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Maker:
Morris, Marshall, Faulkner & Co.
(Possibly)
Designer:
Rossetti, Dante Gabriel
Painter:
Rossetti, Dante Gabriel
Open-back sofa of wood painted black and partially gilded, the back painted with three figures in oval medallions inscribed "Amor," "Amans," and "Amata" (Love, the Loving or Lover, the Beloved), upholstered with contemporary green cut velvet, and accompanied by a square cushion of the same fabric (A)
History note: Dante Gabriel Rossetti, 16 Cheyne Walk, London; Charles Fairfax Murray
Given by C. Fairfax Murray
Depth: 66 cm
Height: 82.6 cm
Length: 199.1 cm
Method of acquisition: Given (1918) by Murray, Charles Fairfax
19th Century, third quarter#
Victorian
Production date:
circa
AD 1862
: dated
Rossetti’s career encompassed poetry, painting and design, and bridged three key artistic schools of the late 19th century: the Pre-Raphaelite Brotherhood, the Arts & Crafts Movement and Aestheticism. His later life centred on Tudor House, 16 Cheyne Walk, Chelsea, to which he moved in 1862, after the death of his wife, artist Elizabeth Siddal (1829-62). Increasingly reclusive, his earlier interest in interiors intensified and the house became a canvas for experimentation in colour, texture, and stylistic eclecticism. This Regency revival style sofa stood in his bedroom, alongside matching green velvet curtains, and a four-poster bed hung with seventeenth century crewelwork. It was described by Rossetti's assistant, painter H. Treffry Dunn, as: 'an old-fashioned sofa, with three little panels let into the back, whereon Rossetti had painted the figures of Amor, Amans, and Amata... With its rich, dark green velvet seats and luxurious pillows, this sofa looked very pretty and formed the only comfortable piece of furniture visible’. Rossetti chose to decorate this sofa with three medallions showing a love-struck young man (‘the Loving’), a figure of Cupid with his bow and arrow (‘Love’) and a sleeping young woman (‘the Beloved’), who may resemble his late wife. Although the sofa is in an 'old-fashioned' style, it is now thought to possibly have been made for Rossetti in 1862 by decorative arts firm, Morris, Marshall, Faulkner & Company (a precursor of Morris & Company), of which Rossetti was a founding partner, in 1861. The sofa was given to the Museum by Charles Fairfax Murray, an artist, collector and dealer associated with both Rossetti and Morris, who also donated Titian’s 'Tarquin and Lucretia' to the Fitzwilliam.
Seat
composed of
velvet
( dark green)
Frame
composed of
wood
paint
gold
Decoration
Seatq
Accession number: M/F.1 & A-1918
Primary reference Number: 95820
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "Sofa and cushion" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/object/95820 Accessed: 2024-04-19 13:36:58
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/object/95820
|title=Sofa and cushion
|author=The Fitzwilliam Museum|accessdate=2024-04-19 13:36:58|publisher=The
University of Cambridge}}
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-95820
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<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa32/large_MF_1_20_26_20A_1918_1_201011_adn21_dc2.jpg"
alt="Sofa and cushion"
class="img-fluid" />
<figcaption class="figure-caption text-info">Sofa and cushion</figcaption>
</figure>
</div>
Accession Number: 1770
Accession Number: T.29-1945
Accession Number: T.92-1977
Accession Number: T.33-1949
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