Silver tankard embossed with a marine scene, by Christian Mundt

An image of Tankard. Christian Mundt II (German, 1612-1658). Cylindrical body of silver embossed with ornate marine scene; the cover, foot and handle of silver-gilt decorated in the auricular style. The silver cyclindrial body is heavily embossed and chased with maidens riding sea monsters, a marine deity, a fawn carrying a basket of fruit and flowers, a cherub and a baby. There is an inner body of silver-gilt and the mounts, cover and handle are also silver-gilt. The slightly domed spreading circular foot is embossed with scrolls resembling waves. The plain neck mount has two applied moulded bands. The cover is slightly domed with a plain, slightly wavy edge. The centre of the cover is embossed and chased with an auricular style pattern of scrolls. The silver-gilt auricular knop stands on a caylix of silver stiff leaves. The ornate double scroll handle is cast with a serpent's head terminal and warrior's head thumb rest. The thumb-piece is bifucated and cast in the auricular style. Three crests are engraved at the front of the neck mount: a Marquess's coronet over over a martlet on a coronet (Temple), and a bust facing to left (Brydges). Silver, parcel-gilt, embossed, chased and engraved, height, to top of finial, 25 cm, diameter, base 17.8 cm, weight, whole, 1686 g, circa 1640-1658. Auricular. Baroque.

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Tankard. Christian Mundt II (German, 1612-1658). Cylindrical body of silver embossed with ornate marine scene; the cover, foot and handle of silver-gilt decorated in the auricular style. The silver cyclindrial body is heavily embossed and chased with maidens riding sea monsters, a marine deity, a fawn carrying a basket of fruit and flowers, a cherub and a baby. There is an inner body of silver-gilt and the mounts, cover and handle are also silver-gilt. The slightly domed spreading circular foot is embossed with scrolls resembling waves. The plain neck mount has two applied moulded bands. The cover is slightly domed with a plain, slightly wavy edge. The centre of the cover is embossed and chased with an auricular style pattern of scrolls. The silver-gilt auricular knop stands on a caylix of silver stiff leaves. The ornate double scroll handle is cast with a serpent's head terminal and warrior's head thumb rest. The thumb-piece is bifucated and cast in the auricular style. Three crests are engraved at the front of the neck mount: a Marquess's coronet over over a martlet on a coronet (Temple), and a bust facing to left (Brydges). Silver, parcel-gilt, embossed, chased and engraved, height, to top of finial, 25 cm, diameter, base 17.8 cm, weight, whole, 1686 g, circa 1640-1658. Auricular. Baroque.

Image data

Accession Number: MAR.M.60-1912
Photograph copyright © The Fitzwilliam Museum, Cambridge.
Aperture: f/29.0
Focal length: 50
Camera: Canon EOS 5D
Photographer name: Michael Jones
Image height: 1025 pixels
Image width: 831 pixels
Processed with: Adobe Photoshop Lightroom 5.4 (Windows)
Filesize: 772.89kB
Exposure time: 1/100
ISO Speed: 100
Fnumber: 29/1
Captured: 2007:12:11 11:52:06

Key words

17th Century Auricular Baroque calyx chased Christian Mundt cover covered tankard cylindrical drinking vessel embossed engraved engraving female nude finial Fitz_AA German Germany gilded gilding gilt handled knop leaves lidded maidens marine mugs nude parcel-gilt scrolls serpent Silver silverware snake tankard thumb-piece thumbpiece vessel

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            The Fitzwilliam Museum (2024)
            "Silver tankard embossed with a marine scene, by Christian Mundt"
            Web page available at: https://data.fitzmuseum.cam.ac.uk/id/image/media-969113381 Accessed: 2024-11-25 05:58:57

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            {{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/image/media-969113381
            |title=Silver tankard embossed with a marine scene, by Christian Mundt
            |author=The Fitzwilliam Museum|accessdate=2024-11-25 05:58:57|publisher=The
            University of Cambridge}}

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        <figcaption class="figure-caption text-info">Silver tankard embossed with a marine scene, by Christian Mundt</figcaption>
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