[{"admin":{"added":1704826821000,"created":1704809042000,"id":"publication-8945","indexed":1706780151149,"modified":1706368603000,"processed":1706780144148,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10","version":2},"lifecycle":{"publication":[{"date":[{"value":"2011"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Paris"}],"summary_title":"Paris"}]}]},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530","title":[{"primary":true,"value":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-15553","_score":19.867615,"_source":{"admin":{"added":1592995815000,"created":1312637261000,"flag":"Standard Record","id":"object-15553","indexed":1756836093428,"modified":1714464867000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-15553","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","uuid":"c8b4d32e-8124-3098-8796-c290951f55c4","version":12},"agents":[{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184884","uid":"adlib-agent-184884","uuid":"0c9c53e9-9951-3dd2-978a-b6e9b5bf4c60"},"summary_title":"Francesco II Gonzaga"},{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184883","uid":"adlib-agent-184883","uuid":"2fc30f28-ebb4-339f-a724-f32b1854174a"},"summary_title":"Isabella d'Este"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Front","techniques":[{"description":[{"value":"earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese; the back has been carved out to produce three concentric circles and triangular depressions in the corners"}],"note":[{"value":"white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica floor or pavement tile, painted in blue, green, yellow and manganese with a hound sejant muzzled and leashed."},{"value":"Very pale buff earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese. Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1912,"value":"1927-12"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1492,"from":{"earliest":1492,"era":["CE"],"latest":1492,"precision":"circa","value":"1492"},"latest":1494,"range":true,"to":{"earliest":1494,"era":["CE"],"latest":1494,"value":"1494"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-153985","uid":"adlib-agent-153985","uuid":"6edf9e47-aa3d-3506-b4c7-210b3dee06fe"},"summary_title":"Antonio dei Fedeli"}],"note":[{"value":"A white hound sejant (seated), muzzled and leashed, symbolizing fidelity, was a device adopted by Gianfrancesco Gonzaga (1395-1444), first Marquis of Mantua. It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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title","value":"Maiolica pavement tile with a white hound"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"},{"value":"pavement tile"}],"note":[{"type":"history note","value":"From a series of tiles commissioned for the Gonzaga for a pavement in his villa at Marmirolo, but also used in Isabella d'Este studiolo in the Castello di San Giorgio at Mantua. Purchased from Durlacher Bros., 142 New Bond Street, London, on 20 February 1920 by F. Leverton Harris ( 1864-1926)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 269","page":"p. 269","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. Illustrated, pl. VIIIE and pl. XIV, third shelf down on the right side at the back. See also p. 6 of text.","page":"p. 6","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Publ. Mentioned. Fake for the 1911 exhibition in Paris?, p. 45, no. 89","page":"p.45","type":"reference"},"admin":{"id":"publication-1573","uid":"adlib-publication-1573","uuid":"847520ff-9058-30e2-b93b-f574486a1f1f"},"summary_title":"Decorative Arts of the Italian Renaissance 1400-1600"},{"@link":{"notes":"Publ. pp. 283-4, no. 357, where literature and locations of other examples are cited.","page":"pp. 283-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 28-9, no. 9, and  front cover","page":"28-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. back cover, and p. 48, fig. 31, where the problem of mice and rats is mentioned.","page":"p. 48","type":"reference"},"admin":{"id":"publication-1576","uid":"adlib-publication-1576","uuid":"34b8dbd3-6101-37d4-b573-0989a84b02c2"},"summary_title":"The Scholar in his Study"},{"@link":{"notes":"Publ. p. 12, illustrated","page":"12","type":"reference"},"admin":{"id":"publication-6374","uid":"adlib-publication-6374","uuid":"ca695373-60c6-3457-9c4c-0105050abb24"},"summary_title":"The Dog, 5000 Years of the Dog in Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Cf. Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. OA 6342C is the hound tile.","page":"pp. 44-6","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Eight tiles in the Museo Castello Sforzesco, Vol. V, colour plate 52 and see p. 282, no. 52. Museo Castello Sforzesco, nos. 24-30 and 352. There are seventeen tiles in Mus\u00e9e Jacquemart-Andr\u00e9, see Institut de France, Mus\u00e9e Jacquemart-Andr\u00e9, Catalogue itineraire, 7th edn., 1933, p. 130, no. 917. Acquired from Angiolini, Bologna, 1893.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1575","uid":"adlib-publication-1575","uuid":"ba63987d-d256-3a38-831a-07afe71f63c2"},"summary_title":"Masterpieces of Western Ceramics, Italian Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-1584","uid":"adlib-publication-1584","uuid":"b61dbd8b-dd02-33e0-92bb-88847c71de61"},"summary_title":"Isabella d'Este Furstin und Mazenatin der Renaissance"},{"@link":{"notes":"Cf. pp. 239-243, nos. 249-56. The author, Grazia Biscontini Ugolini, provides a fuller account of the tiles than the earlier references given here.","page":"239-43","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Cf. p. 170 pl. 199, colour illustration of floor tile with VRAI AMOVR NESE CHANGE, (V. & A inv. 334:6-1903). p. 171 pl. 200 four Gonzaga floor tiles from the same set, the hound at lower left.  Attributed to Pesaro, c. 1494. Workshop of Antonio Fedeli. 23.5 x 23.5 cm. (V. & A. inv. nos. 334:1-5-1903)","page":"170","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 56-7, no. 19 six tiles from the pavement with Gonzaga emblems in the Louvre, inv. nos. OA 6432A-F. The white hound tile similar to the Fitzwilliam's is illustrated as C on p. 56. Attributed to the workshop of Antonio dei Fedeli, Pesaro c. 1493-4.","page":"56-7","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 218-21, no. 38, a tile with the impresa of a sun face and a scroll inscribed  'PER VN DIXIR., adopted by Marquess Ludovico II (1412-78) of Mantuq following his defeat at the Battle of Caravaggio in 1448. This tile was donated to the Courtauld Gallery in 2020. See Sani, 2023.","page":"218-21","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. Italian ceramics before 1500"},{"@link":{"notes":"Cf. pp. 383-5, no. 201, a tile painted with the arms of Gonzaga from the same group, in the Ashmolean Museum, Oxford, inv. no. WAQ 2001.38. This was formerly in the collection of Dr Otto Lanz of Amsterdam  (1865-1935).","page":"383-5","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. pp. 59-63, no. 3 a tile with the Gonzaga emblem, a sun with a human facet and the motto PER UM DIXIR for a desire) on a ribbon. The author discusses the circumstances of the commission and mentions the other emblems used on the tiles. The tile differs from the Fitzwilliam's in having only one circle cut into the reverse.","page":"59-63","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-129156","uid":"adlib-term-129156","uuid":"8f319524-dfb9-3ba8-8dca-711353acbfdc"},"summary_title":"Marmirolo"},{"@link":{"type":"reference"},"admin":{"id":"term-75037","uid":"adlib-term-75037","uuid":"b7278bfa-9db3-39c2-8218-6b4932875a16"},"summary_title":"Mantua"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-107877","uid":"adlib-term-107877","uuid":"d3fd41d2-8962-3d09-a893-f20ebb772237"},"summary_title":"sitting"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"sitting"}],"summary_title":"sitting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"}},"summary_title":"floor tile","type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79249","_score":19.10273,"_source":{"admin":{"added":1592996658000,"created":1312637261000,"flag":"Standard Record","id":"object-79249","indexed":1747246359863,"modified":1723561506000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79249","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","uuid":"2a21072c-7147-300a-89bd-ad08af76a9c3","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"maiolica dish standing on a low foot, painted in polychrome, with a bust of a female warrior named MARTA B(ELLA) on a scroll"},{"value":"Buff earthenware, tin-glazed overall; the reverse severely crazed. Painted in blue, green, yellow, orange, and manganese.  Circular with shallow curved sides, standing on a narrow ring foot.(Poole 1995, Shape 77) A bust of a female warrior faces in profile to left, wearing a fantastic parade helmet in the shape of a crouching lion-like beast. Her name, `MA\/RTA B'(Bella) is inscribed on a scroll arched over her head. The background and rim are blue."