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Éléphant du Sénégal: M.20-2015

Object information

Current Location: In storage

Titles

Éléphant du Sénégal
(Senegalese elephant)

Maker(s)

Sculptor: Barye, Antoine Louis

Entities

Categories

Description

Bronze figure sculpture of a Senegalese elephant, running.

Notes

History note: Bought from The Fine Art Society, London, May 1958

Legal notes

Sir Ivor and Lady Batchelor Bequest through The Art Fund

Acquisition and important dates

Method of acquisition: Bequeathed (2015-04-27) by Batchelor, Ivor, Sir and Lady

Dating

19th Century
Production date: after AD 1874 : Original model c. 1874. First cast in bronze c. 1874. This version cast in bronze at an unknown date after 1874.

Note

Dubbed the ‘Michelangelo of the Menagerie’ by art critic Théophile Gautier (1811–72), Barye was a Romantic realist artist based in Paris who popularised the genre of animal sculpture from the 1830s onwards. Animals were very low down in the traditional Academic hierarchy of accepted subject-matter for artists, and the term animalier (an artist specialising in animals) was coined by critics specifically for Barye as a pejorative appellation. Barye was a successful monumental sculptor, but also created hundreds of small-scale models of animals for reproduction in bronze editions for middle-class homes. His last sales catalogue of 1865 listed over 230 compositions available to order as edition bronze statuettes. Keen for accuracy, Barye studied ancient animal sculptures as well as live beasts in the Musée d’Histoire Naturelle’s menagerie, copied zoological specimens in the Musée d’Anatomie Comparée and made anatomical drawings of dead lions. Bayre’s animal portraits include single animal figures (e.g. M.19-2015) and groups of predators with prey, or in combat with each other (e.g. M.1-2015), and some with human figures (e.g. M.5-2015). This model dates from the end of Barye's life. In the 1875 inventory of his studio, three examples of the Senegalese elephant were recorded: one 'finished' and two 'unfinished'. Poletti and Richarme 2000, p. 251, estimate that less then 10 examples were cast before Barye's death. At the posthumous sale of Barye's studio in 1876, this was one of the foundry models purchased by Ferdinand Barbedienne, the highly successful editor of fine art bronzes. Senegalese elephant was an immediate success for Barbedienne and continued to be produced by the foundry into the early 20th century.

School or Style

French

Project

  • Sculpture UK

Components of the work

Sculpture Depth 6.3 cm Height 13.4 cm Width 20.2 cm

Materials used in production

Copper alloy
Bronze

Techniques used in production

Casting (process) : Cast, bronze, patinated
Patination

References and bibliographic entries

Identification numbers

Accession number: M.20-2015
Primary reference Number: 201929
Old object number: 6
External ID: CAM_CCF_M_20_2015
Stable URI

Audit data

Created: Thursday 25 June 2015 Updated: Monday 16 March 2020 Last processed: Friday 8 December 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Éléphant du Sénégal" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/201929 Accessed: 2024-12-18 16:11:05

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/201929 |title=Éléphant du Sénégal |author=The Fitzwilliam Museum|accessdate=2024-12-18 16:11:05|publisher=The University of Cambridge}}

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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-201929

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