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Mrs Basett jug
Pottery: Unidentified factory (Probably)
White earthenware, lead-glazed, transfer-printed and painted with enamels and pink lustre.
Ovoid body tapering slightly to a projecting foot, with curved neck, curved spout and an angular handle. Decorated on one side with a two-wheeled carrier’s cart led by a woman, painted partly under-glaze and finished with enamels, and on the other with a stippled transfer print of a rural scene of a house and two trees beside a river, with horses and figures, which is over-painted in green and pink enamels. Under the spout the inscription ‘Mrs Basett / 1818’, in pink lustre. The rim is lined with pink lustre. On the neck is a border of stylised berries and foliage in pink lustre, the berries filled with a paler pink lustre and a central dot, above two thin lustre bands on the shoulder. There are further lustre lines above the foot and outlining the spout, and three running down the handle and a star-like motif under the lip . The underside is flat and glazed, with a raised foot-rim.
History note: Bought by Dr Glaisher, Trinity College, Cambridge from Miss Freeman, shop in the Broadway, St Ives, Hunts., on September 26 1905 for £1.
Dr J.W.L. Glaisher Bequest
Height: 21 cm
Width: 22 cm
Method of acquisition: Bequeathed (1928) by Glaisher, J. W. L., Dr
19th Century, Early#
George III
Production date:
AD 1818
Early 19th-Century metallic lustres were produced by painting a thin layer of metal solution over the glaze and firing at a low temperature. Platinum was used to imitate silver and gold used in different concentrations or solutions, or over different coloured clays or slips, produced a range of colours from pink to copper. Known from early Middle Eastern, Moorish and Italian pottery, lustre was introduced in England by John Hammond, at Spode, c.1805. In 1810, Peter Warburton at New Hall pottery patented a method of lustre transfer printing, which is perhaps used here for the inscription.
The shape of this jug and the style of lustre lining suggest it may have been made in Staffordshire, though the technique was also popular in other regions. Potteries in Sunderland and Tyneside became known for combining lustre decoration with hand-painted transfer-prints which feature designs, verses and mottos, often with local or topical relevance.
Decoration composed of enamel ( greens, browns, grey, black, blue, pink) lustre ( pink)
Accession number: C.1142-1928
Primary reference Number: 71407
Old object number: 2365
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "Mrs Basett jug" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/71407 Accessed: 2024-04-24 19:58:34
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/71407
|title=Mrs Basett jug
|author=The Fitzwilliam Museum|accessdate=2024-04-24 19:58:34|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-71407
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa8/C_1142_1928_281_29.jpg"
alt="Mrs Basett jug"
class="img-fluid" />
<figcaption class="figure-caption text-info">Mrs Basett jug</figcaption>
</figure>
</div>
Accession Number: C.14-1920
Accession Number: C.10-1920
Accession Number: C.13-1911
Accession Number: C.2-1908
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