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Tea and the Indian Bird: C.98-1997

An image of Vase

© Liz Lowe. Photograph copyright © The Fitzwilliam Museum, Cambridge.

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Object information

Titles

Tea and the Indian Bird

Maker(s)

Lowe, Liz (Glassmaker)

Description

Clear glass, blown into a soft sand mould, sandblasted, hand-painted in white, pale purple, and grey enamels and lustres. The vase is of squashed elongated oval form, standing on a narrow irregularly shaped four-sided base. The left side bulges outwards more than the right. On the front there is a teapot in a square border with a zig-zag line extending downwards from it towards a bird, who stands on a chequered form which rises out of waves. Above are six half eggs on a rectangle and above them, three circular dishes. On the other side there is a spotted gold square rising out of waves, with above, a ladder, a ball and ? nails, and to the left three circular dishes over a black bar with white spots. Round the top there are four rows of spots.

Notes

History note: Purchased from the Crafts Council Shop, Victoria and Albert Museum, London

Legal notes

Given by Nicholas and Judith Goodison through the National Art Collections Fund

Measurements and weight

Height: 15.1 cm
Width: 11 cm

Relative size of this object

11 cm15.1 cm What does this represent?

Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.

Acquisition and important dates

Method of acquisition: Given (1997-12-05) by Goodison, Nicholas and Judith

Dating

Late 20th Century
Elizabeth II
Production date: AD 1997

Note

Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Liz Lowe studied Ceramics and Glass at Leicester Polytechnic and the Royal College of Art, London. Surface patterns are often inspired by textiles and are created through painting directly onto the glass surfaces with enamels and lustres. Areas of the surface are sandblasted to create opaque, matt elements through which the shadows of the marks on each side emerge to blend with the foreground marks.

School or Style

studio glass Contemporary Craft

Components of the work

Decoration composed of enamels ( white, pale purple, and grey) gold Parts composed of glass

Techniques used in production

Mould-blowing : Clear glass, blown into a soft sand mould, sandblasted, hand-painted in white, pale purple, and grey enamels and gold

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: C.98-1997
Primary reference Number: 27245
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 23 December 2021 Last processed: Thursday 23 December 2021

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2022) "Tea and the Indian Bird" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/27245 Accessed: 2022-07-05 10:28:36

Citation for Wikipedia

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/27245 |title=Tea and the Indian Bird |author=The Fitzwilliam Museum|accessdate=2022-07-05 10:28:36|publisher=The University of Cambridge}}

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                        <figcaption class="figure-caption text-info">Tea and the Indian Bird</figcaption>
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