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.63-1927","primary":true,"type":"accession number","value":"C.63-1927"},{"priref":"79249","type":"priref","value":"79249"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249"}],"inscription":[{"description":[{"value":"MA separated by the helmet from RTA B on scroll over woman's head"}],"location":"on scroll on front","method":"painted in blue","transcription":[{"value":"MARTA B"}],"type":"inscription"},{"description":[{"value":"or 602"}],"location":"on the base","method":"in blue, after firing","transcription":[{"value":"662"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1520,"from":{"earliest":1520,"era":["CE"],"latest":1520,"precision":"circa","value":"1520"},"latest":1530,"range":true,"to":{"earliest":1530,"era":["CE"],"latest":1530,"value":"1530"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188372","uid":"adlib-agent-188372","uuid":"4dfc899a-4c0b-3632-ba5e-a63bbbfaef42"},"summary_title":"Unidentified Castel Durante potter"},{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188373","uid":"adlib-agent-188373","uuid":"a417bfc7-7595-3146-8bab-43ca46b53f2a"},"summary_title":"Unidentified Urbino potter"}],"note":[{"value":"Dishes decorated with heads of women  or men, have traditionally been attributed to Castel Durante, but may equally well have been made in Urbino.  This is one of a small group decorated with young women wearing elaborate parade helmets. The only dated example, of 1522, is in the Museo Civico, Pesaro. Inscribed `FAVSTINA', it differs from the rest of the group in having a border of bound leaves and fruits. The others are `DEIDAMIA' in the Kunstgewerbe\u00acmuseum, Berlin.`BRADAMANTE BEL' at the Ceramic Museum at S\u00e8vres, and later, and painted in a different style, `MARFISA' in the Museo Internationale delle Ceramiche at Faenza.                                                                       \nClosely related to Deidamia is a small group of dishes with girls wearing visor-like headdresses and a cloth snood enclosing their hair at the back of their head: `CARENDINA' in the Lehman collection at the Metropolitan Museum of Art, New York, `TARSIA B [Bella]' in the Gambier\u00ac-Parry collec\u00action at the Courtauld Institute Galleries, London, and `PHILOMENA' in the Metropolitan Museum. The Fitzwilliam Museum's MARTA B' differs from all these in having an extremely long and slender neck, a zoomorphic helmet as opposed to one decorated with grotesque masks, wings or shell-like coils, and an arched name scroll instead of a coiling ribbon passing behind her shoulders. In this respect it resembles two dishes decorated with heads of men wearing Saracen-style helmets and having an arched scroll over their head bearing their name, 'CATELINA' and 'SANSONE'. There are several further dishes decorated with men wearing parade helmets with their names on scrolls below, including SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs Lyon, and CORNELIO in the Louvre."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147682","uid":"adlib-term-147682","uuid":"27e95109-62eb-305b-b01d-b71655ff7d15"},"summary_title":"16th Century, third decade"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113124","uid":"adlib-term-113124","uuid":"9cb3d1b6-4d7f-31d1-9896-a75256a6780a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Castel Durante"},{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24"},{"dimension":"Height","units":"cm","value":"4.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52750","uid":"adlib-media-52750","uuid":"a979799f-3d43-3d1b-a400-8b8c36e947f6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":518},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584162642,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":259},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584162642,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish standing on low foot"}],"note":[{"type":"history note","value":"M. & R. Stora, ( Maurice (1879-1950) and Rapha\u00ebl (1887-1963), 32 bis, Boulevard Hausmann, Paris, from whom purchased in 1920 by F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 296-7, no. 366, where other dishes decorated with male or female heads wearing helmets are listed. Colour Plate 38","page":"pp. 296-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 60-1, no. 25","page":"60-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 