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It has shoulder-length wavy hair with a lock falling over its forehead. Its wings project behind it, from either side of a circular hole in its back. It wears a gown with a collar and cross bands; over its left shoulder it has a cloak, draped across in front and looped up below its right hip; over its right shoulder there is a narrow drape which falls down in front and is held up to the pedestal in its right hand. The base is narrow and irregularly shaped. The face, hands and feet are pinkish-buff; the gown is blue with a white collar and yellow cross-bands; the right sleeve is white at the bottom and has a green lining; the cloak is yellow with a purple lining. The hair, wings, pedestal and vase are white. 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Her weight is on her right foot and she rests her left on the torso of Holofernes, whose left shoulder and arm project over the edge of the pedestal. Judith holds his decapitated head by its hair in her left hand; her right arm is raised, the hand grasping a sword hilt (the blade missing). She has long hair, waist length at the back, falling in ringlets over her shoulders at the side. She wears a long gown with elbow-length sleeves, and a full-skirted, sleeveless tunic, fastened by a belt and doubled up over her hips. She has sandals, a bead armlet on each arm and a small tiara or frontlet.\nThe pedestal is yellow with a purple top. Judith's hair is brownish-yellow. Her gown is white with a yellow hem. Her over-gown is blue with yellow ornament round the neck, a yellow belt and hem. Her sandals are purple, her tiara, armlets and sword hilt yellow. Her flesh is tinted slightly pink and her features are delineated in manganese. Holofernes' torso is greyish-white; the edge of his neck is red, his hair and beard brown and his features manganese."}],"identifier":[{"accession_number":"C.2170-1928","primary":true,"type":"accession number","value":"C.2170-1928"},{"priref":"48211","type":"priref","value":"48211"},{"source":"Glaisher MS Catalogue, vol. 29","type":"old object number","value":"4674"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48211","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48211"}],"inscription":[{"description":[{"value":"rectangular with blue printed border"}],"method":"inscribed in black ink in J.W.L. Glaisher's hand","transcription":[{"value":"4674\/..."}],"type":"label"},{"description":[{"value":"circular white paper label"}],"method":"printed in black and hand-written in black ink","transcription":[{"value":"'.J.W.L. 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In art, the theme symbolized the triumph of humility over pride and vice, and we well known to Florentines through Donatello's bronze in the Piazza della Signoria."},{"value":"The tin-glazed terracotta group of Judith was attributed to Giovanni Della Robbia (1469-1529\/3- by Marquand (1920), and this opinion was upheld by Gentilini (nd 1992). Nine examples, excluding the Fitzwilliam\/'s have been recorded with their present locations by Tscermak von Seysenegg (1986 and 1989). Each model differs in some respects from the others. Rackham (1935) dated this example to about 1525  but it was probably made in the mid-19th century, The revised dating follows thermoluminescence analysis by the Research Laboratory for Archaeology and the History of Art, Oxford (sample 581m28 taken 8 October 1993, report dated 19 November 1993) which estimated that the material of the sample was last fired less than 200 years ago, i.e. after 1793. 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(1794-1866), Master of Trinity College, Cambridge; Dr Bampstead, Leighton, Trumpington Road, Cambridge; sold  on the premises, 14-17th August, 1917, his sale lot 20; sold for \u00a31 to Mr Jolley of Cambridge, by whom sold for \u00a34.10s. on 6 October 1917 to Dr J.W.L. Glaisher, FRS,  Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. I, p. 282, no. 2170, II, pl. 162. Attributed to Giovanni Della Robbia and dated to about 1525.