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Large lustre bowl with ship design
Maker:
William De Morgan & Co.
Designer:
De Morgan, William Frend
Large thrown earthenware bowl on a high, flaring, foot, decorated with cream, buff and pink slips, under-glaze blue, clear glaze and gold, silver, bronze, red and pink lustres.
The inside of the bowl is decorated with large medallion, containing a galleon in full sail, surrounded by a band of blue, red and gold dolphins and scroll work. A band of dots, on a pink ground and highlighted to give a 3-D effect, separates the two. The design, all set on a cream slip ground and highlighted in lustre, covers the whole inner surface. The galleon has a blue, gold and bronze striped hull with portholes, two square buff and pink check sails and gold rigging; it sails on stylised waves, with birds in the sky. The exterior is covered in deep blue under-glaze and decorated with six silver and gold birds flying over gold ripples. On the foot, silver-gold spikes ripple down to two thin gold bands and a row of gold dots. The deeply recessed underside is unglazed.
History note: Given by Dr Walter Howarth
Given by Dr Walter Howarth, 1942
Diameter: 38.3 cm
Diameter: 15 in
Height: 20 cm
Height: 7.8 in
Method of acquisition: Given (1942) by Howarth, Walter, Dr
19th Century, Late#
Victorian
1882
CE
-
1888
CE
William Frend De Morgan (1839-1917), now widely regarded as the most important ceramicist of the Arts & Crafts movement, also worked in stained glass and became a successful novelist. The son of a non-conformist mathematics professor, he became a close friend of William Morris and Edward Burne-Jones and married the Pre-Raphaelite painter Evelyn Pickering (1855-1919), in 1887. As a ceramicist, De Morgan was primarily a designer/decorator and chemist, working on bought-in blanks or pots thrown to his design. He experimented widely with techniques and glazes, re-discovering methods for making and applying lustres and the colours of Iznik pottery and using them for a range of complex fantasy designs featuring ships, birds, flora and animals. This bowl offers a fine example of such experimentation, complete with the flaws of work in progress: several differently coloured metallic lustres have been used, giving iridescent effects that vary as the bowl is moved around, but some colours have run and there are patches of cracked glaze. The design suggests the bowl may date from 1882-88, when De Morgan set up his factory at Merton Abbey (next door to Morris’s factory), as tiles and plates from that period feature ships and fish with similar features. The designs for the ship and for the dolphin border are in the Victoria & Albert Museum collection.
Decoration composed of glaze ( clear) slip ( cream, buff and pink) lustre ( gold, silver, bronze, red and pink) underglaze cobalt-blue
Throwing
: Thrown earthenware, decorated with slips, under-glaze blue, clear glaze and lustres.
Lustring
Glazing
Accession number: EC.27-1942
Primary reference Number: 76928
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
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IIIF Manifest
The Fitzwilliam Museum (2024) "Large lustre bowl with ship design" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/76928 Accessed: 2024-04-19 15:49:00
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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/76928
|title=Large lustre bowl with ship design
|author=The Fitzwilliam Museum|accessdate=2024-04-19 15:49:00|publisher=The
University of Cambridge}}
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<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa19/EC_27_1942_283_29.jpg"
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Accession Number: EC.11-1941
Accession Number: C.111-1935
Accession Number: C.113-1935
Accession Number: C.114-1935
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