239-43, no. 175, a shallow bowl or dish, with a profile head of a female warrior wearing a parade helmet, with the name DEIDAMIA on a scroll below. The author lists further examples on p. 239.","page":"239-43","type":"reference"},"admin":{"id":"publication-1626","uid":"adlib-publication-1626","uuid":"5b3b0632-26d4-3992-8fdd-82f5ec43e259"},"summary_title":"Majolika. Spanische und Italienische Keramik vom 14. bis zum 18. Jahrhundert, Kataloge des Kunstgewerbemuseums Berlin, Band VI"},{"@link":{"notes":"Cf. p. 244-5, no. 800, a bust of female warrior wearing a parade helmet in profile to left named BRADAMANTE BEL on a scroll below, in the Mus\u00e9e de la C\u00e9ramique, S\u00e8vres; p. 244-5, no. 799, a male warrior in profile to right wearing a parade helmet, named CORNELIO on a scroll below in the Louvre. Both attributed to Casteldurante.","page":"244-5","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. pp. 104-106, no. 63 a dish with a bust of a woman wearing a visa-like headdress in profile to right with the name CARENDINA on a scroll below. See Appendix I, pp. 244-5, figs. 63.1-12, illustrations of dishes with male and female heads wearing parade helmets, or visor-like headdresses.  On p. 245, fig. 63.10 is CATELINA, who wears a saracen style helmet and has his name on a scroll over his head like the Fitzwilliam's MARTA B.","page":"104-106","type":"reference"},"admin":{"id":"publication-3377","uid":"adlib-publication-3377","uuid":"e960b292-06f9-36c2-82f2-4a2c334f1804"},"summary_title":"The Robert Lehman Collection X Italian Majolica"},{"@link":{"notes":"Cf. p. 80, no. 34, CORNELIO in the Louvre (inv. OA 1745); p. 81 no. 35, TARSIA B in the Courtauld Gallery, London (inv. O 1966 GP 88); no. 36 SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs, Lyon (inv. no. 1718)","page":"81","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 161-4, no. 31, shallow bowl decorated with the head and shoulders of a girl in profile wearing a visor-like headdress with TARSIA B on a scroll below, probably referring to the King's daughter in the classical Story of Apollonius, King of Tyre. In note 15 the author cites two examples of 16th century women named Tarsia, one in Castel Durante and the other in Ferrara.","page":"161-4","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Cf. pp. 164-5, no. 50 a shallow bowl decorated with the head of a man in profile wearing a helmet, title RVGGIERO. Inv. no. 1965.65.67","page":"pp. 164-5","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. p. 203, no. 260 a footed dish with a male helmetted head with the name ASTOLFO on a scroll behind him, attributed to Casteldurante or Urbino. c. 1520-30.","page":"203","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-75231","uid":"adlib-term-75231","uuid":"29e4fe09-c40b-3c6e-b4b6-72cde48a1ff8"},"summary_title":"helmet"},{"@link":{"type":"literal"},"name":[{"value":"helmet"}],"summary_title":"helmet"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse severely crazed. Painted in blue, green, yellow, orange, and manganese."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48107","_score":19.10273,"_source":{"admin":{"added":1592970273000,"created":1312637261000,"flag":"Standard Record","id":"object-48107","indexed":1756836093671,"modified":1724157540000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48107","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","uuid":"af3ae69a-63a7-3e90-afed-62a32a588a3a","version":8},"agents":[{"@link":{"note":[{"value":"Pandolfo Petrucci commissioned a tile pavement for the Palazzo Petrucci, Sienna"}],"type":"reference"},"admin":{"id":"agent-174723","uid":"adlib-agent-174723","uuid":"f5006ccd-3053-3b74-8a64-2ba3ee5b976d"},"summary_title":"Petrucci, Pandolfo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, orange, brownish-red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Upper Surface","techniques":[{"description":[{"value":"cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black. Pentagonal with part of the right and left sides chipped off.\nThe main field has a yellow ground decorated with grotesques: a vase and a mask on a pole between addorsed griffins seated on a bowl, flanked by foliated scrolls. The border comprises a narrow row of oval and circular beads, and a wider row of egg and dart ornament."