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Box in the form of a melon: C.2365 & A-1928

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Object information

Current Location: In storage

Titles

Box in the form of a melon

Maker(s)

Production: Hannong factory (Perhaps)

Entities

Categories

Description

Tin-glazed and painted earthenware in the form of a melon on a stem with three leaves three leaves

Earthenware, tin-glazed overall, and painted naturalistically in yellow, two shades of green, and brown enamels. The oval melon is growing on a tubular stalk with three large leaves, one of which is under the fruit, and has a slight projection in the middle serving as a foot.

Notes

History note: Miss Kingsland, Croydon, from whom bought in February 1900 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge

Legal notes

Dr J. W. L. Glaisher Bequest

Measurements and weight

Length: 21.5 cm
17.9
8.8

At the moment, this record does not display units or type of measurements. We will rectify this as soon as possible.

Acquisition and important dates

Method of acquisition: Bequeathed (1928-12-07) by Glaisher, J. W. L., Dr

Dating

18th Century, Mid
Paul Hannong Period
1748 - 1754

Note

Ceramic tableware in the form of fruit, vegetables or animals was intended to deceive and delight diners. The great period for its manufacture was between about 1745 and 1775, when a pan-European passion for fruit and vegetable gardening coalesced with the fashion for naturalistic decoration as an aspect of the playful Rococo style. The craze probably began at the Meissen porcelain factory in Saxony, where compotiers (for stewed fruit) in the form of artichokes and sunflowers with handles, were already in production by the late 1740s. Within a few years porcelain tableware in deceptively naturalistic forms was being made by other porcelain factories, such as the Chelsea and Longton Hall in England. Less expensive versions were produced in tin-glazed earthenware (faïence) by factories in many Continental cities, such as Brussels, Delft, and Strasbourg. The Hannong factory in Strasbourg produced some of the finest examples between 1748-54 during the directorship of Paul Hannong. The attribution of his melon to the Hannong factory is uncertain.

School or Style

Rococo

Components of the work

Decoration composed of enamels ( yellow, two shades of gree, and brown)
Surface composed of tin-glaze
Leaves

Materials used in production

Earthenware

Techniques used in production

Press moulding : Buff earthenware, pressmoulded, hand modelled, tin-glazed, and painted in yellow, two shades of green, and brown enamels

References and bibliographic entries

Identification numbers

Accession number: C.2365 & A-1928
Primary reference Number: 73406
Old object number: 1053
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Monday 1 December 2025 Last processed: Monday 1 December 2025

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2025) "Box in the form of a melon" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/73406 Accessed: 2025-12-05 11:51:40

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/73406 |title=Box in the form of a melon |author=The Fitzwilliam Museum|accessdate=2025-12-05 11:51:40|publisher=The University of Cambridge}}

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