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Net: C.126-2010

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Alternative views

Object information

Current Location: Gallery 27 (Glaisher)

Titles

Net

Maker(s)

Maker: Turner, Annie

Entities

Categories

Description

Hand-built lithium-glazed stoneware sculpture, made using thin coils of clay laid out on a template to create flat grid forms, which are then built up and connected to create 3D forms.

Notes

History note: Purchased from Joanna Bird Pottery, London, W4 3QE at Collect, held at the Saatchi Gallery, London

Legal notes

Given by Nicholas and Judith Goodison through The Art Fund

Measurements and weight

Depth: 34 cm
Height: 33 cm
Width: 50 cm

Relative size of this object

50 cm33 cm34 cm What does this represent?

Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.

Place(s) associated

  • London ⪼ England

Acquisition and important dates

Method of acquisition: Given (2010-07-12) by Goodison, Nicholas and Judith

Note

Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Annie Turner trained at Bristol Polytechnic and the Royal College of Art, London, setting up her first studio in 1984, in London. She has exhibited widely and teaches at Wimbledon School of Art and City Lit, London. In 1997, she established her present studio in Camberwell. She was one of the artists featured in a BBC documentary Contemporary Visions in 2003. All of her recent work draws on an intimate exploration of the ecology and history of the River Deben in Suffolk. She pushes the technical limits of ceramic form to create fragile structures that both contain and suggest fragments of this shifting waterland. ‘Turner imprints the river’s flotsam and jetsam on her work to create “objects that trigger the memory”. The resultant encrusted surfaces evoke the varied textures of the county’s waterways and skyscapes. Turner regards the Deben as a constantly transforming “living vessel” and Net, strong yet fragile, enclosed yet pervious, also has an aspect of containment for the artist where memories and associations are gathered, stored and preserved.’-Dr Victoria Avery, Keeper of Applied Arts, The Fitzwilliam Museum

Components of the work

Surface composed of lithium glaze

Materials used in production

Stoneware

Techniques used in production

Hand-building : Hand-built stoneware with lithium glaze
Glazing

References and bibliographic entries

Identification numbers

Accession number: C.126-2010
Primary reference Number: 177534
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Tuesday 15 December 2020 Last processed: Wednesday 31 March 2021

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2022) "Net" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/177534 Accessed: 2022-12-07 03:56:59

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/177534 |title=Net |author=The Fitzwilliam Museum|accessdate=2022-12-07 03:56:59|publisher=The University of Cambridge}}

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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-177534

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        <figcaption class="figure-caption text-info">Net</figcaption>
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