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White Pot, Brown Dots: C.13-2017

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Object information

Current Location: In storage

Titles

White Pot, Brown Dots

Maker(s)

Maker: Britton, Alison

Entities

Categories

Description

Earthenware, slab-built painted with slips and matt glazed.

Tall slab-built vessel, rising from a flat base to a wider opening at the top, both near-triangular in shape. Two sides are each built from a single piece of clay, the third formed from several pieces in a mix of angular and curving shapes. The surface is coated and painted with slips, with gestural marks and dots in white and brown over varied buffs. The decoration, mostly applied prior to fabrication, displays the physical marks of application. The underside is flat and unglazed.

Notes

History note: Purchased from Alison Britton in 1986 by the donor

Legal notes

Given by Ed Wolf

Measurements and weight

Depth: 23 cm
Height: 41.5 cm
Width: 26.5 cm

Relative size of this object

26.5 cm41.5 cm23 cm What does this represent?

Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.

Place(s) associated

  • London ⪼ England

Acquisition and important dates

Method of acquisition: Given (2017-07-17) by Wolf, Ed

Dating

Late 20th Century
Elizabeth II
Production date: dated AD 1986

Note

Alison Britton (b.1948) is a leading British potter with an international reputation. She trained at the Central School of Art & Design and the Royal College of Art, where one of her tutors was Hans Coper. She has taught at the RCA for many years and is also well known as a curator, writer and lecturer. In the early 1970s, Britton played a significant part in the shift away from thrown, functional , studio ceramics towards more colourful, expressive, hand-built wares. In 1990 she was awarded an OBE in recognition of her services to the applied arts.

Britton’s abstract, gestural mark making and painterly application of slips blurs the line between art and craft. In her own words: ‘ the improvised relationship between the painted surface and the irregular form is what continues to engage me”.

Components of the work

Decoration

Materials used in production

Earthenware

Techniques used in production

Slab-building : Earthenware, slab-built painted with slips and matt glazed.

Inscription or legends present

Inscription present: handwritten signature

  • Text: Alison Britton / '86
  • Location: Underside of base
  • Method of creation: Incised
  • Type: Mark

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: C.13-2017
Primary reference Number: 221633
Entry Form Number: 1331
Stable URI

Audit data

Created: Tuesday 25 July 2017 Updated: Monday 30 November 2020 Last processed: Monday 25 July 2022

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2022) "White Pot, Brown Dots" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/221633 Accessed: 2022-09-25 05:06:53

Citation for Wikipedia

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/221633 |title=White Pot, Brown Dots |author=The Fitzwilliam Museum|accessdate=2022-09-25 05:06:53|publisher=The University of Cambridge}}

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