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Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. a similar vase, with thinly applied re-brown glaze on the outside, and information about Wilson\u2019s work at Wedgwood. 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A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"'Windsor Grey coloured 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A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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The mug is of  truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Brickbats & Tiles', in black. The 'B\u2019 is formed from bricks, with the spaces within the letter indicated by a doorway (containing a tree) and an upper window, where a workman sits astride the sill, hammering; a ladder reaches up to the window, whilst on the ground another man is poised to throw a brick up. The '&' is a striped bell rope. The 'T' is a church with a tall tower, across which is a flaring strip of flocking birds. There is a pink band round the rim and, at the bottom, the inscription \u2018Say the bells of St. Giles\u2019 with a green band over. The inside and handle are unpainted."}],"identifier":[{"accession_number":"C.72C-1992","primary":true,"type":"accession number","value":"C.72C-1992"},{"priref":"11832","type":"priref","value":"11832"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11832","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11832"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design; slightly off-centre."}],"location":"on the base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"description":[{"value":"Very small (could be \u2018D\u2019?)"}],"location":"on underside of foot-rim","method":"painted in black","transcription":[{"value":"A"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1955,"from":{"earliest":1955,"era":["CE"],"latest":1955,"precision":"circa","value":"1955"},"latest":1960,"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style."},{"value":"The Fitzwilliam Museum holds examples of the jug and three of the mugs from the \u2018Oranges and Lemons\u2019 set, as well as items from the King\u2019s College dinner service and Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"This mug is part of a \u2018lemonade set\u2019 comprising a jug and four mugs, originally made for sale through Liberty\u2019s and later distributed more widely. The set illustrates old London churches, using the theme of the nursery rhyme \u2018Oranges and Lemons\u2019. \u2018Brickbats and Tiles, say the bells of St Giles\u2019s\u2019 refers to builders who used to work in the vicinity of St Giles-without-Cripplegate, in the City of London. The church was one of the few to survive the Great Fire of London, but a new peal of bells was cast in 1954."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured 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Inside, 'GOD SAVE THE QUEEN' is printed in black; the letters, in capitals and shaded and hatched, are evenly spaced to form a continuous band."}],"identifier":[{"accession_number":"C.9-1986","primary":true,"type":"accession number","value":"C.9-1986"},{"priref":"11793","type":"priref","value":"11793"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11793","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11793"}],"inscription":[{"description":[{"value":"Circular backstamp. \u2018Coronation\u2019 in flamboyant scripy; \u2018QUEEN ELIZABETH\u2019 in ornate capitals; a small crown above"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"TO COMMEMORATE THE\/Coronation\/OF HER MAJESTY QUEEN ELIZABETH II\/1953\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"factory mark"},{"location":"on the exterior","method":"printed","transcription":[{"value":"19  53"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs D.V.G. 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He also designed Wedgwood commemorative mugs for the Prince of Wales's Investiture in 1969 and several royal weddings; his last, in 2005, was for the bicentenary of the Battle of Trafalgar. Guyatt\u2019s other commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood and this commemorative mug for the Coronation of Queen Elizabeth II in 1953 was the first of his Wedgwood designs to be put into large scale production.  The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. The same design was produced in black basalt with a gold printed design, and in a trial version in royal blue jasper printed in gold. 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A Shakespeare produced in black basalt or blue and white jasper, with or without a frame of the same material, is mentioned in A Catalogue of Cameos, Intaglios, Medals, Busts, Small Statues, and Bas-Reliefs . . . . made by Wedgwood and Bentley . . ., 5th edn, London, 1779, p. 44, under Class X, Section I, English Poets, '6 Shakespeare, several Models'."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42807","uid":"adlib-term-42807","uuid":"39fbe2f8-78d1-3f75-a8ca-2643967b2f2d"},"summary_title":"black basalt"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"11.6"},{"dimension":"Width","units":"cm","value":"9.4"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-195231","uid":"adlib-media-195231","uuid":"cb7327e7-c092-3105-883a-930368f44807"},"processed":{"large":{"format":"jpeg","location":"aa\/aa32\/C_117_1933_201505_jas244_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1025},{"dimension":"width","units":"pixels","value":920}]},"modified":1702926554299,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa32\/mid_C_117_1933_201505_jas244_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":557},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926554299,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa32\/C_117_1933_201505_jas244_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1025},{"dimension":"width","units":"pixels","value":920}]},"modified":1702926554299,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa32\/preview_C_117_1933_201505_jas244_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":279},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926554299,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107487","uid":"adlib-term-107487","uuid":"81cef159-a990-39df-9985-6284ce6a445c"},"summary_title":"portrait medallion"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42807","uid":"adlib-term-42807","uuid":"39fbe2f8-78d1-3f75-a8ca-2643967b2f2d"},"summary_title":"black basalt"},"type":"category"}],"note":[{"type":"history note","value":"unknown before testator"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. 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