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. and cf. p. 212, illustrated p. 211, fig. 153. H. 50 cm (the base is much higher than the Fitzwilliam's). This example, formerly in the Bardini collection is now in the Boston Museum of Fine Arts (inv. no. 46.839)","page":"212","type":"reference"},"admin":{"id":"publication-5655","uid":"adlib-publication-5655","uuid":"3558a7cd-de86-3c23-8c3b-5c5179cb5ca4"},"summary_title":"Giovanni della Robbia"},{"@link":{"notes":"Ref. and cf. pp. 30-1, pls. 3-5 which include the torso of Holofernes. p. 30, pl. 3 in the Kunstgewerbemuseum Schloss K\u00f6penick, Berlin (inv. no. Kh 9). p. 30, pl. 4, Bardini Museum, Florence. p. 31 pl. 5 Galerie Bellini, Florence. p. 32-3, pl. 7and detail, an example without the torso, with right hand and sword restored, then in a private collection in Stuttgart, and in 2009 with a London dealer.","page":"27-36","type":"reference"},"admin":{"id":"publication-200002267","uid":"adlib-publication-200002267","uuid":"8374d736-a735-3fdc-998f-baa264cd957e"},"summary_title":"Die Judith von Giovanni della Robbia"},{"@link":{"notes":"Ref. and cf. p. 67, pl. 1, an example at Schloss Pillnitz, near Dresden (Inv. no. 43518). This model differs considerably from the Fitzwilliam's. It has slashes cut in Judith's gown so that they reveal the front of her legs, and it does not have the torso of Holofernes at her feet. see also Richeter, 2008.","page":"67","type":"reference"},"admin":{"id":"publication-200002268","uid":"adlib-publication-200002268","uuid":"7a50e1c8-c037-32a3-b41b-b9fae5f7c3c3"},"summary_title":"Nochmals: Die Judith von Giovanni della Robbia, eine weiter Replik in Dresden"},{"@link":{"notes":"Cf. p. 86, no. 36, attributed to the Della Robbia workshop, first half of 16th century. This is the model at Schloss Pillnitz, near Dresden.","page":"86","type":"reference"},"admin":{"id":"publication-6261","uid":"adlib-publication-6261","uuid":"445cc21f-ed97-3c1d-acba-fce0d4f1733c"},"summary_title":"G\u00f6tter, Helden und Grotesken, Das Goldene Zeitalter der Majolika"},{"@link":{"notes":"Cf. pp. 559-63, lot 725, h. 62.5 cm. attributed probably to Giovanni della Robbia, c. 1510-20. Estimate \u00a335-52,000.E. 40-60,000. Provenance not given. This is the same model as the Fitzwilliam's.","page":"559-63","type":"reference"},"admin":{"id":"publication-6431","uid":"adlib-publication-6431","uuid":"33b5e1a9-43d8-3747-bc67-a541758ebd9e"},"summary_title":"Collection Yves Saint Laurent et Pierre Berg\u00e9, Sculptures, Objets d'Art, Art d'Asie, Arch\u00e9ologie et Mobilier"},{"@link":{"type":"reference"},"admin":{"id":"publication-3449","uid":"adlib-publication-3449","uuid":"92060a5e-9ba4-339c-b435-3f3a3655f1c1"},"summary_title":"I Della Robbia. La scultura invetriata nel Rinascimento"},{"@link":{"notes":"Cf.  pp. 132-3, no. VI.3, David holding the head of Goliath, a small sculpture, attributed to Giovanni Della Robbia, in the Mus\u00e9e des Antiquit\u00e9s, Rouen.","page":"132-3","type":"reference"},"admin":{"id":"publication-7961","uid":"adlib-publication-7961","uuid":"0aede0a3-08ec-3ce8-b94e-2b2c51ed14c6"},"summary_title":"Les Della Robbia, Sculptures en terre cuite \u00e9maill\u00e9e de la Renaissance italienne"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 97-116, Maria Grazia Vaccari, 'Tecniche e metodi di lavorazione'.","page":"97-116","type":"reference"},"admin":{"id":"publication-9060","uid":"adlib-publication-9060","uuid":"5726b776-98ca-3b34-a905-c10483184f46"},"summary_title":"I Della Robbia e l'arte nuova della scultura invetriata"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 83-95, Charlotte Hubbard and Peta Motture, 'The Making of Terrcotta Sculpture: Techniques and Observations'.","page":"83-95","type":"reference"},"admin":{"id":"publication-9061","uid":"adlib-publication-9061","uuid":"dff0d995-feb2-3433-82a4-03987579338b"},"summary_title":"Earth and Fire, Italian Terracotta Sculpture from Donatello to Canova"},{"@link":{"notes":"Cf. p. 259, no. 201, the figure referred to in Tschermak von Seysenegg, 1986, no. 7, figs. 7-8","page":"259","type":"reference"},"admin":{"id":"publication-8690","uid":"adlib-publication-8690","uuid":"6c898b25-0124-3022-9df0-9c0fdb371644"},"summary_title":"L\u2019Italia