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Development of art in Greece; Pliny on art; Eumarus: 832/5.f.32

Object information

Awaiting location update

Titles

Development of art in Greece; Pliny on art; Eumarus
Further developments in art

Maker(s)

Draughtsman: Flaxman, John

Categories

Acquisition and important dates

Method of acquisition: Given (1916-12) by Murray, Charles Fairfax

School or Style

British

Materials used in production

Brown ink

Components of the work

Support composed of laid paper
Leaf Size Height 213 mm Width 150 mm

Techniques used in production

Handwriting : Pen and brown ink on laid paper

Inscription or legends present

Inscription present: [i] preceding three words crossed through in brown ink; [ii] preceding two words crossed through in brown ink; [iii] preceding word crossed through in brown ink; [iv] preceding four words crossed through in brown ink; [v] preceding word crossed through in ink

  • Text: he adds his works were rude & uncomely to / the sight, but they bore somwhat[sic] of Divinity / in their aspect, thus 'tho his works were rude he was esteemed for having given something / of motion & character to them & he is said / to have excelled his competitors by much, it / is likely their works resembled some of the rude / Egyptian statues, whose bodies & limbs being of / of[sic] the same mass form a long[i] on account of their / long square general form were not unlike the / Hermes on which they were a gradual im / -provement / B.C.1134 the next[ii] the next improvement occurs in / Pliny Lib:35 Cap:8 he says the picture of / in[sic] which was the battle of the Magnetes / painted by Bularchus: was repaid with it's weigt / by Candaules king of Lydia the last of the Heraclides / who was called Myrsilus, so great now was the / dignity of painting &c / the principles[iii] beginning of the Art of painting was deli / in paintings of[iv] one color or Monochormata / the age of which is not recorded / Hegi[?]nontes, Dincas[?] & Charonas[?] ma[v] first / distinguished in painting between Masculine / & Feminine (Characters) / Eumarus the Athenian presumed to imitate all figures
  • Location: Recto
  • Method of creation: Brown ink

Inscription present: [i] preceding two words crossed through in brown ink; [ii] preceding two words crossed through in brown ink; [iii] preceding five words crossed through in brown ink; [iv] preceding two words crossed through in brown ink

  • Text: Cimon Cleonaeus improved on his Eumarus's invention / & discovered catagraphy (i.e.) varie depictum) / designing oblique images & various forms of the / face, looking-back, looking-up & looking-down / he also distinguished the joints of[i] articulations / of the members or extremities: he shewed the veins, / & besides found out the manner of representing the folds & pleats in the drapery / these improvements were made after the / time of Daedalus & pliny says[ii] before the time of Bularchus who painted the / battle of the Magnetes about 570 years after / the year[iii] 570 years after [?]...in / Daedalus & in the time of Romulus, Pliny says of this work "that then was / shewn the renown % perfection of / the art
  • Location: Verso
  • Method of creation: Brown ink
  • Text: B.C. / 627
  • Location: Verso, lower left
  • Method of creation: Brown ink

Identification numbers

Accession number: 832/5.f.32
Primary reference Number: 38298
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 20 May 2021 Last processed: Tuesday 13 June 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Development of art in Greece; Pliny on art; Eumarus" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/38298 Accessed: 2024-11-26 00:15:10

Citation for Wikipedia

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/38298 |title=Development of art in Greece; Pliny on art; Eumarus |author=The Fitzwilliam Museum|accessdate=2024-11-26 00:15:10|publisher=The University of Cambridge}}

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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-38298

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