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Tea and the Indian Bird
Glassmaker: Lowe, Liz
Clear glass, blown into a soft sand mould, sandblasted, hand-painted in white, pale purple, and grey enamels and lustres. The vase is of squashed elongated oval form, standing on a narrow irregularly shaped four-sided base. The left side bulges outwards more than the right. On the front there is a teapot in a square border with a zig-zag line extending downwards from it towards a bird, who stands on a chequered form which rises out of waves. Above are six half eggs on a rectangle and above them, three circular dishes. On the other side there is a spotted gold square rising out of waves, with above, a ladder, a ball and ? nails, and to the left three circular dishes over a black bar with white spots. Round the top there are four rows of spots.
History note: Purchased from the Crafts Council Shop, Victoria and Albert Museum, London
Given by Nicholas and Judith Goodison through the National Art Collections Fund
Height: 15.1 cm
Width: 11 cm
Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.
Method of acquisition: Given (1997-12-05) by Goodison, Nicholas and Judith
Late 20th Century
Elizabeth II
Production date:
AD 1997
Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Liz Lowe studied Ceramics and Glass at Leicester Polytechnic and the Royal College of Art, London. Surface patterns are often inspired by textiles and are created through painting directly onto the glass surfaces with enamels and lustres. Areas of the surface are sandblasted to create opaque, matt elements through which the shadows of the marks on each side emerge to blend with the foreground marks.
studio glass
Contemporary Craft
Decoration
composed of
enamels
( white, pale purple, and grey)
gold
Parts
composed of
glass
Mould-blowing : Clear glass, blown into a soft sand mould, sandblasted, hand-painted in white, pale purple, and grey enamels and gold
Accession number: C.98-1997
Primary reference Number: 27245
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2022) "Tea and the Indian Bird" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/27245 Accessed: 2022-12-03 05:51:51
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/27245
|title=Tea and the Indian Bird
|author=The Fitzwilliam Museum|accessdate=2022-12-03 05:51:51|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-27245
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa33/C_98_1997_1_201505_kly25_dc2.jpg"
alt="Tea and the Indian Bird"
class="img-fluid" />
<figcaption class="figure-caption text-info">Tea and the Indian Bird</figcaption>
</figure>
</div>
Accession Number: C.167 & A-1932
Accession Number: C.17-1934
Accession Number: PD.80-1948
Accession Number: M/P.1-1944
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