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Their Lives and Their Marks"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-68536","uid":"adlib-term-68536","uuid":"3c89ebdd-d330-3a1e-a4c6-43976f1802ad"},"summary_title":"Ottoman"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108596","uid":"adlib-term-108596","uuid":"a8fe6c32-868e-35f8-8db0-163f393d0df9"},"summary_title":"pomegranate"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-32082","uid":"adlib-term-32082","uuid":"04e97d59-3082-39c9-9b4b-a8f06131e4c9"},"summary_title":"hyacinth"},{"@link":{"type":"literal"},"name":[{"value":"pomegranate"}],"summary_title":"pomegranate"},{"@link":{"type":"literal"},"name":[{"value":"hyacinth"}],"summary_title":"hyacinth"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"fritware, wheel thrown, painted red slip, blue green and black under a colourless, slightly pitted glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"note":[{"value":"colourless, slightly pitted, covers the surface including the underside of the foot ring"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48107","_score":19.10273,"_source":{"admin":{"added":1592970273000,"created":1312637261000,"flag":"Standard Record","id":"object-48107","indexed":1756836093671,"modified":1724157540000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48107","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","uuid":"af3ae69a-63a7-3e90-afed-62a32a588a3a","version":8},"agents":[{"@link":{"note":[{"value":"Pandolfo Petrucci commissioned a tile pavement for the Palazzo Petrucci, Sienna"}],"type":"reference"},"admin":{"id":"agent-174723","uid":"adlib-agent-174723","uuid":"f5006ccd-3053-3b74-8a64-2ba3ee5b976d"},"summary_title":"Petrucci, Pandolfo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, orange, brownish-red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Upper Surface","techniques":[{"description":[{"value":"cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black. Pentagonal with part of the right and left sides chipped off.\nThe main field has a yellow ground decorated with grotesques: a vase and a mask on a pole between addorsed griffins seated on a bowl, flanked by foliated scrolls. The border comprises a narrow row of oval and circular beads, and a wider row of egg and dart ornament."}],"identifier":[{"accession_number":"C.127-1927","primary":true,"type":"accession number","value":"C.127-1927"},{"priref":"48107","type":"priref","value":"48107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157197","uid":"adlib-agent-157197","uuid":"ab234587-3b80-398a-9715-ce74f88dbb64"},"summary_title":"Harris, F. Leverton, The Right Hon."}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1509,"era":["CE"],"latest":1509,"precision":"circa","value":"1509"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-189453","uid":"adlib-agent-189453","uuid":"73c60f26-7cd8-3336-9e7e-efe2008e3a3c"},"summary_title":"Unidentified Siena pottery"}],"note":[{"value":"The use of ornamental grotesques gained impetus in Italy after the discovery in about 1480 of the painted decoration of Nero's Domus Aurea in Rome.  By then its rooms were below ground and became known as grotte, from which the term grot\u00actesche was derived. Taken up by artists such as Pinturicchio and Signor\u00acelli, and dissemi\u00acnated by prints, grotesques rapidly became one of the most popular forms of Renaissance decoration. Maiolica potters working in Siena  had local examples in the splendid pendentives of the vault in the Piccolom\u00acini Library in the Cathe\u00acdral, which was commissioned by Cardinal Francesco Piccolomini from Pintur\u00acicchio and was completed about 1507.                                                                                                                                                                            \nThis tile fragment (and C.128-1927, C.129-1927, and C.130-1927) and another border tile fragment which has lost most of its glaze (C.131-1927) formed part of a tile pavement commissioned by Pandolfo Petrucci (1452-1512) for the Camera Bella, one of a suite of rooms in the Palazzo Petrucci which were to be occupied by his heir Borghesi Petrucci on his marriage to Vittoria Piccolomini which took place on 22 September 1509. The room is thought to have been decorated between 1508 and Petrucci's death, and three of the tiles are dated 1509. The pavement comprises pentagonal tiles of two sizes, square tiles and rectangular border tiles. Some of the square tiles are decorated with the quartered arms of Piccolomini and Petrucci, celebrating the 1509 marriage, or with trophies, or with figures in landscapes reminiscent of those by Pinturicchio, Signorelli and Genga. The majority are decorated with grotesques, and the pavement as a whole is one of the most outstanding illustrations of this genre on early sixteenth-century maiolica. Miller and Graves (see Documentation) have shown that the tiles were originally arranged in a way which produced an eight-pointed star and cross pattern comparable to Islamic star and cross tile patterns. The cross being formed by a square tile with four pentagonal tiles around it and the star by a small square with four small pentagonal tiles to form a cross, and four contrasting square tiles in the spaces between them. \nThe earliest recorded date for the dispersal of the pavement is November 1854 when the British Museum purchased one from the estate of a London dealer, William Forrest, who died in that year. (inv. 1854,11-2,2). The largest group surviving together is in the Victoria and Albert Museum, which acquired 475 tiles from the pavement in the 1857, but now has about 433, and there are over 90 in other collections. Further examples in Britain , are six in the Potteries Museum and Art Gallery, Stoke-on-Trent, two in the National Museums of Scotland, Edinburgh, two in the Courtauld Gallery, London, and two fragments probably from the pavement in the Brtiish Museum. When cataloguing the seventeen  tiles in the Museum f\u00fcr Kunst und Gewerbe, Ham\u00acburg in 1984, Rasmussen listed the locations of other tiles from the pavement, and his list was updated and added to by Thornton and Wilson in 2009. The largest group is held by the Mus\u00e9e du Louvre. (See Documention)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129192","uid":"adlib-term-129192","uuid":"2dba38f0-9a5e-3bba-9551-1573d7540a59"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-11364","uid":"adlib-term-11364","uuid":"7245b126-74ce-3569-8149-2aeb1daafa35"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Siena"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"3.2"},{"dimension":"Height","units":"cm","value":"19.4"},{"dimension":"Width","units":"cm","value":"15.