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John Flaxman Senior (1726-95) provided designs and plaster models for the Wedgwood vases, and invoiced Josiah Wedgwood on 25 March, 1775 (CHECK is this 3 January 1775 the date given in VAM cat 1995) for 'A pair of Vases, one with a satyr & the other with a Triton Handle \u00a33.3s.' (Wedgwood Archives, University of Keele, L1-204). The plasters are in the Wedgwood Archives. Flaxman's drawing for the ewer 'Sacred to Neptune' (Wedgwood Archives, no. 4548)"},{"value":"The form is no. 236 in the  Wedgwood Shape Book (54.30019) where they were described as 'Marine & Satyr Handles & Ewer Sacred\/to Neptune & Bacch-us'. They are also in the Shape Book water-marked 1794 rebound in 1916. They sold at 42\/- ( 2 guineas) in black and 105\/- (5 guineas) in jasper. They were still in production in 1878, see The Wedgwood Illustrated Catalogue of Ornamental Shapes 1878."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109012","uid":"adlib-term-109012","uuid":"6b3470f9-1fc6-37b1-a546-0fa985333828"},"summary_title":"red dry-bodied 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The flat underside is unglazed, and has three patch marks, and a circular ventilation hole to rear of centre. The roughly oval base has a tall, thick tree stump at the back, and rococo scrolls at the front, above which are three groups of applied flowers and leaves. Quinn stands facing the front, with his feet apart. His right hand holds an upright sword (missing), and an oval shield is strapped to his upper left arm, the clenched hand of which rests on his hip. He has a ruddy complexion, a grey beard and white hair, over which is a white broad-brimmed hat with a mauve underside, and white feathers. He wears a soft white ruff, a yellow sleeved doublet with gold borders, pockets, and red cuffs, a red and gold belt, a pink sleeveless coat with a gold edge, red breeches, and pale brown high boots. A bill projects from his right waistcoat pocket. The flowers on either side of his feet are mauve, and yellow, and those between his feet, are mauve, yellow, and red. 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The earliest Derby version of Falstaff is model E4 in Bradshaw's list of Derby figures, see, p. 95. It recurs as no. 231, see pp. 314-6 and, in five different sizes, as no. 291, see p. 339","page":"pp. 314-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. An unglazed fragment of Falstaff's doublet, with the list protruding from the pocket, was found in a kiln dump at the site of the China Works between Nottingham Road and Wood Street, in 1990 (now occupied by playing fields, car park and landscaping of the nearby Derby Technology College). See pp. 229-39, mentioned on pp. 231-2, illustrated p. 232, fig. 6, and a figure on p. 231, fig. 5, an example at Burghley House.","page":"pp. 229-39","type":"reference"},"admin":{"id":"publication-200000898","uid":"adlib-publication-200000898","uuid":"3db35781-cf62-3582-ac9b-54500b67e315"},"summary_title":"A 1770-1790 Kiln Dump of the Derby China Works"},{"@link":{"notes":"Cf. A model in the Victoria and Albert Museum, see p. 65, no. 305, and pl. 35, 13\" high.\nCf. 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See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for English porcelain figures. Cf. p. 124, fig. 58, the prin of Falstaff, Victoria & Albert Museum S.24-2009, and fig. 59 a Bow, white porcelain Falstaff, dated to c. 1752. 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