del Rinascimento. Lo splendore della maiolica"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-42208","uid":"adlib-term-42208","uuid":"56bdf465-22ee-3b51-a8c4-fe4a29b1ca93"},"summary_title":"sword"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-4749","uid":"adlib-term-4749","uuid":"134828f6-5031-3e4b-a59b-ab4a880538d6"},"summary_title":"acanthus"},{"@link":{"type":"literal"},"name":[{"value":"sword"}],"summary_title":"sword"},{"@link":{"type":"literal"},"name":[{"value":"acanthus"}],"summary_title":"acanthus"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","title":[{"value":"Judith and Holofernes"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48237","_score":18.495775,"_source":{"admin":{"added":1592999476000,"created":1312637261000,"flag":"Standard Record","id":"object-48237","indexed":1747246339413,"modified":1735653685000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48237","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237","uuid":"f91d4d2f-00b2-3996-ac23-f4e8edf2391b","version":6},"agents":[{"@link":{"note":[{"value":"either Marcioni or Lucatelli"}],"type":"reference"},"admin":{"id":"agent-182660","uid":"adlib-agent-182660","uuid":"816f2ad1-527f-3a34-8015-49dc6cd70f3b"},"summary_title":"Marcioni, Arcangelo"},{"@link":{"note":[{"value":"either Lucatelli or Marcioni"}],"type":"reference"},"admin":{"id":"agent-182659","uid":"adlib-agent-182659","uuid":"c7f016d2-bbbc-3a7f-83c2-0863efb6b691"},"summary_title":"Lucatelli, Ferdinando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-210172","uid":"adlib-agent-210172","uuid":"84de709e-6c48-3d7d-aa07-69e968842011"},"summary_title":"Pope Sixtus II (d. 258 CE)"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-98228","uid":"adlib-term-98228","uuid":"3d747999-296f-3944-9a84-2936c3ae9f5c"},"summary_title":"sculpture"},{"@link":{"type":"reference"},"admin":{"id":"term-113354","uid":"adlib-term-113354","uuid":"934184d4-1286-3f29-8b17-dce2bde310b3"},"summary_title":"tin-glazed terracotta"}],"component":[{"materials":[{"note":[{"value":"cobalt producing opaque lavender-blue lighter translucent blue, and manganese-purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109907","uid":"adlib-term-109907","uuid":"a881f27f-ee88-3a17-9f6b-e4f2864825a3"},"summary_title":"metallic oxides"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"name":"Figures","techniques":[{"description":[{"value":"buff, slightly pinkish terracotta, tin-glazed white on the front; dribbles of glaze on the back. Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120072","uid":"adlib-term-120072","uuid":"f2a6661f-ccfe-38cf-a4f5-d56df121ce83"},"summary_title":"moulding in relief"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Buff, slightly pinkish moulded terracotta, tin-glazed white on the front; dribbles of glaze on the back. Triangular framgent with flat lower edge. The back is hollowed out where it projects at the front. The right edge is smooth and has some cement attached to the middle; the left side has been broken irregularly. Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple.\nA pope, Sixtus II (St), kneels in profile to right. His head is raised and his left hand rests on his chest; his right hand is held just above waist level and originally had the fingers extended. He is bearded and bareheaded; his tiara rests on a bank of clouds behind him and there is another bank of clouds in front of him."}],"identifier":[{"accession_number":"M.2-1928","primary":true,"type":"accession number","value":"M.2-1928"},{"priref":"48237","type":"priref","value":"48237"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_2_1928"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237"}],"inscription":[{"description":[{"value":"rectangular with serrated edge on left and a red line printed down that side"}],"method":"inscribed in pencil","transcription":[{"value":"6939"}],"type":"label"},{"description":[{"value":"half an octagonal label with fancy blue printed border"}],"method":"inscribed in black ink","transcription":[{"value":"...09"}],"type":"label"},{"description":[{"value":"lot number in Marcioni-Lucatelli sale in 1914"}],"location":"on back","method":"hand-written in pencil","transcription":[{"value":"317"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-07-05"}],"method":{"value":"given"},"note":[{"value":"M.1-1928 was entered on 5 July 1928 and nothing else before this item."