The Crossing of the Red Sea
Workshop:
Fontana, Orazio
(Probably)
Workshop:
Patanazzi, Antonio
(Possibly)
Printmaker:
Salomon, Bernard
(After)
Maiolica dish, painted in polychrome, with the Crossing of the Red Sea.
Earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Circular with shallow, curved sides and flat centre. On the underside there are two concentric ribs surrounding the junction with the foot, now missing.
The Crossing of the Red Sea. On the right Pharoah, seated in front of his camp, raises his right arm angrily at Moses standing on the opposite shore of the Red Sea. The Children of Israel cross safely in a long procession from right to left while, in the right foreground, the Egyptian forces are prevented from following by the piled-up waves. The yellow rim is decorated with brown-outlined petals with white centres. On the back, five putti fly above clouds, four holding branches and one a drape. The outer rib is surrounded by petals with black centres, outlined in orange-brown on a yellow ground, flanked by diagonal strokes. The yellow rim is decorated with orange petals.
Given by A. A. De Pass
Diameter: 26.6 cm
Height: 3.4 cm
Method of acquisition: Given (1933) by de Pass, Alfred A.
16th Century
Renaissance
Circa
1555
CE
-
1570
CE
Probably by Orazio Fontana (d. 1571)or Antonio Patanazzi (1515-87), who worked in close contact with him. Formerly attributed to the workshop of Guido Durantino or if after 1565 of Orazio Fontana
The design was probably derived from the woodcut headed `ESOD XIII' by Bernard Salomon in Damiano Maraffi, Figure del Vecchio Testamento con versi toscani, Lyon, 1554, although it is possible that it was taken from Claude Paradin, Quadrins historiques de la Bible, Lyon, 1553, or later editions which have similar plates.
Decoration composed of high-temperature colours ( blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white)
Moulding
: Earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.
Painting
Tin-glazing
Inscription present: oval
Accession number: C.134-1933
Primary reference Number: 79986
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2023) "The Crossing of the Red Sea" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/79986 Accessed: 2023-12-04 07:43:28
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/79986
|title=The Crossing of the Red Sea
|author=The Fitzwilliam Museum|accessdate=2023-12-04 07:43:28|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-79986
Accession Number: PD.581-1991
Accession Number: 24.I.6-63
Accession Number: 22.I.7-261
Accession Number: PD.384-1995b
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