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Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120072","uid":"adlib-term-120072","uuid":"f2a6661f-ccfe-38cf-a4f5-d56df121ce83"},"summary_title":"moulding in relief"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Buff, slightly pinkish moulded terracotta, tin-glazed white on the front; dribbles of glaze on the back. Triangular framgent with flat lower edge. The back is hollowed out where it projects at the front. The right edge is smooth and has some cement attached to the middle; the left side has been broken irregularly. Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple.\nA pope, Sixtus II (St), kneels in profile to right. His head is raised and his left hand rests on his chest; his right hand is held just above waist level and originally had the fingers extended. He is bearded and bareheaded; his tiara rests on a bank of clouds behind him and there is another bank of clouds in front of him."}],"identifier":[{"accession_number":"M.2-1928","primary":true,"type":"accession number","value":"M.2-1928"},{"priref":"48237","type":"priref","value":"48237"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_2_1928"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237"}],"inscription":[{"description":[{"value":"rectangular with serrated edge on left and a red line printed down that side"}],"method":"inscribed in pencil","transcription":[{"value":"6939"}],"type":"label"},{"description":[{"value":"half an octagonal label with fancy blue printed border"}],"method":"inscribed in black ink","transcription":[{"value":"...09"}],"type":"label"},{"description":[{"value":"lot number in Marcioni-Lucatelli sale in 1914"}],"location":"on back","method":"hand-written in pencil","transcription":[{"value":"317"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-07-05"}],"method":{"value":"given"},"note":[{"value":"M.1-1928 was entered on 5 July 1928 and nothing else before this item."}]}],"creation":[{"date":[{"earliest":1853,"era":["CE"],"latest":1853,"note":[{"value":"Accessioned as sixteenth century, but  mid nineteenth century."}],"precision":"in or after","value":"1853"}],"maker":[{"@link":{"qualifier":"style of","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-35506","uid":"adlib-agent-35506","uuid":"96e5f49c-1ec6-3f34-b799-3b11533c41b7"},"summary_title":"Della Robbia, Giovanni"},{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-52285","uid":"adlib-agent-52285","uuid":"c3446dd9-cacf-31e2-96e7-110d3656f4b0"},"summary_title":"Ginori family"}],"note":[{"value":"This fragment of a larger lunette-shaped relief shows a kneeling Pope, his status indicated by the papal tiara resting on the clouds behind him. When sold in Sotheby\u2019s sale of the Marcioni and Lucatelli collections of Italian maiolica on 17 February 1914, it was described as \u2018a very fine piece of Della Robbia ware\u2019. And when presented to the Museum by the Friends of the Fitzwilliam in 1928, it was still attributed to the Della Robbia workshop.  The Pope bears a resemblance to kneeling figures by Andrea Della Robbia, such as the Apostles in his Pentecost of c. 1500-05 in San Matteao, Memmenano, but the modelling is much shallower. It is now known to have been produced in 1853 or shortly after by the Ginori factory at Doccia in Tuscany. \n\nThe figure formed part of the left side of a lunette with reliefs of a standing Madonna and Child with Saint Sixtus (Pope Sixtus II, d. 258 CE)  kneeling in adoration on the left, and St Barbara standing on the right, closely based on the painting known as the 'Sistine Madonna' by Raphael (1483-1520) which had been commissioned in 1512 for the church of San Sisto (Sixtus) in Piacenza, and now in the Gem\u00e4ldegalerie Alte Meister in Dresden. \nSix of these Della Robbia style lunettes were commissioned by a wealthy art collector and benefactor, Francis Joseph Sloane (1794-1871), who installed one of them in the Villa Medici at Careggi which he had acquired in 1848. Sloane\u2019s great wealth was partly derived from his co-proprietorship of a copper mine at Corporciano, near Montecatini Val di Cecina in Tuscany, and two of the lunettes were installed there: one the fa\u00e7ade of an oratory dedicated to the Madonna and St Barbara, the patron Saint of miners, and the other in a subterranean chapel in the mine. Two more reliefs were placed in churches in the via in the via delle Masse, Florence, and at Briglia. These lunettes were a new departure for the Ginori factory which had previously produced tin-glazed terracotta reliefs based on fifteenth-century sculpture by the Della Robbia family. They were clearly identified as modern products by the presence of a shield bearing the Ginori arms and the inscription \u2018Manifattura Ginori 1853\u2019 situated behind the kneeling Saint Sixtus.