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Tile with dragon design: C.144-1933

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Object information

Titles

Tile with dragon design

Maker(s)

William De Morgan & Co. (Maker)
De Morgan, William Frend (Designer)
De Morgan, William Frend (Production)

Description

Square buff earthenware tile with a bas relief dragon design, covered with white slip, painted under-glaze in shades of green and blue, and clear glazed. The dragon is covered in green scales; it has a long, curling yellow tongue, sharp red teeth and a large, yellow and blue, beady eye. Its head is turned back, such that the design fills the square surface; the background is covered with stylised, scrolling foliage. Three sides of the tile have been smoothed, and none of the sides is glazed.

Notes

History note: Bequeathed by Guy Le Strange

Legal notes

Bequeathed by Guy Le Strange

Measurements and weight

Height: 15.25 cm
Height: 6 in
Width: 15.25 cm

Relative size of this object

15.3 cm6 cm What does this represent?

Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.

Place(s) associated

  • Chelsea ⪼ England
  • Merton Abbey ⪼ London ⪼ England

Acquisition and important dates

Method of acquisition: Bequeathed (1933) by Le Strange, Guy

Dating

Late 19th Century
Circa 1872 CE - 1881 1881 CE

Note

William Frend De Morgan (1839-1917), now widely regarded as the most important ceramicist of the Arts & Crafts movement, also worked in stained glass and became a successful novelist. The son of a non-conformist mathematics professor, he became a close friend of William Morris and Edward Burne-Jones and married the Pre-Raphaelite painter Evelyn Pickering (1855-1919), in 1887. As a ceramicist, De Morgan was primarily a designer/decorator and chemist, working on bought-in blanks or pots thrown to his design. He experimented widely with techniques and glazes, re-discovering methods for making and applying lustres and the colours of Iznik and Persian pottery and using them for a range of complex fantasy designs featuring ships, birds, flora and animals. The original design for this tile is held in the V&A collection (V. & A. E.613-1917, Box C.144); it has no foliage in the background and is inscribed 'Chelsea' on the back, indicating it dates from 1872-81, when De Morgan was based at Cheyne Row, Chelsea. However, it is possible the tile was made later, as most of his known relief tiles were made at Sands End, Fulham, in partnership with the architect Halsey Ricardo, from 1888-97. De Morgan made many, many designs for tiles and tile panels – some 820 are in the V&A collection.

School or Style

Arts and Crafts (movement)

People, subjects and objects depicted

Components of the work

Decoration: composed of ceramic pigment Front: composed of glaze slip

Materials used in production

Earthenware

Techniques used in production

Moulding : Buff earthenware, moudled in relief, covered with white slip, and painted in shades of blue, green, and red.

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: C.144-1933
Primary reference Number: 72008
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Wednesday 15 July 2020 Last processed: Thursday 8 April 2021

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2020) "Tile" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/72008 Accessed: 2022-01-22 18:35:23

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/72008|title=Tile|author=The Fitzwilliam Museum|accessdate=2022-01-22 18:35:23|publisher=The University of Cambridge}}

Bootstrap HTML code for reuse

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