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The Lord's Prayer I: Christ teaching the Disciples how to Pray: M.49A-1904

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Object information

Current Location: In storage

Titles

The Lord's Prayer I: Christ teaching the Disciples how to Pray

Maker(s)

Maker: Nouailher, Colin
Holbein, Hans, the younger (After)
Monogrammist C. V. (After)

Entities

Categories

Description

Rectangular copper plaque enamelled en grisaille with a little flesh pink and red on a black ground, and gilded. Christ teaching the disciples how to pray, inscribed below, 'IHESVS• DICT•A•SES•DISEIPSIES QVANT/VOVS PRIEREZ HE PARSEZ: PAS•BEAV:/COP MAIS PRIEZ AMSY (sprig) MAT V'1. One of a set with M.49B-F-1904

Rectangular copper convex plaque with a small hole in each corner, enamelled en grisaille with a little flesh pink on a black round, and gilded. Clear, unevenly applied clear counter-enamel. Christ stands on a flat rock on the right addressing his disciples who stand slightly below him in a group on the left. He is barefooted, and has a gold aureole, long hair, and a beard, and wears a long gown with a cloak over it. The first disciple on the left, probably St Peter, is old and bearded, and wears a long gown with a cloak which he holds up in his right hand and clutches to his chest with his left hand. The disciple behind him, probably St John, is younger and clean-shaven with golden hair, and wears a long gown and cloak fastened together over his chest with a brooch. The head of another disciple is shown behind him, but only the tops of the heads of the rest of the group behind them are shown. A large tree stands in the background between Christ and the disciples. Gold lines run round the edges of their clothing, and there are small gold plants on the rock and beyond the tree, which is entwined by a delicate gold vine. A white panel running across the bottom of the plaque is inscribed in black with gilding over it ‘IHESVS• DICT•A•SES•DISEIPSIES QVANT/VOVS PRIEREZ HE PARSEZ: PAS•BEAV:/COP MAIS PRIEZ AMSY (sprig) MAT V1’ (Jesus said to his disciples ‘When you pray do not speak too much but pray thus’ Matthew V1) . A gold line runs round the edge of the scene and inscription. The reverse is painted in black with the number ‘1’.The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse.

Notes

History note: Uncertain before testator; possibly Robert Napier, Shandon Dumbartonshire by 1865; sold Christie’s, 5 June, 1877, part of six Lord's Prayer plaques forming lot 2594; sold to Stettiner (probably Henri), Paris; the part set was lot 289 in an as yet unidentified French sale

Legal notes

Frank McClean Bequest

Place(s) associated

  • Limoges ⪼ Haute Vienne ⪼ France

Acquisition and important dates

Method of acquisition: Bequeathed (1904) by McClean, Frank

Dating

16th Century, Mid
Circa 1540 CE - 1550 CE

Note

The scenes in the series were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904,0206. 64.1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Bibliothèque nationale, Paris (EA 25c in fol., p. 57). A French translation of 'Precation dominica' was not published, and the rarity of the prints with French text, makes it seem more likely that Colin Nouailher, had access to an illustrated Latin edition. The inscriptions on the plaques attributed to Nouailher do not exactly match all lines of the cuts with French text. While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others. See Documentation. The style of the figures on the plaque of 'Christ instructing his disciples how to pray' also has affinities with the first of a series of different illustrations to the Lord’s Prayer, initialled I.F. (Jacob Fabers), published in Jean Mallard’s 'Le Premier recueil des oeuvres de la muse cosmopolitique, laquelle par ses artz gentilz guerit toute ladrerye . '.. Paris, (Jean Loys et Jérome de Gourmont), undated, c. 1540-47.

The series was attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution is confirmed by the presence of the initials CN below the title on a plaque from the Lord’s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Musée de l’Évêché, Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). That museum is now the Musée des Beaux-Arts, Limoges.

This plaque was originally the first of a set of eight illustrating the Lords Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The second and fourth plaques are missing. The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the lines of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. The subject of the first plaque is shown out-of-doors, because this passage in the Gospel forms part of the Sermon on the Mount. At least two other plaques of this subject are known, see Documentation.

School or Style

Renaissance

People, subjects and objects depicted

Components of the work

Decoration composed of enamel ( black, white, flesh pink) gold
Plaque composed of copper Height 12 cr Width 9.7 cm
Frame Height 13 cm Width 10.5 cm

Inscription or legends present

Inscription present: sprig between AMSY and MAT VI

  • Text: IHESVS• DICT•A•SES•DISEIPSIES QVANT/VOVS PRIEREZ HE PARSEZ: PAS•BEAV:/COP MAIS PRIEZ AMSY MAT V1
  • Location: On front
  • Method of creation: Painted in black and gold
  • Type: Inscription
  • Text: 1
  • Location: Reverse
  • Method of creation: Painted in black
  • Type: Inscription

Inscription present: almost square paper label with serrated edge on three sides, and blue printed beaded border

  • Text: 1) 4899/Sei/T000/N000/A10 di un/venduta/separato . . .
  • Location: On back
  • Method of creation: Hand-written in black ink
  • Type: Label

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: M.49A-1904
Primary reference Number: 156435
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Saturday 31 December 2022 Last processed: Friday 8 December 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2023) "The Lord's Prayer I: Christ teaching the Disciples how to Pray" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/156435 Accessed: 2023-12-10 17:25:03

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/156435 |title=The Lord's Prayer I: Christ teaching the Disciples how to Pray |author=The Fitzwilliam Museum|accessdate=2023-12-10 17:25:03|publisher=The University of Cambridge}}

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