These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.
Download this imageCreative commons explained - what it means, how you can use our's and other people's content.
Nymphs et Satyres
Translated as: Nymphs and Satyrs
Painter: Diaz de la Peña, Narcisse Virgile
History note: With the Hazlitt Gallery, from whom acquired by John Tillotson, 1972
The John Tillotson Bequest, 1984, received 1985
Method of acquisition: Bequeathed (1985) by Tillotson, John
Support
composed of
panel (wood)
Panel (wood)
Height 30.2 cm
Width 40.6 cm
Painting (image-making) : Oil on panel
Accession number: PD.134-1985
Primary reference Number: 2649
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Paintings, Drawings and Prints
This record can be cited in the Harvard Bibliographic style using the text below:
Mirador deep zoom
IIIF Manifest
The Fitzwilliam Museum (2024) "Nymphs et Satyres" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/2649 Accessed: 2024-11-02 16:30:41
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/2649
|title=Nymphs et Satyres
|author=The Fitzwilliam Museum|accessdate=2024-11-02 16:30:41|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-2649
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/pdp/pdp82/large_PD_134_1985_201311_1_adn21_dc2.jpg"
alt="Nymphs et Satyres"
class="img-fluid" />
<figcaption class="figure-caption text-info">Nymphs et Satyres</figcaption>
</figure>
</div>
Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...
