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Light and shade in sculpture (continued): 832/7.f.58

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Object information

Awaiting location update

Titles

Light and shade in sculpture (continued)

Maker(s)

Draughtsman: Flaxman, John

Categories

Acquisition and important dates

Method of acquisition: Given (1916-12) by Murray, Charles Fairfax

School or Style

British

Materials used in production

Brown ink

Components of the work

Support composed of laid paper
Leaf Height 230 mm Width 169 mm

Techniques used in production

Handwriting : Pen and brown ink on laid paper

Inscription or legends present

  • Text: 58
  • Location: Recto, upper right corner
  • Method of creation: Graphite

Inscription present: the following in brown ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] three preceding words crossed through; [iv] inscription between marks crossed through; [v] preceding word crossed through; [vi] three preceding words crossed through; [vii] preceding four words crossed through; [viii] preceding letter crossed through; [ix] two preceding words crossed through; [x] preceding word crossed through; [xi] three preceding words crossed through

  • Text: surrounding sh[i] objects, the azure sky, the Green[ii] / various coloured sea, & the dark brown & green colour of / the Land; in their forms[iii] the general form of a / building is quadrangular, & of consequence distinguished / from the sea, whose general form is determined by / a direct horizontal line, & from the land, whose / form, is a succession & continuation of waving lines / [iv] the figures of trees & thus the general effect of / a building seen at a distance is a white square / object relieved by the darker colours of th its background / in the / of landskape & sky[iv] / As we Thus we[v] see Nature as well[vi] as well by the colour / of the materials which it has furnished[vii] for buildings, as / by the forms necessary to make them useful for habitation / that N[viii] in the natural order of Nature[ix] of things they were / intended to present white on light-coloured Quadrangu / -lar objects[x] masses, to the sight, releived[sic] by the / darker colours of its back-ground in the Lanskape[sic] / & Sky: / It is being the inention of Nature, the Architect should be careful to preserve the intention of Nature in his buildings & never to cut or perforate his mass / unless for to no[xi] to make his building more usefull[sic] / & then his voids & openings should be regulated / by the rules of Harmony
  • Location: Recto
  • Method of creation: Brown ink

Identification numbers

Accession number: 832/7.f.58
Primary reference Number: 38808
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 20 May 2021 Last processed: Tuesday 13 June 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Light and shade in sculpture (continued)" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/38808 Accessed: 2024-05-28 02:26:22

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/38808 |title=Light and shade in sculpture (continued) |author=The Fitzwilliam Museum|accessdate=2024-05-28 02:26:22|publisher=The University of Cambridge}}

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