}]}],"creation":[{"date":[{"earliest":1853,"era":["CE"],"latest":1853,"note":[{"value":"Accessioned as sixteenth century, but  mid nineteenth century."}],"precision":"in or after","value":"1853"}],"maker":[{"@link":{"qualifier":"style of","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-35506","uid":"adlib-agent-35506","uuid":"96e5f49c-1ec6-3f34-b799-3b11533c41b7"},"summary_title":"Della Robbia, Giovanni"},{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-52285","uid":"adlib-agent-52285","uuid":"c3446dd9-cacf-31e2-96e7-110d3656f4b0"},"summary_title":"Ginori family"}],"note":[{"value":"This fragment of a larger lunette-shaped relief shows a kneeling Pope, his status indicated by the papal tiara resting on the clouds behind him. When sold in Sotheby\u2019s sale of the Marcioni and Lucatelli collections of Italian maiolica on 17 February 1914, it was described as \u2018a very fine piece of Della Robbia ware\u2019. And when presented to the Museum by the Friends of the Fitzwilliam in 1928, it was still attributed to the Della Robbia workshop.  The Pope bears a resemblance to kneeling figures by Andrea Della Robbia, such as the Apostles in his Pentecost of c. 1500-05 in San Matteao, Memmenano, but the modelling is much shallower. It is now known to have been produced in 1853 or shortly after by the Ginori factory at Doccia in Tuscany. \n\nThe figure formed part of the left side of a lunette with reliefs of a standing Madonna and Child with Saint Sixtus (Pope Sixtus II, d. 258 CE)  kneeling in adoration on the left, and St Barbara standing on the right, closely based on the painting known as the 'Sistine Madonna' by Raphael (1483-1520) which had been commissioned in 1512 for the church of San Sisto (Sixtus) in Piacenza, and now in the Gem\u00e4ldegalerie Alte Meister in Dresden. \nSix of these Della Robbia style lunettes were commissioned by a wealthy art collector and benefactor, Francis Joseph Sloane (1794-1871), who installed one of them in the Villa Medici at Careggi which he had acquired in 1848. Sloane\u2019s great wealth was partly derived from his co-proprietorship of a copper mine at Corporciano, near Montecatini Val di Cecina in Tuscany, and two of the lunettes were installed there: one the fa\u00e7ade of an oratory dedicated to the Madonna and St Barbara, the patron Saint of miners, and the other in a subterranean chapel in the mine. Two more reliefs were placed in churches in the via in the via delle Masse, Florence, and at Briglia. These lunettes were a new departure for the Ginori factory which had previously produced tin-glazed terracotta reliefs based on fifteenth-century sculpture by the Della Robbia family. They were clearly identified as modern products by the presence of a shield bearing the Ginori arms and the inscription \u2018Manifattura Ginori 1853\u2019 situated behind the kneeling Saint Sixtus.\n\nThe history of this fragment is not known before it came to England in 1914, but it seems likely to have been part of the relief whose whereabouts is not known, or of a later example. Its right edge follows the division between the left and central sections of the surviving lunettes, but the left side is unevenly broken, and the shield of arms is missing. This may have resulted from accidental damage, but seems more likely to have been the result of deliberate intervention to remove evidence of the relief\u2019s true date. The fragment demonstrates how the high quality of Della Robbia-style reliefs legitimately made by the Ginori factory permitted them to be passed off as Renaissance works on the art market within a fairly short time of their manufacture. Another example of this, by an unidentified maker,  is the Madonna and Child, M.2 & A-1935."