Walter Crane and the rhetoric of art
Author:
Gerard, David
Publisher:
Nine Elms Press
Printer:
Whittington Press
"350 copies set in 12-point Monotype Caslon and printed at Whittington for Harold Smith on Sommerville Laid paper, & bound in Morris 'Willow' pattern paper. May Day 1999"--Colophon.
Signed by the author.
Includes bibliographical references (pages 25-26).
Nine Elms series on the Arts and Crafts Movement.
26 pages ; 27 cm.
Method of acquisition: Unknown (1999)
Production date: AD 1999
"This edition of Darkfire has been designed and composed electronically by Susan Colberg. The prints by Sean Caulfield and corresponding poems by Jonathan Hart were created through a collaborative process. The images were developed on intaglio plates using mezzotint, etching and chine collé. The Spill and Cup include some hand tinting with acrylic ink and Black Wind has a layer of digital printing. The typeface used is Dante, designed by Giovanni Mardersteig, and the type was printed from polymer plates. The images are printed on Somerset, Gampi and Honen and the texts on Somerset. Sean Caulfield printed the images and texts with the technical assistance of Steven Dixon (letterpress), Marc Siegner (digital printing) and graduate students in the printmaking program at the University of Alberta." --colophon. Unbound sheets in a Japanese silk case. Limited ed. of 5 copies of which the Museum has no 4.
Support
composed of
paper
Illustrations
Chine collé
Printing
Mezzotint
Accession number: PB 6-2015
Primary reference Number: 222737
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Manuscripts and Printed Books
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The Fitzwilliam Museum (2024) "Walter Crane and the rhetoric of art" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/222737 Accessed: 2024-12-22 23:45:54
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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/222737
|title=Walter Crane and the rhetoric of art
|author=The Fitzwilliam Museum|accessdate=2024-12-22 23:45:54|publisher=The
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