Skip to main content

Cutting from an Antiphoner for the Sanctoral: MS McClean 201.12a.4

An image of Cutting (manuscript)

Terms of use

These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.

Download this image

Creative commons explained - what it means, how you can use our's and other people's content.

Alternative views

Object information

Current Location: In storage

Titles

Cutting from an Antiphoner for the Sanctoral

Entities

Categories

Description

PHYSICAL DESCRIPTION: Parchment, 262 x 222 mm, two musical staves ruled in red ink, two fragmentary lines of text, ruled in brown ink.

CONTENTS: On reverse, antiphon to the Magnificat at first Vespers for the feast of Saints John and Paul, [Astiterunt] iusti ante dominum et ab in[vicem non sunt] separati. P. Benedicens. Ad M.; on the side with the initial, the antiphon to the Magnificat at second Vespers for the feast of Saints John and Paul, [Isti sunt due olive et duo candelabra lucencia ante dominum habent potestatem claudere celum nubibus et aperire portas eius quia lin]gue eorum claves celi [facte sunt]. Mag. Tu es [pastor ovium]; the initial T introduced the antiphon to the Magnificat at first Vespers for the feast of Saints Peter and Paul (which follows the feast of Saints John and Paul), Tu es pastor ovium, and would have been on the verso of the original leaf.

ORNAMENTATION: Ornamental initial in liquid gold and pink on blue and dark pink grounds with coloured vine-scroll infill and acanthus extensions forming partial borders.

Alternate red or blue initials [height of the gap between staves] with purple or red pen flourishing, using small scallop and trefoil motifs.

Place(s) associated

  • Perugia ⪼ Italy

Acquisition and important dates

Method of acquisition: Bequeathed (1904) by McClean, Frank

Dating

14th Century, second quarter
Circa 1325 CE - Circa 1350 CE

People, subjects and objects depicted

Project

  • Cambridge Illuminated

Materials used in production

Gold

Components of the work

Support composed of parchment

Techniques used in production

Penwork
Illumination

References and bibliographic entries

Identification numbers

Accession number: MS McClean 201.12a.4
Primary reference Number: 181398
Project ID: 1499
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 3 September 2020 Last processed: Friday 8 December 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Manuscripts and Printed Books

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Cutting from an Antiphoner for the Sanctoral" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/181398 Accessed: 2024-11-25 00:54:09

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/181398 |title=Cutting from an Antiphoner for the Sanctoral |author=The Fitzwilliam Museum|accessdate=2024-11-25 00:54:09|publisher=The University of Cambridge}}

API call for this record

To call these data via our API (remember this needs to be authenticated) you can use this code snippet:

https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-181398

Bootstrap HTML code for reuse

To use this as a simple code embed, copy this string:

<div class="text-center">
    <figure class="figure">
        <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/727/778/large_MS_McClean_201_12a_4_dc1.jpg"
        alt="Cutting from an Antiphoner for the Sanctoral"
        class="img-fluid" />
        <figcaption class="figure-caption text-info">Cutting from an Antiphoner for the Sanctoral</figcaption>
    </figure>
</div>
    

Sign up for updates

Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...