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The cover, modeled to form the head, has a lower rim which sits within the body of the lower part; the base of which is fixed with nails onto a turned, circular wooden base-plate. There are incisions through the clay which serve as the pupils of the eyes, and at the top of the beak."},{"value":"The bird has a large brown beak, curved downward at the tip, its head is tipped slightly to one side and the eyes modeled to give it a comically wise expression.  It has brown and blue plumage, with tufts of feathers around the eyes. The feathers are splayed onto the base at the back; the legs, painted with a yellow-brown stripe, each end with three toes spread across the base at the front.  The makers mark with the date 5-1897 is incised in black script across the back of the base."}],"identifier":[{"accession_number":"C.1226 & A-1928","primary":true,"type":"accession number","value":"C.1226 & A-1928"},{"priref":"71623","type":"priref","value":"71623"},{"date":[{"earliest":1925,"latest":1925,"value":"1925"}],"source":"Glaisher MS Catalogue Vol.39","type":"old object number","value":"4737"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71623"}],"inscription":[{"description":[{"value":"the s of Bros is raised"}],"location":"at back of base and round rim of detachable head","method":"incised in script","transcription":[{"value":"Martin Bros London &\/Southall\/5-1897"}],"type":"mark"},{"location":"inside head of bird","transcription":[{"value":"Martin Bros. Potters, 16, BROWNLOW ST., HIGH HOLBORN, LONDON."}],"type":"label"},{"location":"in the body of the bird","transcription":[{"value":"MARTINWARE\nNOTICES:- THE TIMES (LEADER)                DEC   22   1885\n                   PALL MALL GAZETTE                FEB     4   1890\n                   MAGAZINE OF ART (ILLUS)       SEP          1882\n                   ART JOURNAL                           JULY         1883\n                   BRITISH ARCHITECT                 NOV          1884"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-164806","uid":"adlib-agent-164806","uuid":"32ad1dba-2b4e-3170-bad1-91ce6cb808a1"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Perhaps originally following in the tradition of English pottery \u2018owl\u2019 jugs and jars, the birds acquired a striking anthropomorphic quality, which in some becomes a caricature of human \u2018types\u2019 (such as \u2018The Judge\u2019) or known personalities, such as the Prime Minister, Gladstone. At the time they were made, such caricatures were popular in illustrations, an example being H Stacy Marks\u2019 painting of storks in human attitudes, published in the Magazine of Art in 1878.\nRobert Wallace Martin  (1843-24) and his brothers Walter (1857-1912) and Edwin (1860-1915) were amongst the first \u2018artist-potters\u2019 of the late nineteenth century. They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London.\nThe Wally Birds, so called because they were modelled by Robert Wallace Martin, are a particularly good example of the brothers\u2019 working together. Both Edwin and Walter Martin drew caricatures of humans as birds, both in pencil and watercolour, and Charles modified the lids so they could be turned from side to side (Haslam, 1978, p.91). The Fitzwilliam collection also contains an unusually large Martin Brothers\u2019 \u2018owl\u2019 (height 103cm),which is truer to nature, but also bears a quizzical, human-like, expression (C.41 & A-1928)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, 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