest":1530,"value":"1530"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-192453","uid":"adlib-agent-192453","uuid":"df78b698-01c1-3c17-b103-3abd32583456"},"summary_title":"Unidentified Deruta pottery"}],"note":[{"value":"Shallow basins with a central boss (bacili da acquareccia) were intended to accompany ewers, although no sets appear to have survived together. They were produced throughout the first half of the sixteenth century, and lustred examples survive in great numbers. Very few can be dated, even approximately with certainty. One of the earliest, in the British Museum, is decorated on the boss with the arms of a Montefeltro Duke of Urbino and was presumably made before 1508 when Francesco della Rovere succeeded to the dukedom. another basin at the Mus\u00e9e de la Renaissance at Ecouen, bears the arms for one or other of the Medici Popes, Leo X (1513-21) or Clement VII (1523-34).\nMany of these basins are decor\u00acated in the centre with a woman demurely facing to right or left towards a flowering plant, surrounded by a selec\u00action of stock patterns on the sides and rim, such as mock gadroons, scales, pointed rays and sty\u00aclized plants, wreaths of formal flowers and geometrical motifs. On some basins the flowers in front of the girls resemble pinks, which, like carnations, were symbols of love, so it seems likely that these were betrothal or wedding gifts, although not necessarily so. In the late fourteenth century, Margherita, the wife of the merchant, Francesco Datini of Prato (d. 1410), was asked to take 'a bowl and an ewer, such as is customary to give to girls' to the birthday party of one of her friend's daughters. At that time the ewer and basin would almost certainly have been metal, but it seems probable that, if this custom persisted maiolica would have been acceptable. A maiolica basin in an Italian private collection has the girl's name GIROLEMA painted across the boss.\nIt is difficult to date these basins other than by matching the borders with datable pieces of other types, or by the costume of the girls in the central medallion, which, because of the conservatism of Deruta decorators, is probably not very accurate. Nevertheless, it seems significant that the Louvre's relief moulded basin dated 1546, and another undated in the Lehman collection at the Metropolitan Museum of Art, feature girls wearing a different style of dress and turban-like caps. This fashion can be seen in portraits of the 1520s, and on bella donna dishes of the 1530s and early 1540s. It therefore seems likely that basins like this example and C.84-1961, which feature a Peruginesque girl, were likely to have been made before about 1530.\nThere are examples in the City Museum and Art Gallery, Stoke-on-Trent (27 P 53); the Mus\u00e9e des Antiquit\u00e9s de la Seine-Maritime, Rouen, the V. & A., the Walters Art Museum, Baltimore, the Louvre, the Mus\u00e9e National de la Renaissance, \u00c9couen, the Indianapolis Museum of Arts, the Nationalmuseum, Stockholm, the Metropolitan Museum of Art, New York, the Galeazzi collection, Terni, the Museum f\u00fcr Kunst und Gewerbe, Hamburg, the British Museum, and the Los Angeles County Museum, i(50.9.14.7)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"31.5"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18172","uid":"adlib-media-18172","uuid":"e888c589-736a-3129-83cc-9f185b6c2bac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926369018,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926369018,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18173","uid":"adlib-media-18173","uuid":"6e7b7ab4-0499-3a6d-bb1c-808b66e9e33c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926614753,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926614753,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"shallow basin for ewer"},{"value":"dish for a ewer"}],"note":[{"type":"history note","value":"A. 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XV, fig. 32","page":"44","type":"reference"},"admin":{"id":"publication-8819","uid":"adlib-publication-8819","uuid":"370f3f17-3378-32d8-ab82-49639225558d"},"summary_title":"Catalogue des fa\u00efences anciennes, Mus\u00e9e des Antiquit\u00e9s de la Seine-Inf\u00e9rieure"},{"@link":{"notes":"Cf. p. 10, no. 15, and pl. 10","page":"10","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. Basins for ewers in the Louvre, pp. 170-1, nos. 561-3, p. 189, no. 609; and an example at the Mus\u00e9e de la Renaissance, \u00c9couen, pp.189-90, no. 610","page":"170-1","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. I, p. 155, no. 463, vol. 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