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably Doccia"}],"summary_title":"Doccia"},{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"possibly Florence"}],"summary_title":"Florence"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"8.1"},{"dimension":"Height","units":"cm","value":"55.3"},{"dimension":"Width","units":"cm","value":"47.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18062","uid":"adlib-media-18062","uuid":"3c645932-633e-32fb-b03f-c46dc673b0e8"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581271034,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581271034,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18063","uid":"adlib-media-18063","uuid":"59db93d2-8a01-3bfb-9ba6-51cb2dff3eb5"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581285447,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581285447,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-98879","uid":"adlib-term-98879","uuid":"a807b416-0933-32ec-ac29-34611d921ed9"},"summary_title":"relief"}},{"value":"fragment of a relief"}],"note":[{"type":"history note","value":"Formerly Arcangelo Marcioni or Ferdinando Lucatelli of Orvieto;  sold Sotheby's, 17th February, 1914, Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto, p. 32, lot 317; Sotheby's, 18 June 1928, Continental and English Pottery, lot 29; Alfred Spero, from whom purchased."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"notes":"Publ. p. 32, lot 317","page":"p. 32","type":"reference"},"admin":{"id":"publication-3176","uid":"adlib-publication-3176","uuid":"db0123f1-4cf4-3dcb-95d2-d4afd9031305"},"summary_title":"Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto"},{"@link":{"type":"reference"},"admin":{"id":"publication-905","uid":"adlib-publication-905","uuid":"5b4f6f57-dec2-380d-8bea-975e31bf9dac"},"summary_title":"Friends of the Fitzwilliam Museum, Twentieth Annual Report, 1928"},{"@link":{"notes":"Publ. pp. 110-11, brief mention as Ginori of c. 1853, of the other lunettes and this fragment","page":"110-11","type":"reference"},"admin":{"id":"publication-200003003","uid":"adlib-publication-200003003","uuid":"11573bb7-662c-3f88-8d43-9202e761565b"},"summary_title":"Doccia Porcelain in the Fitzwilliam Museum"},{"@link":{"notes":"Cf. I, pp. 246-7, kneeling fiure","page":"246-7","type":"reference"},"admin":{"id":"publication-3449","uid":"adlib-publication-3449","uuid":"92060a5e-9ba4-339c-b435-3f3a3655f1c1"},"summary_title":"I Della Robbia. La scultura invetriata nel Rinascimento"},{"@link":{"notes":"Cf. catalogue of an exhibition held at the Villa Corsi-Salviati at Sesto Fiorentino, p. 85, for mention of the relief, and p. 107, no. 54, lunette of the Madonna and Child with St Gregory? and St Barbara","page":"85, 107","type":"reference"},"admin":{"id":"publication-6433","uid":"adlib-publication-6433","uuid":"b27729b2-d663-33ef-ba7f-92b467ade5ce"},"summary_title":"Immagini di devozione ceramiche votive nell'area fiorentina dal XVI al XIX secolo"},{"@link":{"notes":"Ref.","page":"408-11","type":"reference"},"admin":{"id":"publication-200002999","uid":"adlib-publication-200002999","uuid":"3b02af54-47d1-3358-b0dc-7dbdb9db6100"},"summary_title":"Montecatini Val di Cecina. L'oratorio della miniera di Caporciano. Sotria, arte, tradizioni, curiosit\u00e0"},{"@link":{"notes":"Ref. p. 57, Francesca Petrucci, 'Una Lunetta della manifattura Ginori nel vano attiguo alla cappella', where the lunette at Careggi is illustrated in pl. 57.","page":"57","type":"reference"},"admin":{"id":"publication-7959","uid":"adlib-publication-7959","uuid":"50363207-39c5-3300-ad6e-6463e994c720"},"summary_title":"La villa medicea di Careggi e il suo giardino. Storia, rilievi e analisi per il restauro"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 97-116, Maria Grazia Vaccari, 'Tecniche e metodi di lavorazione'.","page":"97-116","type":"reference"},"admin":{"id":"publication-9060","uid":"adlib-publication-9060","uuid":"5726b776-98ca-3b34-a905-c10483184f46"},"summary_title":"I Della Robbia e l'arte nuova della scultura invetriata"},{"@link":{"notes":"Ref. 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