}],"identifier":[{"accession_number":"C.127-1927","primary":true,"type":"accession number","value":"C.127-1927"},{"priref":"48107","type":"priref","value":"48107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157197","uid":"adlib-agent-157197","uuid":"ab234587-3b80-398a-9715-ce74f88dbb64"},"summary_title":"Harris, F. Leverton, The Right Hon."}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1509,"era":["CE"],"latest":1509,"precision":"circa","value":"1509"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-189453","uid":"adlib-agent-189453","uuid":"73c60f26-7cd8-3336-9e7e-efe2008e3a3c"},"summary_title":"Unidentified Siena pottery"}],"note":[{"value":"The use of ornamental grotesques gained impetus in Italy after the discovery in about 1480 of the painted decoration of Nero's Domus Aurea in Rome.  By then its rooms were below ground and became known as grotte, from which the term grot\u00actesche was derived. Taken up by artists such as Pinturicchio and Signor\u00acelli, and dissemi\u00acnated by prints, grotesques rapidly became one of the most popular forms of Renaissance decoration. Maiolica potters working in Siena  had local examples in the splendid pendentives of the vault in the Piccolom\u00acini Library in the Cathe\u00acdral, which was commissioned by Cardinal Francesco Piccolomini from Pintur\u00acicchio and was completed about 1507.                                                                                                                                                                            \nThis tile fragment (and C.128-1927, C.129-1927, and C.130-1927) and another border tile fragment which has lost most of its glaze (C.131-1927) formed part of a tile pavement commissioned by Pandolfo Petrucci (1452-1512) for the Camera Bella, one of a suite of rooms in the Palazzo Petrucci which were to be occupied by his heir Borghesi Petrucci on his marriage to Vittoria Piccolomini which took place on 22 September 1509. The room is thought to have been decorated between 1508 and Petrucci's death, and three of the tiles are dated 1509. The pavement comprises pentagonal tiles of two sizes, square tiles and rectangular border tiles. Some of the square tiles are decorated with the quartered arms of Piccolomini and Petrucci, celebrating the 1509 marriage, or with trophies, or with figures in landscapes reminiscent of those by Pinturicchio, Signorelli and Genga. The majority are decorated with grotesques, and the pavement as a whole is one of the most outstanding illustrations of this genre on early sixteenth-century maiolica. Miller and Graves (see Documentation) have shown that the tiles were originally arranged in a way which produced an eight-pointed star and cross pattern comparable to Islamic star and cross tile patterns. The cross being formed by a square tile with four pentagonal tiles around it and the star by a small square with four small pentagonal tiles to form a cross, and four contrasting square tiles in the spaces between them. \nThe earliest recorded date for the dispersal of the pavement is November 1854 when the British Museum purchased one from the estate of a London dealer, William Forrest, who died in that year. (inv. 1854,11-2,2). The largest group surviving together is in the Victoria and Albert Museum, which acquired 475 tiles from the pavement in the 1857, but now has about 433, and there are over 90 in other collections. Further examples in Britain , are six in the Potteries Museum and Art Gallery, Stoke-on-Trent, two in the National Museums of Scotland, Edinburgh, two in the Courtauld Gallery, London, and two fragments probably from the pavement in the Brtiish Museum. When cataloguing the seventeen  tiles in the Museum f\u00fcr Kunst und Gewerbe, Ham\u00acburg in 1984, Rasmussen listed the locations of other tiles from the pavement, and his list was updated and added to by Thornton and Wilson in 2009. The largest group is held by the Mus\u00e9e du Louvre. (See Documention)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129192","uid":"adlib-term-129192","uuid":"2dba38f0-9a5e-3bba-9551-1573d7540a59"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-11364","uid":"adlib-term-11364","uuid":"7245b126-74ce-3569-8149-2aeb1daafa35"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Siena"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"3.2"},{"dimension":"Height","units":"cm","value":"19.4"},{"dimension":"Width","units":"cm","value":"15.