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Text: 859.f.4

Object information

Awaiting location update

Titles

Text
Text

Maker(s)

Draughtsman: Brown, Ford Madox

Categories

Acquisition and important dates

Method of acquisition: Given (1917) by Murray, Charles Fairfax

Dating

Not before 1870 - 1875

School or Style

British

Materials used in production

Black ink
Graphite

Components of the work

Support composed of paper
Page Size Height 139 mm Width 229 mm

Techniques used in production

Handwriting : Recto: graphite and black ink verso: graphite on paper

Inscription or legends present

Inscription present: text in brackets indicates it has been crossed through

  • Text: (Kind of) the only technical instruction in art not prejudicial / to the recipient (that I can imagine) would be / careful (drawing from the antique under) training by (a 1st rate master) / first rate artists - this might tend to (inculcate) justify / a feeling for form & proportion (all of the following in black ink) in pictures / etc. & an ear for time in music - / setting aside the question of music we may decide / that Careful drawing from the antique / under competent supervision would be / desirable and not harmful(?), but the / effects of partial instruction on a / subordinate branch of art might be / surmised by contrast if one were to try / & imagine what might have been the result on / Lorenzo dei Medici as patron of / Michaelangelo had he been rashly? / trained to copy water-colour sketches / by (second) third-rate english artists - & (?) that / is what happen to the possible english Larenzo
  • Location: Recto
  • Method of creation: Graphite and black ink

Inscription present: text in brackets indicates it has been crossed through

  • Text: The march of modern art towards / realism & idealism: This at / first apparent anomaly - (but) & of / imitation of (?) necessarily low / objects only, & (idealism) imagination / only dealt with the supernatural - as Edgar Poe / asserts, this would be so. but that / such is not the case will be one of the / endeavours of these two lectures to prove. a possible school of painting in england of all the first / european artists. Dalou here already / (through) owing to the proverbially very ill wind not having blown. (who) Tadema also / what if we could have had Rogneau / & M been opposed to each other; all these foreign / painters improve by their contact with / English art (?) suit there be black in colours etc etc . This nouveau is an ideal & / very different aspiration to that of the south / Kensington Commissioners who seem mainly / bent on freighting over here the sweepings of / the foreign studio (on) & giving them sale
  • Location: Verso
  • Method of creation: Graphite

Identification numbers

Accession number: 859.f.4
Primary reference Number: 9338
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 20 May 2021 Last processed: Tuesday 13 June 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Text" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/9338 Accessed: 2024-05-06 13:37:38

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/9338 |title=Text |author=The Fitzwilliam Museum|accessdate=2024-05-06 13:37:38|publisher=The University of Cambridge}}

API call for this record

To call these data via our API (remember this needs to be authenticated) you can use this code snippet:

https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-9338

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