Le pitture di Bologna che nella pretesa, e rimostrata in'ora da altri maggiore antichità, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono il passeggiere, disingannato, ed instrutto dell'Ascoso, accademico gelato.: PB 217-2004

Current Location: In storage

Titles

Le pitture di Bologna che nella pretesa, e rimostrata in'ora da altri maggiore antichità, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono il passeggiere, disingannato, ed instrutto dell'Ascoso, accademico gelato.

Maker(s)

Author: Malvasia, Carlo Cesare, conte
Editor: Zanotti, Giampietro
Publisher: Stamperìa del Longhi

Categories

Book

Description

Terza ed.con nuova, e copiosa aggiunta.
Published: Bologna, Stamperìa del Longhi, 1732.

18 preliminary leaves, 384 pages ; 15 cm

Place(s) associated

Bologna

Acquisition and important dates

Method of acquisition: Given (2004) by Pouncey, Francoise Pouncey, Jacqueline

Dating

Production date: AD 1732

Components of the work

Support composed of paper

Materials used in production

Techniques used in production

Identification numbers

Accession number: PB 217-2004
Primary reference Number: 199859
Stable URI

Audit data

Created: Thursday 9 October 2014 Updated: Thursday 9 October 2014

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Manuscripts and Printed Books

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            The Fitzwilliam Museum (2024) "Le pitture di Bologna che nella pretesa, e rimostrata in'ora da altri maggiore antichità, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono il passeggiere, disingannato, ed instrutto dell'Ascoso, accademico gelato." Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/199859 Accessed: 2024-04-28 10:52:50

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            {{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/199859
            |title=Le pitture di Bologna che nella pretesa, e rimostrata in'ora da altri maggiore antichità, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono il passeggiere, disingannato, ed instrutto dell'Ascoso, accademico gelato.
            |author=The Fitzwilliam Museum|accessdate=2024-04-28 10:52:50|publisher=The
            University of Cambridge}}

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