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},{"value":"fragment of a tile"}],"note":[{"type":"history note","value":"Purportedly purchased in Siena by F. Leverton Harris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48109","uid":"adlib-object-48109","uuid":"53e3a998-96e0-3cd3-9283-6226a9b85f92"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48119","uid":"adlib-object-48119","uuid":"0ec94ce2-19bb-372c-9b05-fc924e6c187e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-71760","uid":"adlib-object-71760","uuid":"ea784965-aaac-3588-9861-897396227bca"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 138-139, no. 197A","page":"pp. 138-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. vol. I, pp. 132-3, no. 386, vol. II, pl. 62, tiles from the Palazzo Petrucci","page":"132-3","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. pp. 176-7 pl. 205, colour illustration of an area of laid floor tiles from the Camera Bella, Palazzo Petrucci, Siena, c. 1509 (Victoria & Albert Museum inv. no. 4915-1857)","page":"176-7","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 116-27, nos. 79-95, tiles from the Palazzo Petrucci, Siena, where references are given for examples elsewhere.","page":"116-27","type":"reference"},"admin":{"id":"publication-6052","uid":"adlib-publication-6052","uuid":"48f217d2-c44b-3144-be9a-3c7741e5f67e"},"summary_title":"Museum f\u00fcr Kunst und Gewerbe Hamburg, Italienische Majolika"},{"@link":{"notes":"Cf. p. 105-06, no. 374, dated 1509. See also no. 371 and 373 now at \u00c9couen, and nos. 375-99. For a further acquisition see Mus\u00e9e du Louvre, 2003 berlow.","page":"105-106","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. II, pp. 608-11, no. 378, a pentagonal tile. The authors discuss the pavement in relation to architectural and mural decoration of the period, and the approximate date of its dispersal judging by the dates when tiles were purchased by museums and private collectors. On p. 610 they update and add to the list of tiles made by Rasmussen, 1984. See also pp. 611-2, no. 379 two fragments  of tiles.","page":"Vol. II, pp. 608-12","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002882","uid":"adlib-publication-200002882","uuid":"8de3daaa-89bb-3a56-bb72-edbc68a7e104"},"summary_title":"Ancora due righe su Siena"},{"@link":{"type":"reference"},"admin":{"id":"publication-8947","uid":"adlib-publication-8947","uuid":"52ba0d6b-52e3-3851-9b56-2681ab3df986"},"summary_title":"Early English and Continental Pottery from the John Philip Kassebaum Collection"},{"@link":{"notes":"Cf. p. 33, nos. 21-2.","page":"33","type":"reference"},"admin":{"id":"publication-7529","uid":"adlib-publication-7529","uuid":"9257f380-1802-32af-bc3b-9d0b0abd8e70"},"summary_title":"Italian Maiolica in the National Museums of Scotland"},{"@link":{"notes":"Cf. p. 58, no. 20, (inv. ECl. 2377) and pp. 58-9, no. 21 (inv. ECl. 2469), examples in the Mus\u00e9e national de la Renaissance, at \u00c9couen, formerly in the Mus\u00e9e de Cluny, Paris, when cited by Rasmussen, 1984.","page":"58-9","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 140-4, no. 25, dated 1509, and no. 26. (inv. nos. O 1966.GP72.1 and O 1966 GP72.2) Tiles formerly in the Gambier Parry collection.","page":"140-4","type":"reference"},"admin":{"id":"publication-8944","uid":"adlib-publication-8944","uuid":"8ae54e96-a8df-31e0-8da3-ff6694ce355b"},"summary_title":"Italian and Other Early Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"pp. 58-60 contribution by Marie-Laure de Rochebrune on thirty-three tiles from the Palazzo Petrucci pavement set into a table top attributed to the \u00e9beniste, Alexandre-Georges Fourdinois (1799-1871) made about 1860.","page":"58-60","type":"reference"},"admin":{"id":"publication-8946","uid":"adlib-publication-8946","uuid":"591dbe82-dd4a-34d0-a851-fa24bbfd366c"},"summary_title":"Mus\u00e9e du Louvre. Catalogue. Nouvelles acquisitions du d\u00e9partement des Objets d'art 1995-2002"},{"@link":{"notes":"Cf. p. 384, nos. 507a-b two pentagonal tiles with grotesques on a dark brown ground with an egg and dart border from the pavement in the Camera Bella of the Palazzo Petrucci in Siena.","page":"384","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108315","uid":"adlib-term-108315","uuid":"ea06694f-bb83-3a27-b0af-df81ae797f21"},"summary_title":"griffin"},{"@link":{"type":"literal"},"name":[{"value":"griffin"}],"summary_title":"griffin"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment","title":[{"value":"Fragment of a pentagonal tile from the Palazzo Petrucci, Siena"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":3,"total":3}]