\n\nThe history of this fragment is not known before it came to England in 1914, but it seems likely to have been part of the relief whose whereabouts is not known, or of a later example. Its right edge follows the division between the left and central sections of the surviving lunettes, but the left side is unevenly broken, and the shield of arms is missing. This may have resulted from accidental damage, but seems more likely to have been the result of deliberate intervention to remove evidence of the relief\u2019s true date. The fragment demonstrates how the high quality of Della Robbia-style reliefs legitimately made by the Ginori factory permitted them to be passed off as Renaissance works on the art market within a fairly short time of their manufacture. Another example of this, by an unidentified maker,  is the Madonna and Child, M.2 & A-1935."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably Doccia"}],"summary_title":"Doccia"},{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"possibly Florence"}],"summary_title":"Florence"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"8.1"},{"dimension":"Height","units":"cm","value":"55.3"},{"dimension":"Width","units":"cm","value":"47.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18062","uid":"adlib-media-18062","uuid":"3c645932-633e-32fb-b03f-c46dc673b0e8"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581271034,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581271034,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18063","uid":"adlib-media-18063","uuid":"59db93d2-8a01-3bfb-9ba6-51cb2dff3eb5"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581285447,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581285447,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-98879","uid":"adlib-term-98879","uuid":"a807b416-0933-32ec-ac29-34611d921ed9"},"summary_title":"relief"}},{"value":"fragment of a relief"}],"note":[{"type":"history note","value":"Formerly Arcangelo Marcioni or Ferdinando Lucatelli of Orvieto;  sold Sotheby's, 17th February, 1914, Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto, p. 32, lot 317; Sotheby's, 18 June 1928, Continental and English Pottery, lot 29; Alfred Spero, from whom purchased."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"notes":"Publ. p. 32, lot 317","page":"p. 32","type":"reference"},"admin":{"id":"publication-3176","uid":"adlib-publication-3176","uuid":"db0123f1-4cf4-3dcb-95d2-d4afd9031305"},"summary_title":"Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto"},{"@link":{"type":"reference"},"admin":{"id":"publication-905","uid":"adlib-publication-905","uuid":"5b4f6f57-dec2-380d-8bea-975e31bf9dac"},"summary_title":"Friends of the Fitzwilliam Museum, Twentieth Annual Report, 1928"},{"@link":{"notes":"Publ. pp. 110-11, brief mention as Ginori of c. 1853, of the other lunettes and this fragment","page":"110-11","type":"reference"},"admin":{"id":"publication-200003003","uid":"adlib-publication-200003003","uuid":"11573bb7-662c-3f88-8d43-9202e761565b"},"summary_title":"Doccia Porcelain in the Fitzwilliam Museum"},{"@link":{"notes":"Cf. I, pp. 246-7, kneeling fiure","page":"246-7","type":"reference"},"admin":{"id":"publication-3449","uid":"adlib-publication-3449","uuid":"92060a5e-9ba4-339c-b435-3f3a3655f1c1"},"summary_title":"I Della Robbia. La scultura invetriata nel Rinascimento"},{"@link":{"notes":"Cf. catalogue of an exhibition held at the Villa Corsi-Salviati at Sesto Fiorentino, p. 85, for mention of the relief, and p. 107, no. 54, lunette of the Madonna and Child with St Gregory? and St Barbara","page":"85, 107","type":"reference"},"admin":{"id":"publication-6433","uid":"adlib-publication-6433","uuid":"b27729b2-d663-33ef-ba7f-92b467ade5ce"},"summary_title":"Immagini di devozione ceramiche votive nell'area fiorentina dal XVI al XIX