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},{"value":"fragment of a tile"}],"note":[{"type":"history note","value":"Purportedly purchased in Siena by F. Leverton Harris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48109","uid":"adlib-object-48109","uuid":"53e3a998-96e0-3cd3-9283-6226a9b85f92"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48119","uid":"adlib-object-48119","uuid":"0ec94ce2-19bb-372c-9b05-fc924e6c187e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-71760","uid":"adlib-object-71760","uuid":"ea784965-aaac-3588-9861-897396227bca"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 138-139, no. 197A","page":"pp. 138-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. vol. I, pp. 132-3, no. 386, vol. II, pl. 62, tiles from the Palazzo Petrucci","page":"132-3","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. pp. 176-7 pl. 205, colour illustration of an area of laid floor tiles from the Camera Bella, Palazzo Petrucci, Siena, c. 1509 (Victoria & Albert Museum inv. no. 4915-1857)","page":"176-7","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 116-27, nos. 79-95, tiles from the Palazzo Petrucci, Siena, where references are given for examples elsewhere.","page":"116-27","type":"reference"},"admin":{"id":"publication-6052","uid":"adlib-publication-6052","uuid":"48f217d2-c44b-3144-be9a-3c7741e5f67e"},"summary_title":"Museum f\u00fcr Kunst und Gewerbe Hamburg, Italienische Majolika"},{"@link":{"notes":"Cf. p. 105-06, no. 374, dated 1509. See also no. 371 and 373 now at \u00c9couen, and nos. 375-99. For a further acquisition see Mus\u00e9e du Louvre, 2003 berlow.","page":"105-106","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. II, pp. 608-11, no. 378, a pentagonal tile. The authors discuss the pavement in relation to architectural and mural decoration of the period, and the approximate date of its dispersal judging by the dates when tiles were purchased by museums and private collectors. On p. 610 they update and add to the list of tiles made by Rasmussen, 1984. See also pp. 611-2, no. 379 two fragments  of tiles.","page":"Vol. II, pp. 608-12","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002882","uid":"adlib-publication-200002882","uuid":"8de3daaa-89bb-3a56-bb72-edbc68a7e104"},"summary_title":"Ancora due righe su Siena"},{"@link":{"type":"reference"},"admin":{"id":"publication-8947","uid":"adlib-publication-8947","uuid":"52ba0d6b-52e3-3851-9b56-2681ab3df986"},"summary_title":"Early English and Continental Pottery from the John Philip Kassebaum Collection"},{"@link":{"notes":"Cf. p. 33, nos. 21-2.","page":"33","type":"reference"},"admin":{"id":"publication-7529","uid":"adlib-publication-7529","uuid":"9257f380-1802-32af-bc3b-9d0b0abd8e70"},"summary_title":"Italian Maiolica in the National Museums of Scotland"},{"@link":{"notes":"Cf. p. 58, no. 20, (inv. 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The drug name `O  FILOSOFO' is inscribed in Roman capitals on a label between yellow horizontal bands which encircle the lower part of the jar. On the back and sides there are large blue spirals, and on the outside of the handle, four vertical blue stripes. The rim is blue with a green horizontal band below. 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Spouted jars were used for oils, and syrups.  This one held Philosopher's Oil, which was obtained by distillation of a mixture of powdered brick or tiles and olive oil. It belongs to a group of at least 280 jars of several different forms with closely related and distinctive decoration. The ceramic historian, Bernard Rackham (1876-1964), named them the Orsini-Colonna  pharmacy jars after a two-handled bottle in the British Museum decorated with a bear embracing a column, and the words 'ET SARREMO boNI AMICI', emblematic of a reconciliation between these rival Roman families. The Orsini vases might be a more appropriate term. as that family's arms are shown on a two-handled pharmacy jar in the Lehman collection at the Metropolitan Museum of Art in New York, and on a two-handled bottle in a private collection. However, as the number of jars recorded with similar characteristics increased, it became evident that some of the drug names were repeated, two, three, four and in two cases, five times, and that they were therefore likely to have belonged to several sets. This is also indicated by some jars having their labels in Roman capitals, and others in Gothic letters. \nIn the absence of firm evidence for their origin, the jars used to be attributed to central Italian towns, including Faenza, Deruta, Siena, Cafaggiolo, or Casteldurante. Their secure reattribution of Castelli in the Abruzzi, followed the retrieval of many  fragments with similar decoration during an excavation  there  between 1980 and 1982. This revealed the waste tip on the hillside behind the home of Orazio Pompei (1510-20 to after 1590), a member of a large and flourishing potting family in Castelli. The connection between Orazio and the jars is supported by the inscription 'OC\/OPVS\/ORATTI' on a dragon-spouted jar in the Museo Internazionale delle Ceramiche at Faenza. \nBefore the excavation the jars were usually dated to about 1515 to 1530, but given the probable date of Orazio Pompei's birth it seems unlikely that they were made before about 1540, and that production could have continued up to the late 1550s. Some  of the female heads are comparable in style to those of the Angel and Madonna in an Annunciation on a panel dated '21.MAI\/1557' at Chieti, which suggests that these jars probably date from about 1550 to 1560. Judging by the different styles of representing the male and female heads, and other figures on the jars, they were decorated by more than one member of the Pompei workshop. 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