secolo"},{"@link":{"notes":"Ref.","page":"408-11","type":"reference"},"admin":{"id":"publication-200002999","uid":"adlib-publication-200002999","uuid":"3b02af54-47d1-3358-b0dc-7dbdb9db6100"},"summary_title":"Montecatini Val di Cecina. L'oratorio della miniera di Caporciano. Sotria, arte, tradizioni, curiosit\u00e0"},{"@link":{"notes":"Ref. p. 57, Francesca Petrucci, 'Una Lunetta della manifattura Ginori nel vano attiguo alla cappella', where the lunette at Careggi is illustrated in pl. 57.","page":"57","type":"reference"},"admin":{"id":"publication-7959","uid":"adlib-publication-7959","uuid":"50363207-39c5-3300-ad6e-6463e994c720"},"summary_title":"La villa medicea di Careggi e il suo giardino. Storia, rilievi e analisi per il restauro"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 97-116, Maria Grazia Vaccari, 'Tecniche e metodi di lavorazione'.","page":"97-116","type":"reference"},"admin":{"id":"publication-9060","uid":"adlib-publication-9060","uuid":"5726b776-98ca-3b34-a905-c10483184f46"},"summary_title":"I Della Robbia e l'arte nuova della scultura invetriata"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 83-95, Charlotte Hubbard and Peta Motture, 'The Making of Terrcotta Sculpture: Techniques and Observations'.","page":"83-95","type":"reference"},"admin":{"id":"publication-9061","uid":"adlib-publication-9061","uuid":"dff0d995-feb2-3433-82a4-03987579338b"},"summary_title":"Earth and Fire, Italian Terracotta Sculpture from Donatello to Canova"},{"@link":{"type":"reference"},"admin":{"id":"publication-9062","uid":"adlib-publication-9062","uuid":"6e5d6089-ae91-3f18-83fd-2bedc5d74ec3"},"summary_title":"The Oxford Dictionary of the Christian Church"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-76885","uid":"adlib-term-76885","uuid":"86f669e4-0cdf-30d5-a550-61cccbfd30c8"},"summary_title":"tiara"},{"@link":{"type":"literal"},"name":[{"value":"tiara"}],"summary_title":"tiara"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-98879","uid":"adlib-term-98879","uuid":"a807b416-0933-32ec-ac29-34611d921ed9"},"summary_title":"relief"}},"summary_title":"relief","title":[{"value":"Kneeling Pope"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-28896","_score":16.37443,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-28896","indexed":1765821720572,"modified":1765790804000,"processed":1765821718405,"source":"adlib","stream":"fitz-online","uid":"adlib-object-28896","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28896","uuid":"b7ec25c7-a3f1-3f48-976b-7f29b2b472cc","version":13},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-117065","uid":"adlib-term-117065","uuid":"e8b6d70e-fccf-30c9-b802-d0e7d5279820"},"summary_title":"fritware (stonepaste)"}],"component":[{"materials":[{"note":[{"value":"blue, green, turquoise,  with black outlines"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-31338","uid":"adlib-term-31338","uuid":"592bb158-b2e6-372c-ab3a-42267397cb42"},"summary_title":"pigment"}},{"note":[{"value":"colourless"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}}],"name":"Upper Surface","techniques":[{"note":[{"value":"blue, green, turquoise,  with black outlines"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120109","uid":"adlib-term-120109","uuid":"0ac0da43-b119-38cf-9afd-87a3520c8d17"},"summary_title":"painting underglaze"}},{"note":[{"value":"colourless"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-58282","uid":"adlib-term-58282","uuid":"e8aea193-be04-3716-b610-8a1e95b86eed"},"summary_title":"plants"}]},"department":{"value":"Applied Arts"},"description":[{"value":"fritware painted in four colours under a colourless glaze"},{"value":"fritware, mould made, painted in blue, green, turquoise and black under a colourless glaze.\nForms part of a panel comprising twenty three tiles. 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The surrounding area is filed with vine leaves, bunches of grapes and flowers including tulips painted in blue or green with turquoise highlights.\nLower surface: undecorated except for splashes of glaze and areas of plaster"}],"identifier":[{"accession_number":"C.4G-1928","primary":true,"type":"accession number","value":"C.4G-1928"},{"priref":"28896","type":"priref","value":"28896"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28896","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28896"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of 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